Showing results by publisher "Tantor Audio" in United States

Roller-coastering from the mournful to the comical, Watson's work is both embedded in a literary heritage tied to place and at home in a universal literature of the absurd. His stories waltz with lovely and strange melancholy, infused with wit and astonishing beauty. There Is Happiness embodies the twisted hilarity and undeniable grace of an underrecognized literary genius.

An old silversmith's body is dumped along the highway, and Legal Services Investigator Charlie Yazzie isn't content to stand by while the FBI and Tribal look for clues—not when he sees his friends Thomas Begay and Harley Ponyboy sucked into a tightening web of evil.

John Clellon Holmes met Jack Kerouac on a hot New York City weekend in 1948, and until the end of Kerouac's life they were—in Holmes's words—"Brother Souls." Late one night as they sat talking, Kerouac spontaneously created the term "Beat Generation" to describe this new attitude they felt stirring around them. Brother-Souls: John Clellon Holmes, Jack Kerouac, and the Beat Generation is the remarkable chronicle of this cornerstone friendship and the life of John Clellon Holmes.

Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as "disgraceful." And Ralph Waldo Emerson found Leaves of Grass "the most extraordinary piece of wit and wisdom that America has yet contributed," calling it a "combination of the Bhagavad Gita and the New York Herald."

First published in 1956, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys". Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle.

Told in alternating viewpoints, Long After We Are Gone is a searing portrait on the power of family and letting go of things that no longer serve you, exploring the burden of familial expectations, the detriment of miscommunication, and the lessons and legacies we pass on to our children.

Carson Bradley is the CEO of Bradley Pharmaceutical Corporation, a powerful and influential multi-billion dollar drug empire. His wealth spans beyond anyone's imagination, but is useless to his lonely soul, which has been dormant since the death of his first love to cancer. Every day he strives for the sake of his research because he's determined to eradicate that vile disease forever. Lillian Ly is a young, humble medical student whose compassion for people is boundless.

A compelling debut that glows with bittersweet heart and touching emotion, deeply interrogating questions of family, redemption, and unconditional love in the sweltering summer heat of Savannah, as two people discover what it means to truly forgive.

When tragedy strikes it doesn't always signal the end. Sometimes it can mean a new beginning.... Still reeling from the events of the past culminating in her devastating loss, an emotionally scarred Lillian Ly is determined to follow her heart and temporarily forego a bright academic career to keep alive the only thing that matters, being with the man she loves. Guilt pours over Carson Bradley like molten lava, but despite his shame, he cannot let her go. She is the flame to his fire, the soul of his heart. Without Lillian by his side, he is just a body without a warm pulse.

Nature Poem follows Teebs - a young, queer, American Indian (or NDN) poet - who can't bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He'd slap a tree across the face. He'd rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he'd rather write odes to Aretha Franklin and Hole.

Veronica Cruz has been through hell and back. After disconnecting with the world two years ago to be at the side of her dying mother, she's left alone, unemployed, overweight, and feeling a decade older than her 28 years. When her best friend coaxes her into joining the local gym to ditch her depression and rejuvenate her life, she meets Noah. Assigned to help Veronica lose weight, Noah is everything she expected a young trainer to be - perfectly chiseled, supportive, and motivating. Add to that, he's incredibly sexy. He's everything she's ever looked for in a man. What she least expected was for him to fall for her, but he has. There's just one problem: Noah is eight years younger....

In Unguessed Kinships, Steven Frye illuminates all these dimensions of McCarthy's work. In his novels and plays, McCarthy engages both explicitly and obliquely with the project of manifest destiny, in the western drama Blood Meridian, the Tennessee Valley Authority-era Tennessee novels, and the atomic frontier of Alamogordo in Cities of the Plain.

With lively writing and illuminating examples, David Caplan argues that two characteristics mark the vast, contentious literature. On the one hand, several of America's major poets and critics claim that America needs a poetry equal to the country's distinctiveness. They advocate for novelty and for a break with what is perceived to be outmoded and foreign.

Benjamin Alire Sáenz's stories reveal how all borders—real, imagined, sexual, human, the line between dark and light, addict and straight—entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders.

The Uncollected Essays of Elizabeth Hardwick is a companion collection to The Collected Essays, a book that proved a revelation of what, for many, had been an open secret: that Elizabeth Hardwick was one of the great American literary critics, and an extraordinary stylist in her own right. The thirty-five pieces that Alex Andriesse has gathered here-none previously featured in volumes of Hardwick's work-make it clear that her powers extended far beyond literary criticism.

A man is murdered in Seattle's Pioneer Square. The killer is caught just blocks away, blood still on his hands. When it's discovered that both killer and victim belong to the same Native American tribe, the tribe asserts jurisdiction, and homicide DA Dave Brunelle has to prosecute the case in their tribal court. It's bad enough when the defense attorney claims the killing was justified under the ancient custom of "blood revenge". It gets worse when blood revenge turns into a blood feud.

In a stunning narrative combining the gritty rhythms of Junot Diaz with the noir genius of Walter Mosley, Bodega Dreams pulls us into Spanish Harlem, where the word is out: Willie Bodega is king. Need college tuition for your daughter? Start-up funds for your fruit stand? Bodega can help. He gives everyone a leg up, in exchange only for loyalty - and a steady income from the drugs he pushes.

Our narrator, Francisco Goldberg, has been living and working in Mexico City as a journalist for over a decade, but has recently returned to New York City in hopes of "going home again". It's been five years since the end of his last relationship and he is falling in love again. Soon he is beckoned back to Boston by the high school girlfriend who was witness to his greatest youthful humiliations, and his mother, Yolanda, around whom his story orbits like a dark star.

This novel centers on the "It's me" telephone scam - often targeting the elderly - that has escalated in Japan in recent years. Typically, the caller identifies himself only by saying, "Hey, it's me", and goes on to claim in great distress that he's been in an accident or lost some money with which he was entrusted at work, etc., and needs funds wired to his account right away. ME's narrator is a nondescript young Tokyoite named Hitoshi Nagano.

F. Scott Fitzgerald's second novel, The Beautiful and Damned, is a savage and haunting satire of the young, rootless postwar generation who lived intent only on the pursuit of wealth and decadent pleasure. Anthony Patch is a 1920s socialite and the presumptive heir to a tycoon's fortune. His marriage to the beautiful but selfish Gloria is idyllic at first, but the union slowly disintegrates as reality sets in and their sole goal becomes Anthony's grandfather's fortune.