Showing titles in Journalists, Editors & Publishers

Former big-city crime reporter Tamara Cherry calls on her award-winning skills as a journalist to examine the impact of the media on trauma survivors and the impact of trauma on members of the media. As Tamara documents the experiences of those who were forced to suffer on the public stage, she is confronted by everything she got wrong on the crime beat. Covering murders and traffic fatalities to sexual violence and mass violence, Cherry exposes a system set up to fail trauma survivors and journalists.

Women today feel a constant pressure to improve themselves and just never feel like they’re “enough.” All too often, they live their daily lives disheartened, disillusioned, and disappointed. That’s because joy doesn’t come from a new self-improvement strategy; it comes from rooting their identity in who God says they are and what he has done on their behalf.

The editor of Newsweek International since 2001, Fareed Zakaria oversees the magazine's eight editions in Asia, Latin America, Europe, Australia and the Middle East. His column, on subjects ranging from terrorism, national security and America's role in the world to the global economy and the rise of China and India, appears in Newsweek, Newsweek International and The Washington Post.

The colorful, sentimental, funny, affectionate, cantankerous memoir by the most colorful, funniest, most cantankerous-- and probably the most revered-- sportswriter of the last fifty years. Dan Jenkins is accepted as one of the greatest (if not the greatest) golf writer of all time, wrote beloved bestselling novels and abused more corporate expense accounts than anyone who ever lived. It's a touching, laugh-out-loud tribute to the romanticism of old-time sportswriting-- and the glory days of sports.

Picking up where he left off at the end of his widely praised debut memoir, One of These Things First, Gaines recounts his hilarious, sometimes poignant attempt to forge a writing career and a successful love life in the gay world of the 1970s. He has limited success until he falls in love with an older woman dying of cancer.

Os talentos que ele cultivou se tornaram conhecidos do mundo todo: F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe e vários outros. No entanto, Maxwell Perkins permaneceu um mistério, uma presença nos bastidores que servia a esses autores não só como editor, mas também como crítico, administrador de suas carreiras, financiador, terapeuta, confessionário e amigo.

By a series of coincidences, Mark Kurlansky’s life has always been intertwined with Ernest Hemingway's legend, starting with being in Idaho the day of Hemingway’s death. The Importance of Not Being Ernest explores the intersections between Hemingway’s and Kurlansky’s lives, resulting in creative accounts of two inspiring writing careers. Travel the world with Mark Kurlansky and Ernest Hemingway in this personal memoir, where Kurlansky details his ten years in Paris and his time as a journalist in Spain.

A story of a young woman left behind and a young reporter coming of age in a world of war; a gripping memoir of Cambodia and Vietnam in the 1970s. As brutal wars in Cambodia and Vietnam come to swift and cataclysmic ends, a young reporter plans a last minute rescue of a woman he loved. The rescue fails.

One of America's best-known rock and entertainment journalists describes his journey from his childhood, cooped up in the "rice room" of his family's restaurant in Oakland's Chinatown, where he did chores, to the major role he played as a writer and editor at Rolling Stone. It is a story of teen worship of Elvis, but also of Chinese customs and the tragic murder of his brother, and of the '60s scene in San Francisco, where he found freedom - and his career.

Es gibt sie, diese Sekunden, die das ganze Leben verändern, die einem jede Gewissheit rauben. Und auf einmal ist die Gegenwart eine andere. Zehn Jahre lang lebt die Journalistin Gabriele von Arnim mit ihrem Mann in seiner Krankheit. Zwei Schlaganfälle haben ihn zerstört. Er kann nicht richtig sprechen, nicht gehen, nicht lesen, nicht schreiben - und ist doch hellwach im Kopf.

From its birth in 1925 to the early days of the Cold War, The New Yorker slowly but surely took hold as the country's most prestigious, entertaining, and informative general-interest periodical. In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazine's cadre of charming, wisecracking, driven, troubled, and brilliant writers and editors. He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine.

