Showing titles in History & Criticism

Throughout his career, Johnny Cash was depicted - and depicted himself - as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodied irresolvable contradictions of American identity that reflect foundational issues in the American experience.

In One Last Song, Ayers invites thirty musicians to consider what song they would each want to accompany them to those pearly white gates. Weaving together their explanations with evocative illustrations and poignant interludes-what your song to die to says about you, what songs famous people have died to, and more. The book offers insight into the minds of famous artists and provides an entry point for considering how integral music is to our own personal narratives.

Jens Balzer, einer der profiliertesten deutschen Kulturjournalisten, zeichnet ein farbiges Panorama der Siebziger, von der Mondlandung und Woodstock über die Ölkrise und den Deutschen Herbst bis hin zum Nihilismus des Punk. Ein Jahrzehnt, in dem sich so ziemlich alles ändert: Die Hippies erproben unerhörte Lebensweisen, die antiautoritäre Erziehung und die Emanzipationsbewegung ordnen die Familien- und Geschlechterverhältnisse neu, weltumspannender Idealismus trifft auf apokalyptische Weltuntergangsängste, und spätestens als Hacker den ersten "Personal Computer" bauen, wird deutlich: Genau hier beginnt unsere Gegenwart.

Born in Mississippi, a young kid named Elvis Presley came to Memphis as a teenager and changed music forever. Fusing country and rhythm and blues with rock, Elvis brought traditional African-American sounds to the forefront of music in the 1950s, but he did so as a handsome white man before the height of the Civil Rights Movement. On top of that, his famous stage fright led to the hip gyrations that would make him the envy of young girls and the scorn of their parents.

In the 1940s, it was unheard of for women to be members of a professional orchestra, let alone play “masculine” instruments like the bass or trombone. Yet despite these formidable challenges, the Montreal Women’s Symphony Orchestra (MWSO) became the only all-women orchestra in Canadian history. Formed in 1940, the MWSO became the first orchestra to represent Canada in New York City’s Carnegie Hall. The stories of those musicians are illuminated here, including the life of the incredible Ethel Stark, the co-founder and conductor of the MWSO.

Award-winning music journalist and author Stuart Nicholson takes the listener on an entertaining journey from jazz's early stirrings in America’s south through to the present day, when almost every country in the world has its own vibrant jazz scene. En route we meet a host of jazz heroes past and present, from Louis Armstrong, Benny Goodman and Miles Davis, to Keith Jarrett and Kamasi Washington. Each chapter is accompanied by a playlist designed to provide a stimulating and enjoyable entry point to what has been described as the most exciting art form of all.

A delightful biography of a celebrated Stradivarius cello and an inviting overview of cello music and musicians by world-famous concert cellist Carlos Prieto.

After February 9, 1964, everyone wanted to be Debbie Gendler. She was one of a handful of lucky fans who were in the live audience for the Beatles' historic performance on the Ed Sullivan Show. Everyone has a story about where they were when they watched the appearance, but very few were there in-person—and even fewer would go on not just to meet the Beatles, but end up building a career around the band. But Debbie did.

For music executive Mathew Knowles, the sensation that became Destiny’s Child began with his own - Beyoncé. From a unique vantage point, he not only watched but encouraged her dream alongside the ever-evolving phenomenon of the world’s most acclaimed girls group. Listeners get his insights from the mechanics of managing, motivating, and maneuvering talented children through a resistant industry; to parenting and attending to them in all other aspects. His accounts reveal a journey that let to both challenges and controversy underneath an unparalleled success.

Moby, the biggest selling electronica artist in history, ponders the question: why did so many people hate my guts? His surreal new documentary Moby Doc documents his brutal childhood, his rise and fall from pop stardom, and the drugs and booze that nearly did him in. Andrew Goldman interviews “Master of Chaos” music manager Allen Kovac, who shares all the grisly details of managing Mötley Crüe, Meatloaf, Duran Duran … and Richard Marx.

Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz’s post-war styles. Rich with the voices of musicians, producers, promoters, and others on the scene during the decades following World War II, this book views jazz’s evolution through the prism of technological advances, social transformations, changes in the law, economic trends, and much more.

Dive into What Happened at the Festival…, a rollicking, laugh-out-loud adventure that captures the sheer unpredictability and exuberance of festival life. Inspired by the real-life Back2Festival in the UK—a vibrant celebration of 80s and 90s music with live DJ sets and unforgettable performances—this book transports listeners to a world where spontaneity reigns supreme and every moment is an opportunity for joy and connection.

