Showing titles in Artists, Architects & Photographers

This autobiographical novel follows the career of a civil engineering apprentice, from childhood to middle age. Along the way, we get to see the inner workings of the profession, from the nuts and bolts of civil engineering and surveying, their technological transformation, to the death of the apprenticeship system. It's a mysterious world that few laymen know. And yet we are all surrounded by their work everywhere, every day.

They called her La Maestra. Elisabetta Sirani was a talented and prolific artist in 17th century Italy. Trained by her father, she was running his studio by the time she was 16, and earned her first official commission the following year.

“Famous People Who’ve Met Me” narrated by the author is an outrageous collection of true stories starring oddball characters, behind the scenes gurus, scoundrels, and brilliant superstars in the music business straight out of Minnesota. The unique memoir does more than just recount tales; it’s a true in-depth character study as told through the eyes of musician, agent, concert promoter, and manager Owen Husney.

The definitive, authorized, and first-ever biography of Terry Allen, the internationally acclaimed visual artist and iconoclastic songwriter who occupies an utterly unique position straddling the disparate, and usually distant, worlds of conceptual art and country music.

For nearly a decade, Palley has been on the frontline of fire. He has witnessed homeowners on the worst day of their lives. He’s seen puddles of aluminum where cars were once parked. He’s watched as 150-foot walls of flame cascaded down mountainsides and crashed into the Pacific Ocean. And he’s captured, time and again, the tireless commitment of firefighters as they work to save lives and homes, in terrain where fire always seems to have the upper hand.

Jane Jacobs is universally recognized as one of the most important figures in American urbanism, and The Death and Life of Great American Cities one of the most important books on cities. However, because of her David-versus-Goliath battles with "power broker" Robert Moses and the urban-renewal establishment, Jacobs has received more attention for being an activist than a thinker, despite having written a list of influential books on cities, economies, and other subjects.

Celebrate the impact women have made in our culture: This feminist book is a beacon of brilliance. It is the perfect gift for artists, intellectuals, and anyone who seeks to be inspired by words and profound lives. Most of all, it is a celebration of the journeys and accomplishments of women who have worked to have their voices heard in black and white letters across the world.

Walt Kelly (1913-1973) is one of the most respected and innovative American cartoonists of the twentieth century. His long-running Pogo newspaper strip has been cited by modern comics artists and scholars as one of the best ever. Cartoonists Bill Watterson ( Calvin and Hobbes), Jeff Smith ( Bone), and Frank Cho ( Liberty Meadows) have all cited Kelly as a major influence on their work. We Go Pogo is the first comprehensive study of Kelly's cartoon art and his larger career in the comics business.

Una morte sconvolgente, ossessivamente annunciata, preparata con implacabile meticolosità e infine celebrata dinanzi al mondo come un rituale spettacolare e tragico. L'uscita di scena di Mishima ha rappresentato al tempo stesso l'apoteosi del personaggio, condannato da un demone inquieto a una vita perennemente sopra le righe, e la parola conclusiva dello scrittore, la sigla di un'opera in cui gioventù, bellezza e morte appaiono intrecciate in un destino ineluttabile.

En busca de un reemplazo para la agenda Hermès que ha perdido su marido, Brigitte Benkemoun compra una antigua en eBay. Casi idéntica a la original, con «el mismo cuero liso, pero más rojo, más suave, y con una pátina brillante», esconde en su interior una libreta de direcciones que data de 1951. Al hojearla, descubre con gran fascinación que los nombres que aparecen en sus veinte páginas (en la B, Breton, Braque y Balthus.

In his review of Salvador Dali's first autobiography, George Orwell declared that "One ought to be able to hold in one's head simultaneously the two facts that Dali is a good draughtsman and a disgusting human being." Whether or not one agrees with the famous author's assessment, Orwell captures the polarizing nature of Salvador Dali, and the extent to which his undeniable technical virtuosity often brushed against his penchant for provoking his audiences (not to mention provoking long-entrenched standards of "proper" taste).

