Showing titles in Artists, Architects & Photographers

In January 1939, Pablo Picasso was renowned in Europe but disdained by many in the United States. One year later, Americans across the country were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture? The answer begins a generation earlier, when a renegade Irish American lawyer named John Quinn set out to build the greatest collection of Picassos in existence. His dream of a museum to house them died with him, until it was rediscovered by Alfred H. Barr, Jr.

Jean Renoir's career almost spans the history years of cinema - from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war.

He was the original 20th-century enfant terrible with the looks of a Greek god who blazed like a comet across the worlds of art, photography, and fame. The scion of several old WASP fortunes, he was by instinct an adventurer, and the more dangerous the escapade, the better. Journalist and author Graham Boynton was a friend for more than 30 years, spending time with Beard at his bush camp in Africa, in London, and at his Long Island home. From hundreds of Boynton’s interviews with Beard’s closest friends, former lovers, and fellow artists comes this intimate portrait.

This is Aijazuddin’s riotous, intelligent memoir of searching for his place between two worlds while navigating a minefield of expectations, prejudice and self-doubt. In Manboobs, Aijazuddin confidently announces himself as a sharp voice in humour with his moving, wickedly funny search for love and the bravery required to be yourself.

Remo Remotti racconta la propria vita alternando agli episodi buffi o disperati le piú celebri tra le sue poesie. E ne approfitta per dare il meglio, ovvero assolutamente il peggio, di sé. A cento anni dalla nascita del suo autore, un libro esilarante, acre, caustico, spudorato.

Sex, Surrealism, Dali and Me was first published in 2000 and was a top-10 best-seller a year later. It tells the biographies of two remarkable men. Salvador Dali, one of the 20th century's greatest painters, and his long-term muse - the Colombian dancer Carlos Lozano. Dali was famously a voyeur, and in this extraordinary audiobook, we are witnesses to the bizarre sexual fantasies he lived out among celebrities, aristocrats, enemies, and the plain crazy.

At the age of 42, his father not long dead and his young sons growing fast, Toby Ferris set off on a seemingly quixotic mission to track down each of the 42 surviving paintings by Pieter Bruegel the Elder, who, at the age of 42, had been approaching the end of his own short life. Over the next five years Ferris would travel to 22 galleries in 19 cities in 12 countries across 2 continents: Budapest to San Diego, Detroit to Naples, Berlin to Madrid, ticking off his Bruegels as he went. The results of his journeying are a revelation....

Growing up in Seale, Alabama as a Black Queer kid, then attending the Rhode Island School of Design as an undergraduate, Jon Key hungered to see himself in the fields of Art and Design. But in lectures, critiques, and in the books he read, he struggled to see and learn about people who intersected with his identity or who GOT him. So he started asking himself questions: What did it mean to be a graphic designer with his point of view? What did it mean to be a Black graphic designer?

Vincent van Gogh’s paintings look utterly unique - his vivid palette and boldly interpretive portraits are unmistakably his. Yet however revolutionary his style may have been, it was actually built on a strong foundation of paintings by other artists, both his contemporaries and those who came before him. Now, drawing on Van Gogh’s own thoughtful and often profound comments about the painters he venerated, Steven Naifeh gives a gripping account of the artist’s deep engagement with their work.

In the early 1920s, surrounded by the roaring streets of avant-garde Paris, Piet Mondrian began creating what would become some of the most recognizable abstract paintings of the 20th century. With rectangles of primary colors against a dazzling white background, this was geometric abstraction in its purest form. These revolutionary compositions exhilarated, intoxicated, confused, and enraged the international public—and changed the course of modern art forever. Now, for the first time, Mondrian emerges alongside his thrilling art.

With unprecedented access to newly discovered sources, Donna M. Lucey illuminates the lives of four extraordinary women painted by the iconic high-society portraitist John Singer Sargent. With uncanny clairvoyance, Sargent's portraits hint at the mysteries, passions, and tragedies that unfolded in his subjects' lives.

We have all seen, whether live, in photographs or on postcards, some of Claude Monet's legendary water lily paintings. They are in museums all over the world and are among the most beloved works of art of the past century. Yet, ironically, these soothing images were created amid terrible personal turmoil and sadness.

Over more than five decades, legendary architect Moshe Safdie has built some of the world's most influential and memorable structures. Safdie always refers to the "silent client" an architect must ultimately serve: the people who live in, work in, or experience a building. If Walls Could Speak takes listeners behind the veil of an essential yet mysterious profession to explain through Safdie's own experiences how an architect thinks and works.

In Arbitrary Stupid Goal, Tamara Shopsin takes the listener on a pointillist time-travel trip to the Greenwich Village of her bohemian 1970s childhood, a funky, tight-knit small town in the big city, long before Sex and the City tours and luxury condos.

Basándose en las miles de páginas de los cuadernos manuscritos de Leonardo y nuevos descubrimientos sobre su vida y su obra, Walter Isaacson teje una narración que conecta el arte de Da Vinci con sus investigaciones científicas, y nos muestra cómo el genio del hombre más visionario de la historia nació de habilidades que todos poseemos y podemos estimular, tales como la curiosidad incansable, la observación cuidadosa y la imaginación juguetona. Su creatividad, como la de todo gran innovador, resultó de la intersección entre la tecnología y las humanidades.

The art world is a much dirtier, nastier business than you might expect. Tony Tetro, one of the most renowned art forgers in history, will make you question every masterpiece you’ve ever seen in a museum, gallery, or private collection. Tetro’s “Rembrandts,” “Caravaggios,” “Miros,” and hundreds of other works now hang on walls around the globe.

Elizabeth Bishop's friend James Merrill once observed that "Elizabeth had more talent for life - and for poetry - than anyone else I've known." This new biography reveals just how she learned to marry her talent for life with her talent for writing in order to create a brilliant array of poems, prose, and letters - a remarkable body of work that would make her one of America's most beloved and celebrated poets. In Love Unknown, Thomas Travisano, founding president of the Elizabeth Bishop Society, tells the story of the famous poet and traveler's life.

Quali peripezie deve superare un ragazzo di Monteverde, nella Roma degli anni '60 e '70, per diventare l'uomo che sogna di essere? E come trasformare le passioni di un teenager in un mestiere concreto? Sono queste le domande che si pone un giovanissimo Pino Insegno, quando il sogno di diventare calciatore della Nazionale va in frantumi. Sono anni in cui lavorare con la voce significa doppiare film porno, anni precari, spesi alla ricerca di un equilibrio fra il senso della realtà e il bisogno di vertigine. Ma Pino sente che può e che deve arrivare lontano.

The celebrated painter Camille Pissarro (1830-1903) occupied a central place in the artistic scene of his time: a founding member of the new school of French painting, he was a close friend of Monet, a longtime associate in Degas's and Mary Cassatt's experimental work, a support to Cezanne and Gauguin, and a comfort to Van Gogh, and was backed by the great Parisian art dealer Paul Durand-Ruel throughout his career. Nevertheless, he felt a persistent sense of being set apart, different, and hard to classify.

All my life, I have been looking for a man who has discovered the universal law which lies back of the Sermon on the Mount, and who consciously uses that law with full awareness of its meaning and full obedience to its principles. Walter Russel Clark found this man.