Showing titles in Screenwriting

Learning how to write a movie script is more than just figuring out the margins and hitting a few plot points along the way....

If you're serious about your screenwriting, then you're serious about seeing your scripts produced. This book cuts to the chase with the point-by-point essentials behind every successful screenplay and shows you how to demonstrate the professional expertise that will get your scripts noticed. It's a quick, concise listen that gets to the bottom line with a no-nonsense approach to put your writing on a level with Hollywood's working professional screenwriters. Making movies is a complex matter so difficult that very few atempt it.

Raymond Chandler was one of the most original and enduring crime novelists of the 20th century. Yet much of his pre-writing life, including his unconventional marriage, has remained shrouded in mystery. In this compelling, wholly original book, Judith Freeman sets out to solve the puzzle of who Chandler was and how he became the writer who would create in Philip Marlowe an icon of American culture.

While there are plenty of books about the mechanics of writing, this is the first time an insider has detailed the invaluable TV executive perspective. As key pieces of the entertainment puzzle, executives hold institutional wisdom that seldom gets disseminated outside network walls. The Executive Chair breaks down the business from the gatekeeper’s point of view, illuminating the creative process used by those who ultimately make the decisions.

Screenwriting made simple. The Guide for Every Screenwriter is one of the most efficient instruction manuals on the craft. This audiobook cuts past the verbose film school expository, and gets straight to work, delivering sample-driven outlines and templates that anyone can follow. It is quick to apply to your work and serves as a side-by-side checklist for the writing process. This is the audiobook for anyone looking to write a screenplay and for any professional needing a refresher.

Unleash your storytelling prowess with "How to Write a Screenplay: Crafting Compelling Scripts for Film and TV." Whether you're taking your first steps into screenwriting or aiming to elevate your existing skills, this book is your one-stop resource for turning raw ideas into cinematic masterpieces.

In You Talkin’ to Me?, Seger and Rainey are here to help with all your dialogue problems. In each chapter, they explore dialogue from a different angle and discuss examples of great dialogue from films and novels. To cap it all off, each chapter ends with examples of poor dialogue, which are annotated by Linda and then rewritten by John so that listeners don’t just learn how to recognize when it’s done well - they also learn how to make dialogue better. Whether you’re writing fiction or nonfiction, for the screen or the page, this book will get your characters talking.

This edition of Story by Numbers is no longer available.

Struggling to start your story or lost in the middle? You need a story pitch. Building on the lessons taught in The Five Day Novel, Scott King dives in on how to start the pre-writing process for your novel with a special tool called a story pitch! A standard pitch is meant for marketing and selling, but a story pitch is a powerful tool meant to be used when pre-writing and writing. It can help you jumpstart your novel, screenplay, comic, or whatever type of story you are trying to tell and it can be used as a corrective measure if you get off track during the writing process.

He was, according to Pauline Kael, "the greatest American screenwriter." Jean-Luc Godard called him "a genius" who "invented eighty percent of what is used in Hollywood movies today." Besides tossing off dozens of now-classic scripts - including Scarface, Twentieth Century, and Notorious - Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe.

Cari Beauchamp masterfully combines biography with social and cultural history to examine the lives of Frances Marion and her many female colleagues who shaped filmmaking from the early teens through the 1940s. Frances Marion was Hollywood's highest paid screenwriter - male or female - for almost three decades, wrote almost 200 produced films and remains the only woman to win two Academy Awards for original screenwriting (The Big House and The Champ).

Jane Austen was born in Steventon, England, in 1775, where she lived for the first 25 years of her life. Her father, George Austen, was the rector of the local parish, and provided most of her education in their home. She began to write while in her teens and completed the original manuscript of Pride and Prejudice First Impressions, between 1796 and 1797. Pride and Prejudice was published in January 1813, two years after Sense and Sensibility, her first novel.

In today's busy world, preventing audience boredom is more important than ever. Now screenwriters and directors have an easy guidebook for making their films more captivating, spine tingling, and suspenseful. "Hitchcock Whisperer" Jeffrey Michael Bays brings the secrets of suspense out of the shadows.

Two classic filmmaking books in one box set: Fast, Cheap and Under Control: Lessons Learned from the Greatest Low-Budget Movies of All Time--Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Fast, Cheap and Written That Way: Top Screenwriters on Writing for Low-Budget Movies--Hollywood's top screenwriters look back at their early low-budget efforts and provide valuable tips, tricks, and advice on how to create a solid screenplay for a low-budget movie.

Writing successful screenplays that capture the public imagination requires more than simply following the formulas prescribed by the dozens of screenwriting manuals currently in print. Learning the "how-tos" is important, but understanding the dramatic elements that make up a good screenplay is equally crucial. In A Poetics for Screenwriters, veteran writer and teacher Lance Lee offers aspiring and professional screenwriters a thorough overview of all the dramatic elements of screenplays, unbiased toward any particular screenwriting method.

In writing a novel or screenplay, does writing Act II scare the heck out of you? Easily outline your novel or screenplay with this concise and insightful book. Are you confused as to how the three-act structure works? Want to make your novels or screenplays pop and create more compelling narratives? Consider it a screenwriting or novel worksheet for your mind. Three-Act Structure: Classified delivers!

Over the last decade or so, the concept of the law of attraction has become very popular, which is the secret to making all of your dreams come true. The law of attraction teaches how life really works and how to have happiness and easily manifest your dreams instead of struggling. Essentially, it teaches the secret of life, and with more and more people becoming aware of the law of attraction with each passing year and learning how to manifest their desires, the storytelling of screenwriters will need to change and adapt to reflect that transformation of humanity.

