Showing titles in Aesthetics

"The Birth of Tragedy" stands alongside Aristotle’s "Poetics" as essential works for all who seek to understand poetry and its relationship to human life. In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche’s analysis and integration of the Apollonian and the Dionysian.

From his vantage point as a garden designer and writer based in Kyoto, Marc Peter Keane examines the world around him and delivers astonishing insights through an array of narratives. How the names of gardens reveal their essential meaning. A new definition of what art is. What trees are really made of. The true meaning of the enigmatic torii gate found at Shinto shrines. Why we give flowers as gifts. The essential, underlying unity of the world.

Survival of the Beautiful is a revolutionary new examination of the interplay of beauty, art, and culture in evolution. Taking inspiration from Darwin's observation that animals have a natural aesthetic sense, philosopher and musician David Rothenberg probes why animals, humans included, have innate appreciation for beauty - and why nature is, indeed, beautiful.

Le dernier opus de "Cosmos" explore les arts, la poésie et la musique : ces créations humaines qui s'allient à la nature pour permettre à chacun d'expérimenter le sublime. Des origines préhistoriques à la prédominance chrétienne, de l'art bourgeois de la Renaissance jusqu'aux créations contemporaines, Michel Onfray ébauche une contre-histoire des arts, citant Mallarmé, André Breton, Tristan Tzara, Marcel Duchamp, Bachelard, Georges Rouquier ou Pierre Soulages. L'art change de paradigme, et si la notion cardinale du beau disparaît, elle laisse la place au sublime, ce sentiment d'étonnement radical et subjugué qui peut réunir en un instant l'homme et le cosmos.

Als siebenundzwanzigjähriger Philologieprofessor veröffentlichte Nietzsche die "Geburt der Tragödie", ein Werk, in dem er sein kulturelles Weltbild präsentiert. Schopenhauer, die griechische Tragödie, die Musik Wagners, verbunden mit seinen Vorstellungen von Kulturphilosophie und Ästhetik: Beim Hören zeigt sich, dass hier ein Gigant im Werden begriffen ist. Mit dabei: Ein pdf-Dokument mit Titelliste.

Tutte le culture hanno un'idea del bello e dell'arte, ma non tutte la elaborano in forma teorica consapevole ed esplicita. Il Medioevo - dopo secoli in cui è stato trattato solo come periodo buio e barbaro - è stato riscoperto come un'epoca ricca di riflessioni sulla bellezza, sul piacere estetico, sul gusto, sul bello naturale e artistico, sui rapporti tra l'arte e le altre attività umane.

Qu'est-ce que l'art ? Comment s'est-il constitué et défini à travers l'histoire ? Quels rapports entretient-il avec la philosophie ? Pour la première fois, l'éditeur des savoirs les Presses Universitaires de France et la maison de disques culturels de référence Frémeaux & Associés s'associent pour proposer des cours particuliers sur l'histoire philosophique des arts et des discours sur l'art, conçus et présentés par Carole Talon-Hugon, spécialiste française de l'approche philosophique de l'histoire de l'art.

Art is a distinct entity. It has its own characteristic, its own function, its own role to play in society. It must be afforded the status and identity it rightly deserves in a world that is becoming ever more needful of its existence. “Art”, however, has increasingly become a catch-all term. Intended primarily for artists of all colours and flavours, as well as art appreciators, this audiobook aims to free up the thinking of the artist – or indeed anyone – by opening their eyes to many unexamined assumptions, and thereby questioning the validity of strongly-held views.

Qu'est-ce que l'art ? Comment s'est-il constitué et défini à travers l'histoire ? Quels rapports entretient-il avec la philosophie...

Ecce Homo, subtitled How One Becomes What One Is, is the final original book written by Friedrich Nietzsche before he succumbed to the insanity which lasted until his death in 1900. In this extraordinary autobiography, Nietzsche chronicles his life and development as a philosopher, his tastes as an individual, and his vision for humanity.

Edgar Allan Poe’s essay, "The Philosophy of Composition", sets forth a theory on good writing. It first appeared in the April 1846 issue of Graham's Magazine, and Poe illustrates his theory on the composition of his poem, "The Raven". The three main elements of his philosophy of composition are length, logical method, and "unity of effect". Poe believed that literary works should be short, claimed that writing is methodical, not spontaneous, and asserted that a work of fiction ought to be written only after the author has decided on the conclusion.

