Showing results by publisher "Fourth Estate" in Great Britain

With a novelist’s touch, Lucy Hughes-Hallett transports us into a courtly world of masques and dancing, exquisite clothes, the art of Rubens and Van Dyck, gender-fluidity, sex and appallingly rudimentary medicine. These were dangerous and complicated times, an era where witch hunts coexisted with Descartian rationality, and Buckingham stood at its centre until his spectacular fall from grace.

Growing up on the Falls Road in 1990s Belfast, Alix O'Neill has seen it all—burnt-out buses blocking the route to school, the police mistaking her father for a leading terrorist and a classmate playing hide-and-seek with her dad's prosthetic hand (blown off making a device for the IRA). Not that she or her friends are up to speed with the goings-on of the resistance. They’re too preoccupied with the obsessions of every teenage girl—booze, boys and Boyzone—to worry about the violence on their doorstep.

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ This collection of 20 reviews, essays and pieces of memoir from the next three decades tells the story of what happened next.

‘He invented a whole cat world’ declared H. G. Wells of Louis Wain, the Edwardian artist whose anthropomorphic kittens made him a household name. His drawings were irresistible but Catland was more than the creation of one eccentric imagination. It was an attitude – a way of being in society while discreetly refusing to follow its rules. As cat capitalism boomed in the spectacular Edwardian age, prize animals changed hands for hundreds of pounds and a new industry sprung up to cater for their every need. Cats were no longer basement-dwelling pest-controllers, but stylish cultural subversives.

This is an audiobook about a poet, about a poem, about a city, and about a world at a point of change. More than a work of literary criticism or literary biography, it is a record of why and how we create and respond to great poetry. This an audiobook about a poet, W. H. Auden, a wunderkind, a victim-beneficiary of a literary cult of personality who became a scapegoat and a poet-expatriate largely excluded from British literary history because he left.