From renowned diplomat and musician András Simonyi - whom Stephen Colbert calls "the only ambassador I know who can shred a mean guitar!" - comes a timely and revealing memoir about growing up behind the Iron Curtain and longing for freedom while chasing the great power of rock and roll. In Rocking Toward a Free World, Simonyi charts the struggle of growing up in 1960s Hungary, a world in which listening to his favorite music was a powerful but furtive endeavor: records were black-market bootlegs, and concerts were held under strict control, even banned....

The Uncanny Muse explores the history of automation in the arts and delves into one of the most momentous and controversial aspects of AI: artificial creativity. The adoption of technology and machinery has long transformed the world, but as the potential for artificial intelligence expands, David Hajdu examines the new, increasingly urgent questions about technology's role in culture.

Run the Song is also the story of how a professional critic, frustrated with conventional modes of criticism, finds his way back to a deeper relationship with music. When stumped or preoccupied by a piece of music, Ratliff starts to think that perhaps running can tell him more about what he’s listening to—let’s run it, he’ll say. And with that, the listener in turn is invited to listen alongside one of the great listeners of our day in this wildly inventive and consistently thought-provoking chronicle of a profoundly unsettling time.

Critiquing avant-garde rock bands from the 1960s to 2000, Bill Martin examines how social upheaval gave rise to this new form of musical expression. He covers early experimentation by artists such as James Brown; initiation into the mainstream and the resulting adaptations by the Beatles and the Who; and continues into the next era looking at how groups like Stereolab, Sonic Youth, Jim O’Rourke, and others continued to innovate.

Glen Colson lived through the golden age of Rock & Roll during the sixties, seventies and eighties, working as PR for many of the best loved acts in rock history. Among them Lindisfarne, Genesis, Pink Floyd, The Nice, Elvis Costello, Dr Feelgood, Ian Dury, Nick Lowe, Graham Parker, and Van der Graaf Generator. As the press officer at two of the UK's most iconic record labels, Stiff and Charisma, Glen worked alongside managers who made the music industry tick. Famously dry of wit, Glen's take on the inside workings of the music business is both informative and never short of laughs.

Col. Bruce Hampton was a charismatic musical figure who launched and continued to influence the jam band genre over his 50-plus years performing. Part bandleader, soul singer, storyteller, conjuror, poet, preacher, comedian, philosopher, and trickster, Col. Bruce actively sought out and dealt in the weird, wild underbelly of the American South.

Guthrie kept moving throughout his life, making friends, soaking up influences, and writing about his experiences. Along the way, he produced more than 3,000 songs, as well as fiction, journalism, poetry, and visual art, that gave voice to the distressed and dispossessed. In this insightful audiobook, Will Kaufman examines the artist’s career through a unique perspective: the role of time and place in Guthrie’s artistic evolution.

In It for the Long Run: A Musical Odyssey is Jim Rooney's kaleidoscopic firsthand account of more than five decades of success as a performer, concert promoter, songwriter, music publisher, engineer, and record producer. As witness to and participant in over half a century of music history, Rooney provides a sophisticated window into American vernacular music. Following his stint as a Hayloft Jamboree hillbilly singer in the mid-1950s, Rooney managed Cambridge's Club 47, a catalyst of the '60s folk music boom.

If you think that you know the soul truth about James Brown, think again! My Father the Godfather is a history changing audiobook about drugs, sex, lies, adultery, racism, murder, religion, politics, deceit, lust, Rock & Roll, and bribery but most importantly, we will set the record straight about James Brown, The Godfather of Soul! James Brown, The Godfather of Soul, may be the most misunderstood man in the last century.

New York City Blues: Postwar Portraits from Harlem to the Village and Beyond offers a deep dive into the blues venues and performers in the city from the 1940s through the 1990s. Interviews in this volume bring the listener behind the scenes of the daily and performing lives of working musicians, songwriters, and producers. The interviewers capture their voices—many sadly deceased—and reveal the changes in styles, the connections between performers, and the evolution of New York blues.

Set against the backdrop of America's drug war, Atlanta’s urban communities, and the city’s vibrant music scene, Trap History takes an introspective look at the birth, rise, and global impact of trap music. From past interviews and firsthand encounters with trap music artists such as T.I., Gucci Mane, Jeezy, Future, and Migos, A.R. Shaw takes listeners on a journey that is informative, entertaining, poignant, and inspiring. Trap History stands as the first book that firmly details the origins of the rap subgenre, trap music.

From the beginning of time, music has been used to build community and empower people. Music is a strong force that has led movements; marched influential changemakers and innovators to rhythms that have shaped the world. In the 21st century, music continues to play a pivotal role in inspiring positive change and moving people to tackle some of the biggest social issues of our times.