50 Things to Know About Screenwriting by author Reinier Brands offers an approach on how best to write a screenplay and get it sold. Are you looking to write a screenplay but don't know where to start? This book is here to guide you through the process. Through this journey, you can discover unique insights and valuable tips from established screenwriters that can help simplify the screenwriting process and provide real-world examples for listeners. With this beginner's approach, listeners can avoid common pitfalls, find inspiration, and gain a fresh perspective on screenwriting.

Gone are the days of Hollywood agents going home each night with a stack of unsolicited screenplays by unknown script writers in the hope of finding their next star screenwriting client. Unsolicited material (your script) just doesn’t get read. Script writing competitions are now the system that provides the reading and analysis formerly conducted by Hollywood agents, producers, and studio development executives. This audiobook won't teach you the finer points of writing or how to write a screenplay. It's only about one thing: How to win a screenplay competition.

Write It to Win It!: 39 Secrets from a Screenwriting Contest Judge is the first book ever written for screenwriting contest success. The author is a highly successful script consultant and judge for Hollywood screenwriting contests who reveals the insider secrets that give screenwriters the winning advantage while avoiding costly pitfalls.

In this transformational audio program, you will discover the inspiration and skills to write an effective screenplay. Learn to create a marketable script with strong, well-realized characters and a focused and compelling plot.

These are easily understood guidelines to make film writing accessible to novices and to help experienced writers improve their scripts. This audiobook pinpoints the structural and stylistic elements essential to a very well written screenplay. It entails step-by-step, comprehensive techniques for writing the script that will succeed.

Thanks to this guided storytelling course, you will learn how to create and structure a story from beginning to end, following the archetypes of storytelling. If you have a book in your drawer, if you are missing some incipits or some narrative features, this is the path for you. You will learn to create blocks to build in order to make your story compelling and exciting, and to characterize protagonists, antagonists, and secondary characters following a functional narrative scheme that has been used on many occasions, from TV series to novels and ancient literature.

TV WRITING TOOL KIT 2nd Edition—is an update of my latest story tools, breakdowns, and handouts. The book covers story structure for a TV pilot and spec script, logline formulas for Logline For Your Life and your story, and character. With character, the book goes into the wound and the flaw. I cover everything that I teach in Writers on the Verge at NBC. There are breakdowns for several shows, including—THE GOOD WIFE, MODERN FAMILY, THE NIGHT MANAGER, HOMELAND, FLEABAG, and DEAD TO ME. The book also explores staffing and development.

Most of us have no concept of what goes into creating a show, getting it on the air, and keeping it on. Perhaps we assume that the people in charge simply decide what amuses them at the moment, make those shows, stick them on, and wait to see if the public responds. Or maybe they just throw darts at a board? The truth, as with most things, is more complicated. In "Hello," Lied the Agent, Ian Gurvitz has produced a corrosively funny insider's look at what being a television writer is really all about.

One of the most challenging aspects of screenwriting is character development. The reason for this is because it is so easy to create characters that are simply carbon-copies of one another. This sounds harmless in theory, but your screenplay, novel, or book suffers in the long run because the characters lack substance, depth, and relatability. With this audiobook, I take away all the guesswork by honing in on the top 12 elements that are needed to create characters that are beautifully human, authentic, compelling, and three-dimensional. Step into my office and let's get started!

In this sequel to Creative Writing Career: Becoming a Writer of Movies, Video Games, and Books, Stephan and Justin continue to bring you industry advice as well as interviews with screenwriters, video game writers, and authors of books and comics. These writers' credits include such amazing titles as: Big Fish; Batman; Game of Thrones; The Crow; Divergent; Brave; Yesterday's Gone; Sandman Slim; Jurassic World; and many more!

This is a beginner's guide to starting, finishing, and filming a screenplay. It includes tips to write and structure emotionally satisfying screenplay(s).

Learn the inside thinking behind 23 highly successful, classic, low-budget movies and discover techniques for making a little go a long way. Includes in-depth interviews with screenwriters with such credits as the Academy Award®-nominated films You Can Count on Me, Metropolitan, and Capote - plus such classics as Repo Man, Re-Animator, Paris, Texas, Living in Oblivion, Suburbia, Hester Street, Henry: Portrait of a Serial Killer, and Eve’s Bayou.

How do you become a television writer? What does it take to create your own show? Did the writers of Lost really have a plan, or were they making it all up as they went? In a career spanning far longer than he cares to admit, Javier Grillo-Marxuach has not only written for some of your favorite (and not-so-favorite) shows.

Updated and expanded for the third edition, this volume combines scholarship with movie lore to present a comprehensive account of the development and influence of the American screenwriter. The text is written in an informal style and includes anecdotes and stories that spotlight the writers' creative work and their struggle to achieve recognition.

Finally, a book that tells the truth about the pitching process in Hollywood. This highly detailed guide is intended for writers, producers and directors, or anyone who wants to work in the intensely competitive, creative side of the entertainment industry. Written is simple, direct language, it is intended for beginners or established Hollywood pros.

When did documentaries get glamorous? Documentary Superstars looks at the history of documentaries and traces their transition from hands-off to in your face. Exclusive interviews with Michael Moore, Morgan Spurlock, Errol Morris, George Clooney, Sacha Baron Cohen, Morgan Freeman, Al Gore, and more of the biggest names in the field show the impact of the documentary style on mainstream movies and on our society.

Blake Snyder, uno de los guionistas de más éxito de Hollywood, ofrece una pintura ágil, divertida y franca de la trastienda de la industria cinematográfica. ¡Salva al gato! hace referencia a una de sus infalibles teorías para lograr que las ideas resulten más atractivas y cualquier guión más satisfactorio y, sobre todo, susceptible de venderse. Se trata de un término acuñado por el propio Snyder en alusión a una escena, absolutamente ineludible, en que el público va a conocer al protagonista de la película por primera vez y éste hace algo