In this stunning volume, noted art historians Jean-Pierre Isbouts and Christopher Heath Brown discuss the historical, social, and political conditions that shaped Dali's work, identify the impact of Modern as well as Old Master art, and present an unflinching view of the master's personal relationships and motivations.

In questo ritratto, racconteremo la vita di Van Gogh a partire dai primi anni, dalla nascita a un anno esatto dalla morte del fratello maggiore suo omonimo. Conosceremo la famiglia Van Gogh, una famiglia patriarcale, molto religiosa e chiusa. All'interno di questo contesto, Vincent sviluppò una forte propensione verso la missione religiosa fino a decidere di dedicare la sua vita a Dio. Contemporaneamente, durante il periodo di fervore mistico, nel giovane Vincent comparvero i tratti della ribellione e i primi malesseri psichici.

My memoir begins at birth, where I almost died, and ends with my suicide attempt at the age of 31. I am grateful that I survived. Somewhere in the aftermath, an old self perished, along with all past trauma. I went through a rebirth and was finally ready to share that part of my story which I had kept hidden and secret from the world. My journey covered mental illness, drug and alcohol addiction, prescription medication abuse, suicide, drug overdose, coma recovery, military base life, house repossession, facing homelessness, gang crime, domestic abuse, divorce, and much more.

Tal y como define la autora de este episodio biográfico de la serie "Mujeres con luz propia", poner voz a Camille Claudel desde el siglo XXI es un atrevimiento por parte de una escultora que estudia en el siglo XX y llega a la madurez pudiendo ejercer de su libertad ya bien entrado el XXI.

Ocho días antes de morir, Frida Kahlo cogió sus pinceles por última vez y escribió sobre la pulpa roja de la sandía: «Viva la vida. Coyoacán, 1954». Pocos meses antes, le habían amputado la pierna derecha y notaba, ahora sí, cómo sus fuerzas desaparecían para siempre, cómo la vida se alejaba de ella. Esta última naturaleza muerta no era casual, era su adiós definitivo, colorido y optimista, como era ella, a pesar de los reveses que la vida le había ido dando hasta entonces.

Here, Cheryl McKissack Daniel, CEO and president of McKissack & McKissack, reveals the full fascinating story of her family. So much more than an exploration of architectural achievements, The Black Family Who Built America is also a compelling illustration of how history rhymes and reverberates, and a celebration of the human spirit’s ability to overcome adversity and drive change. F

Cecilia Toussaint le da voz a Frida Kahlo. Ocho días antes de morir, Frida Kahlo cogió sus pinceles por última vez y escribió sobre la pulpa roja de la sandía: «Viva la vida. Coyoacán, 1954». Pocos meses antes, le habían amputado la pierna derecha y notaba, ahora sí, cómo sus fuerzas desaparecían para siempre, cómo la vida se alejaba de ella. Esta última naturaleza muerta no era casual, era su adiós definitivo, colorido y optimista, como era ella, a pesar de los reveses que la vida le había ido dando hasta entonces.

Cecilia Toussaint le da voz a Frida Kahlo. Ocho días antes de morir, Frida Kahlo cogió sus pinceles por última vez y escribió sobre la pulpa roja de la sandía: «Viva la vida. Coyoacán, 1954». Pocos meses antes, le habían amputado la pierna derecha y notaba, ahora sí, cómo sus fuerzas desaparecían para siempre, cómo la vida se alejaba de ella.

Sie hat die Grenzen der Kunst gesprengt: sich gepeitscht, mit einer Glasscherbe ein Pentagramm in den Bauch geritzt, ein Messer in die Finger gerammt. Sie ist 2500 Kilometer auf der Chinesischen Mauer gegangen, zwölf Jahre in einem umgebauten Citroën-Bus durch die Welt gefahren und hat ein Jahr bei den Aborigines in Australien gelebt. Spätestens seit "The Artist is Present" - ihrer berühmten Performance 2010 im New Yorker Museum of Modern Art - gilt Marina Abramović in der ganzen Welt als Kultfigur.