Showing results by publisher "Bloomsbury Publishing Plc" in Law

Not long ago, the tech industry was widely admired and the internet was regarded as a tonic for freedom and democracy. Not anymore. Every day, the headlines blaze with reports of racist algorithms, data leaks, and social media platforms festering with falsehood and hate. In The Digital Republic, acclaimed author Jamie Susskind argues that these problems are not the fault of a few bad apples at the top of the industry. They are the result of our failure to govern technology properly, a failure derived from decades of muddled ideas and wishful thinking.

We may be excluded from the majority of our land, no less than 92 per cent in England, but best-selling nature writer and trespasser Nick Hayes shows how we can reclaim our lost connection. By engaging with the land through craft and learning and by caring for it, our relationship with the countryside will be better for us, and better for nature. Interwoven are testimonials from expert contributors—farmers and land workers, activists and authors—each with deeply personal stories of what a connection to nature means for them.

Chris Daw, QC, has been practising criminal law for over 25 years, navigating Britain’s fractured justice system from within. He has looked into the eyes of murderers, acted for notorious criminals and listened to the tangled tales woven by fraudsters, money launderers and drug barons. Yet his work takes place at the heart of a system at breaking point - one which is failing perpetrators, victims and society - and now he is convinced that something must change.

The vast majority of our country is entirely unknown to us because we are banned from setting foot on it. By law of trespass, we are excluded from 92 per cent of the land and 97 per cent of its waterways, blocked by walls whose legitimacy is rarely questioned. But behind them lies a story of enclosure, exploitation and dispossession of public rights whose effects last to this day. The Book of Trespass takes us on a journey over the walls of England, into the thousands of square miles of rivers, woodland, lakes and meadows that are blocked from public access.

Agatha Christie revelled in the use of poison to kill off unfortunate victims in her books; indeed, she employed it more than any other murder method, with the poison itself often being a central part of the novel. Her choice of deadly substances was far from random—the characteristics of each often provide vital clues to the discovery of the murderer. Christie's extensive chemical knowledge provides the backdrop for A Is for Arsenic, in which Kathryn Harkup investigates the poisons used by the murderer in fourteen classic Agatha Christie mysteries.

A few years ago Linda Kinstler discovered that a man fifty years dead—a former Nazi who belonged to the same killing unit as her grandfather—was the subject of an ongoing criminal investigation in Latvia. The proceedings threatened to pardon his crimes. They put on the line hard-won facts about the Holocaust at the precise moment that the last living survivors—the last legal witnesses—were dying.