Showing titles in History & Criticism

Frances Fyfield and Clemency Burton Hill explore the tales and tribulations revealed in the hand-written music of artists including Bach, Vivaldi, Mendelssohn, Beethoven, Mozart, Handel, Stravinsky, Schubert, Rachmaninov and Chopin. Joined by world-leading musicians and musical experts, they investigate the stories behind the manuscripts for famous songs like 'On Hearing the First Cuckoo in Spring', and some of the best known operas and shows of all time including The Barber of Seville, The Pirates of Penzance and Madame Butterfly.

Compelling from cover to cover, this is the story of one of the most recorded and beloved jazz trumpeters of all time. With unsparing honesty and a superb eye for detail, Clark Terry, born in 1920, takes us from his impoverished childhood in St. Louis, Missouri, where jazz could be heard everywhere, to the smoke-filled small clubs and carnivals across the Jim Crow South where he got his start, and on to worldwide acclaim.

This Very Short Introduction takes an expansive and inclusive approach meant to broaden and challenge traditional views of music and technology. In its most common use, "music technology" tends to evoke images of twentieth and twenty-first century electronic devices: synthesizers, recording equipment, music notation software, and the like. This volume, however, treats all tools used to create, store, reproduce, and transmit music—new or old, electronic or not—as technologies worthy of investigation.

This book offers a major reassessment of classical music in the 20th century. John Mauceri argues that the history of music during this span was shaped by three major wars of that century: World War I, World War II, and the Cold War.

Of all the white American pop music groups that hit the charts before the Beatles, only the Beach Boys continued to thrive throughout the British Invasion to survive into the 1970s and beyond. The Beach Boys helped define both sides of the era we broadly call the sixties, split between their early surf, car, and summer pop and their later hippie, counterculture, and ambitious rock.

Endlich – Dieses Hörbuch ist ein Muss für alle Liebhaber und Fans der größten Musikstars aller Zeiten. Zum aller ersten Mal werden Künstler- und Genre-übergreifend brisante unveröffentlichte Details über die größten Musik-Genies und deren Geheimnisse ihres Erfolges in einem Hörbuch präsentiert. Diese höchst intimen Geschichten nehmen den Leser mit auf eine Reise, die enthüllt, wie die erfolgreichsten Songs der Geschichte entstanden sind. Der Autor versteht es auf brillante Weise, den Hörer so einzubeziehen, dass er den Eindruck hat, selbst Teil des Geschehens zu sein.

Inside the Godfather brings together, for the first time, those from Brown's inner circle. They will correct the distortions of the past and provide for the listener a clear understanding of the brilliance and generosity that was James Brown, Mr. Dynamite. This audiobook will have you question your assumptions about politics, religion, sports, money, and the entire entertainment industry. You will see inside the man. You will never be the same.

In 2003, Robert Morgan released what would become a future classic for more than a million people, a unique book entitled Then Sings My Soul. This collection of the world’s greatest hymns and the stories behind them stirred an entire generation to better understand the heritage of our faith through song. Now, in the long-awaited third volume of this series, Morgan expands his material to include the great history of worship, the first biblical hymns, biographical sketches of the most interesting composers, and almost 60 generations of hymn singing.

There have been few times in modern music history that an instant shift in how we listen to - and view - music has occurred. However, the launch of MTV on August 1, 1981, was certainly one such occurrence. Instantly, music fans were now “listening with their eyes” rather than relying solely on their ears.

House is the first descendant of disco. While Black and Hispanic communities were jamming and party DJs spinning records, a new birth of rhythm gave way to music lovers from Chicago and New York in the form known as house music. Developed in Chicago's underground dance club culture in the early 1980s, today house music is worldwide and continues to dominate most club scenes and has expanded beyond its subculture beginning.

In this sweeping history of popular music in the United States, NPR's acclaimed music critic examines how popular music shapes fundamental American ideas and beliefs, allowing us to communicate difficult emotions and truths about our most fraught social issues, most notably sex and race.

Explore with renewed wonder the thorough, touching, and inspiring firsthand account of performing with and learning from Arturo Toscanini. In this expanded second edition of This Was Toscanini, original author Samuel Antek's reflections on The Maestro gain new insights as his daughter Lucy Antek Johnson enlightens readers of what her father himself was like, and shares her fond and intimate reflections on a musical partnership.

Bob Dylan is the prince of self-reinvention and deflection. Whether it's the folkies of Greenwich Village, the student movement of the 1960s and 1970s, born-again Christians, the Chabad Lubavitch community, or English department postmodernists, specific intellectual and sociopolitical groups have repeatedly claimed Bob Dylan as their spokesperson. But in the words of filmmaker Todd Haynes, "The minute you try to grab hold of Dylan, he's no longer where he was."

Equal parts music criticism, cultural and comedy history, autobiography, and comic meditation on nostalgia, television, consumerism, childhood, technology, and food, The Weird Accordion to Al does justice to a musical legend and comic genius, the extent of whose remarkable achievements are only now being fully understood and appreciated.

In this collection of musical portraits, jazz pianist and radio host Marian McPartland pays sparkling tribute to such beloved and legendary figures as Benny Goodman, Bill Evans, Joe Morello, Paul Desmond, Alec Wilder, Mary Lou Williams, and others.

Samuel Charters has been studying and writing about New Orleans music for more than 50 years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. Although there is still controversy over the racial origins and cultural sources of New Orleans jazz, Charters provides a balanced assessment of the role played by all three of the city's musical lineages - African American, white, and Creole - in jazz's formative years.

Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement.

After February 9, 1964, everyone wanted to be Debbie Gendler. She was one of a handful of lucky fans who were in the live audience for the Beatles' historic performance on the Ed Sullivan Show. Everyone has a story about where they were when they watched the appearance, but very few were there in-person—and even fewer would go on not just to meet the Beatles, but end up building a career around the band. But Debbie did.

This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis.

Sympathy for the Drummer: Why Charlie Watts Matters is both a gonzo rush - capturing the bristling energy of the Rolling Stones and the times in which they lived - and a wide-eyed reflection on why the Greatest Rock 'n' Roll Band in the World needed the world's greatest rock 'n' roll drummer. Across five decades, Rolling Stones drummer Charlie Watts has had the best seat in the house.