Showing results by publisher "Picador" in Great Britain

Ben Judah is an acclaimed foreign correspondent, but here he turns his reporter's gaze on home, immersing himself in the hidden world of London's immigrants to reveal the city in the eyes of its beggars, bankers, coppers, gangsters, carers and witch-doctors. From the backrooms of its mosques, Tube tunnels and nightclubs to the frontlines of its streets, Judah has supped with oligarchs and spent nights sleeping rough, worked on building sites and talked business with prostitutes; he's heard stories of heartbreaking failure, but also witnessed extraordinary acts of compassion.

According to the great diarist John Evelyn, Charles II was ‘addicted to women’, and throughout his long reign a great many succumbed to his charms. Clever, urbane and handsome, Charles presided over a hedonistic court, in which licence and licentiousness prevailed. Drawing on a wide variety of original sources, including material in private archives, Linda Porter paints a vivid picture of these women and of Restoration England, an era that was both glamorous and sordid.

After victory in World War II, Britain was a relieved but also a profoundly traumatized country. Simon Winder, born into this nation of uncertain identity, fell in love (as many before and since) with the man created as the antidote, a quintessentially British figure of great cultural significance: James Bond. Written with passion, wit and a great deal of personal insight and affection, this book is his wildly amusing attempt to get to grips with Bond’s legacy and the difficult decades in which it really mattered.

It is ordinary homes, not grand public buildings or the mansions of the rich that have all the best stories. The rises and falls, the shifts in the fortunes of neighbourhoods and whole cities are here, tracing the often surprising journey one single house can take from elegant dwelling in a fashionable district to a tenement for society’s rejects. Packed with remarkable human stories, it is a phenomenal insight into living history, a history we can see every day on the streets where we live.

In her late twenties, celebrated poet Jen Hadfield moved to the Shetland archipelago to make her life anew. A scattering of islands at the northernmost point of the United Kingdom, frequently cut off from the mainland by storms, Shetland is a place of Vikings and myths, of ancient languages and old customs, of breathtaking landscapes and violent weather. It has long fascinated travellers seeking the edge of the world. On these islands known for their isolation and drama, Hadfield found something more.

From the illicit reggae blues dances and acid-rock free festivals of the 1970s, through the ecstasy-fuelled Second Summer of Love in 1988, to the increasingly corporate dance music culture of the post-Covid era, Party Lines is a groundbreaking new history of UK dance music, exploring its pivotal role in the social, political and economic shifts on which modern Britain has been built.

Thirty years ago, almost nobody talked about the white working class: in the House of Commons and the House of Lords the term had been used just three times in the previous two decades. Brexit helped to turn the group into a towering social and political force. But, in the aftermath, one-third of the population has been reduced to a cartoon. Veteran Economist journalist Joel Budd has spent years travelling around Britain, from Teesside to the Isle of Wight, south Wales to Lincolnshire. In Underdogs he offers a sharp corrective to the familiar stereotype of the white working class.

Jason Cowley, editor-in-chief of the New Statesman, examines contemporary England through a handful of the key news stories from recent times to reveal what they tell us about the state of the nation and to answer the question Who Are We Now? Spanning the years since the election of Tony Blair’s New Labour government to the aftermath of the Covid pandemic, the book investigates how England has changed and how those changes have affected us.

Maud West ran her detective agency in London for more than 30 years, having started sleuthing on behalf of society’s finest in 1905. Her exploits grabbed headlines throughout the world, but beneath the public persona, she was forced to hide vital aspects of her own identity in order to thrive in a class-obsessed and male-dominated world. And - as Susannah Stapleton reveals - she was a most unreliable witness to her own life. Who was Maud? And what was the reality of being a female private detective in the Golden Age of Crime?