When Anthony Shadid—one of four New York Times reporters captured in Libya as the region erupted—was freed, he went home, not to Boston, Beirut, or Oklahoma, where he was raised by his Lebanese American family, but to an ancient estate built by his great-grandfather, a place filled with memories of a lost era when the Middle East was a world of grace, grandeur, and unexpected departures.

At thirty-five, Elsie Robinson feared she’d lost it all. Reeling from a divorce in 1917, she had no means to support herself and her chronically ill son. She dreamed of becoming a writer and was willing to sacrifice everything for this goal, even swinging a pickax in a gold mine to pay the bills. When the mine shut down, she moved to the Bay Area, where she barged into the offices of the Oakland Tribune and was hired on the spot. She went on to become a nationally syndicated columnist and household name whose column ran for over thirty years and garnered fifty million readers.

Within a few years of its first issue in 1951, Jet, a pocket-sized magazine, became the "bible" for news of the civil rights movement. It was said, only half-jokingly, "If it wasn't in Jet, it didn't happen." Writing for the magazine and its glossy, big sister Ebony, for 53 years, longer than any other journalist, Washington bureau chief Simeon Booker was on the front lines of virtually every major event of the revolution that transformed America.

For the first time, these two essential works on George Orwell have been brought together in one audiobook. The Unknown Orwell describes the first 30 years of Orwell's life - his childhood, the years at Eton and in Burma, and the struggles to become a writer. Orwell: The Transformation carries us forward into the crucial years 1933 to 1937 in which Eric Blair, minor novelist, became George Orwell, a powerful writer with a view, a mission, and a message.

Danny Fingeroth’s A Marvelous Life: The Amazing Story of Stan Lee is the first comprehensive biography of this powerhouse of ideas, who, with his invention of Marvel Comics, changed the world’s ideas of what a hero is and how a story should be told. With exclusive interviews with Lee himself, as well as with colleagues, relatives, friends - and detractors - Fingeroth makes a doubly remarkable case for Lee’s achievements, while not ignoring the controversies that dogged him his entire life - and even past his death.

Savage Journey is a "supremely crafted" study of Hunter S. Thompson's literary formation and achievement. Focusing on Thompson's influences, development, and unique model of authorship, Savage Journey argues that his literary formation was largely a San Francisco story. During the 1960s, Thompson rode with the Hell's Angels, explored the San Francisco counterculture, and met talented editors who shared his dissatisfaction with mainstream journalism. Author Peter Richardson traces Thompson's transition during this time from New Journalist to cofounder of Gonzo journalism.

For every true crime story that makes headlines, there's a separate drama happening behind the scenes. Follow a journalist and TV producer from 48 Hours and 60 Minutes as she carves out a career in the ruthless, knives-out world of true crime television . . . one killer story at a time.

FonoLibro se complace en presentar Cala Contigo: El Poder de Escuchar escrito y narrado por el célebre periodista y presentador de Cala en CNN en Español, Ismael Cala. Ismael, en una excelente narración, nos enseña a escuchar para evolucionar y mejorar nuestras vidas. Tras conversar con presidentes, intelectuales y celebridades de todos los campos, Cala nos confía la clave de su éxito como entrevistador: saber escuchar a los demás, para que compartan con nosotros cómo son y cómo piensan.

"Ho sempre creduto che la vita fosse disporre sul tavolo, nel miglior modo possibile, le carte che ti sei trovato in mano. Invece all'improvviso ne arriva una che spariglia tutte le altre, e la vita è proprio come ti giochi quell'ultima carta. Per ciascuno di noi l'esistenza è costellata di eventi che in prima battuta sono sembrati inaffrontabili, e invece poi hanno portato a una rinascita, a un nuovo equilibrio. Penso che ci sia un ordine più saggio che governa il mondo e di cui spesso ignoriamo il senso, la prospettiva.