Le dernier opus de "Cosmos" explore les arts, la poésie et la musique : ces créations humaines qui s'allient à la nature pour permettre à chacun d'expérimenter le sublime. Des origines préhistoriques à la prédominance chrétienne, de l'art bourgeois de la Renaissance jusqu'aux créations contemporaines, Michel Onfray ébauche une contre-histoire des arts, citant Mallarmé, André Breton, Tristan Tzara, Marcel Duchamp, Bachelard, Georges Rouquier ou Pierre Soulages. L'art change de paradigme, et si la notion cardinale du beau disparaît, elle laisse la place au sublime, ce sentiment d'étonnement radical et subjugué qui peut réunir en un instant l'homme et le cosmos.

Your artistry involves you intimately with the world around and beyond you. So your artistry involves profound but simple philosophical matters. As a human person, you are artful and philosophical, at the core of your being. Doorway to Artistry offers a playful, everyday philosophical approach necessary for life, integration, healing, and thriving in artistry. It reflects on the real and how we are involved with it, especially in our creative effort. In short, the real hospitably welcomes us, and in our artistry we reciprocate in noble courtesy.

La elegancia, en su etimología, está emparentada con la elección (eligĕre), de tal manera que una persona elegante, entre otras cosas, es aquella que sabe elegir. El pensamiento elegante moldea a un sujeto que no lucha por mostrarse distinto entre la multitud sino que se eleva hacia una vida distinguida.

Are you tired of repeating the same old patterns that leave you feeling alone and unheard? You're not the only one. Studies show that unresolved conflicts and lack of emotional intimacy are among the top reasons couples split up or live in misery. But what if you could change all that starting today? What if you had the tools to build a love that lasts—passionate, honest, and unbreakable? That's where Shadow Work Guide for Couples comes in. In this intimate guide, you'll embark on a transformative journey into the hidden depths of yourself and your partner.

To avoid the hurt from life's failures, we allow in more pain by downsizing our dreams. You know that you can reach that mountain top, yet deny it out of conditioned fear. The only way up is to remove every single layer of faulty programming.

La misteriosa natura del bello, a cui faceva riferimento Simone Weil, non è puramente estetica, cioè riconducibile a questioni di gusto. Essa è piuttosto ontologica ed etica, strettamente unita com'è al vero, al giusto e al bene. È questo il senso della bellezza che si ritrova nei testi classici della grecità, da Omero a Saffo ai tragici. Umberto Curi vi si sofferma ampiamente in questo suo saggio, che ha al centro l'analisi del rapporto tra bellezza e tempo.

Kant ataca por primera vez el problema estético, y aunque sus ideas fundamentales acerca del arte y la belleza se hallan sistemáticamente expuestas en su obra posterior, la Crítica del Juicio, tienen, sin embargo, las Observaciones sobre el sentimiento de lo bello y lo sublime cierto interés para el conocimiento de los orígenes de la estética kantiana. Pero sobre todo constituyen, una serie de delicadas ocurrencias, de certeras observaciones, de agudas críticas, sin el aparato solemne de la exposición didáctica.

Immanuel Kant, seiner Zeit voraus und besonders spannend im Kontext aktueller Geschlechter- und Rassismusdiskussionen zu lesen, positioniert sich in der Rolle des Beobachters und beschreibt seine Erfahrungen gegenüber dem Gefühl des Schönen und Erhabenen - in vier verschiedenen Kontexten.

Más que de estética, en el sentido estricto de la palabra, este tratado explora asuntos diversos como la moral, la psicología, la descripción de los caracteres individuales y nacionales. Temas que pueden ocurrirse alrededor del asunto principal. Es una obra sencilla, llena de ingenio y alegría. Kant, ataca por primera vez el problema estético, y aunque sus ideas fundamentales acerca del arte y la belleza se hallan sistemáticamente expuestas en su obra posterior, la "Crítica del Juicio", tienen aquí cierto interés para el conocimiento de los orígenes de la estética Kantiana.