Today music fills our lives. How we have created, performed and listened to this music throughout history has defined what our species is and how we understand who we are. Yet music is an overlooked part of our origin story. The Musical Human takes us on an exhilarating journey across the ages - from Bach to BTS and back - to explore the vibrant relationship between music and the human species.

A comprehensive social history of Jewish contributions to American popular music in the 20th century. Musician, journalist, producer, and author, Sidran, uses his first person experience to frame the story behind the story of Jews in American popular music.

Before The Beatles landed on American shores in February 1964, only two British acts had topped the Billboard singles chart. In the first quarter of 1964, however, the Beatles alone accounted for 60% of all recorded music sold in the United States; in 1964 and 1965 British acts occupied the number one position for 52 of the 104 weeks; and from 1964 through to 1970, the Rolling Stones, Herman's Hermits, the Dave Clark Five, the Animals, and more placed more than 130 songs on the American Top Forty.

An American institution, Sun Records has a history with many chapters: its Memphis origins with visionary Sam Phillips, the breakthrough recordings of Elvis Presley, and the studio's immense influence on the sound of popular music. But behind the company's chart toppers and legendary musicians there exists another story, told by Barbara Barnes Sims. In the male-dominated workforce of the 1950s, 24-year-old Sims found herself thriving in the demanding roles of publicist and sales promotion coordinator at Sun Records.

Woodstock, more accurately entitled the Woodstock Music Festival; An Aquarian Exposition: Three Days of Peace and Music, represents one of the most enduring symbols of the youth movement of America's late 1960s and early '70s. As the public pinnacle of that social phenomenon, the giant festival that overwhelmed a section of an upstate New York farm for a week during a time of national and international upheaval evolved from a typical speculative financial venture to a defining historical monument.

Dieser Pop-Split erzählt, wie eine Gedichtzeile zu einem musikalischen Liebesbekenntnis und damit zu einem der berühmtesten Country-Songs wurde.

Der Titel ist Teil des Pop-Splits "Always on my mind -- 21 Geschichten aus Liebe".

Mysteries in the Music: Case Closed examines some of the secrets, myths, legends, hoaxes, conspiracies, and wildly inexplicable events that are such an intriguing part of rock and roll history. Travel back to the 1950s to uncover "Who Really Discovered Elvis Presley?" Revisit the 1960s when a folk troubadour tried forming a supergroup with The Beatles and The Rolling Stones. Transport back to Jamaica 1976 to discover whether the CIA tried to assassinate reggae superstar Bob Marley. Discover whether The Beach Boys actually stole a song from cult leader Charles Manson.

Explore with renewed wonder the thorough, touching, and inspiring firsthand account of performing with and learning from Arturo Toscanini. In this expanded second edition of This Was Toscanini, original author Samuel Antek's reflections on The Maestro gain new insights as his daughter Lucy Antek Johnson enlightens readers of what her father himself was like, and shares her fond and intimate reflections on a musical partnership.

Watford Forever is the remarkable account of Elton John’s ownership of Watford FC, and its transformational journey to the top of the First Division under iconic manager Graham Taylor, who was, in the words of award-winning journalist John Preston, “as traditional as Elton was unconventional.” Inspiring, funny, and ultimately heartrending, this is a tribute to soccer’s unlikeliest duo as Elton and Taylor—a straight-talking former fullback with literally no interest in rock music—both beat the odds and their personal demons to save a club and a community.

An incisive portrait of a culture unanchored and adrift. In these pieces, veteran MTV commentator and rock journalist Kurt Loder turns his jaundiced eye and trenchant wit on the nature of celebrity as embodied by rock musicians and other pop culture icons. Ride along as Mick Jagger sheds his bad-boy image to embrace the jet-setter lifestyle; ponder the puzzling dichotomy between Prince's racy lyrics and self-proclaimed spirituality; and much more.

Spanning three decades worth of astute, acerbic, and overall astounding music writing, Kick Out the Jams is the first large-scale anthology of the work of renowned critic Dave Marsh. Ranging from Elvis Presley to Kurt Cobain, from Nina Simone to Ani DiFranco, from the Beatles to Green Day, the book gives an opinionated, eye-opening overview of 20th-century popular music—offering a portrait not just of an era but of a writer wrestling with the American empire.

“What are the greatest rock albums of all-time?” Perhaps one of the more common questions examined between music-loving chums that has led to many a good-natured debate. But if you really dig deeper into the question...is it from the standpoint of the album’s importance in rock history? A classic release that proved significant to an artist’s career? Or perhaps merely a personal favorite, that you just can’t get enough of?