Showing results by publisher "Picador" in World Literature

1980, Pass Christian, Mississippi: It is three in the morning when Bobby Western zips the jacket of his wetsuit and plunges from the boat deck into darkness. His divelight illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the crash site are the pilot’s flightbag, the plane’s black box, and the tenth passenger. But how?

It’s that time of year again. With his signature wit, Brian Bilston returns with And So This is Christmas, fifty-one poems in celebration of the festive season: from bizarre family traditions to the office Christmas party; from voting day for turkeys to the impossible art of gift-giving. So hang your stockings, grab your mistletoe and curl up with this heart-warming collection of Christmas crackers.

Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou and never read about ‘Chinese-y’ things again. When she accidentally stumbles upon a strange and curious note in the Chou archives, she convinces herself it’s her ticket out of academic hell. But Ingrid’s in much deeper than she thinks. Her clumsy exploits to unravel the note’s message lead to an explosive discovery, one that upends her entire life and the lives of those around her.

Dr John Cooper Clarke's dazzling, scabrous voice has reverberated through pop culture for decades, his influence on generations of performance poets and musicians plain for all to see. In WHAT, the original 'People's Poet' comes storming out of the gate with an uproarious new collection, reminding us why he is one of Britain's most beloved writers and performers. James Brown, John F. Kennedy, Jesus Christ: nobody is safe from the punk rocker's acerbic pen – and that's just the first poem.

Astrid is returning home from art school on Mars, looking for inspiration. Darling is fleeing a life that never fit, searching for somewhere to hide. They meet on Deep Wheel Orcadia, a distant space station struggling for survival as the pace of change threatens to leave the community behind.

For fans of American Dirt, a sweeping, masterful debut about a daughter's fateful choice, a mother motivated by her own past, and a family legacy that begins in Cuba before either of them were born. Of Women and Salt is a story of shared heritage, populated by magnetic, fascinating, flawed women whose voices demand to be heard.

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, she is sleeping with all the wrong men and she has failed at the only thing that meant anything to her: painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted Black daughter who doesn’t have a single person in her life who can show her how to do her hair.

Chicago, 1954. When his father, Montrose, goes missing, 22-year-old army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his uncle George - publisher of The Safe Negro Travel Guide - and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite - heir to the estate that owned one of Atticus’ ancestors - they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.

A new poetry collection from Britain's foremost truth-teller, in Divisible by Itself and One Kae Tempest masterfully steers a path between their more public-facing performance and dramatic work and the contemplative voice that came to the fore in Running Upon the Wires. Questions of integrity – hence the prime number of the title – are addressed in direct, affecting terms: how can we be true to ourselves while under constant pressure to conform? Throughout the poems, ideas of form – of the body, gender, and in nature – resurface and resolve.

Uganda 1972. A devastating decree is issued: all Ugandan Asians must leave the country in 90 days. They must take only what they can carry, give up their money and never return. For Asha and Pran, married a matter of months, it means abandoning the family business that Pran has worked so hard to save. For his mother, Jaya, it means saying goodbye to the house that has been her home for decades. But violence is escalating in Kampala, and people are disappearing. Will they all make it to safety in Britain, and will they be given refuge if they do?

The Keelie Hawk is a landmark collection from Kathleen Jamie, the current Makar (National Poet) of Scotland. For the first time, Kathleen Jamie has brought her astonishing lyric talent to the language of her homeland, with outstanding results. The Keelie Hawk is a deeply resonant collection written in Scots, with each poem accompanied by a translation into English.

A family cohabits with a horse; three riots are tucked up safely in their beds; a tumbleweed takes up a career in comedy; the giant flag crossing a football crowd has a strange effect on those underneath; a rampaging fifty-foot poem brings terror to a city… As always in Paul Farley’s work, the quotidian and the cosmic are braided together in surprising, funny, or disconcerting ways. And as always, his poems inhabit and explore intermediate, uncertain spaces, a fertile terrain found between the obscurity of the cave and the light of knowledge linked to power.

May Day is the long-awaited collection from one of our best-loved poets and former Makar of Scotland, Jackie Kay. As the title suggests, these poems cast an eye over several decades of political activism, from the international solidarity of the Glasgow of Kay’s childhood, accompanying her parents’ Socialist campaigns, through the feminist, LGBT+ and anti-racist movements of the 80s and 90s, up to the present day when a global pandemic intersects with the urgency of Black Lives Matter.

bandit country is written in the very particular dialect of the Irish border, as Ulster Scots and Ulster Gaelic shade into the language and culture of post-Celtic Tiger Ireland. Spectres of characters both mythic and real thread through these poems, giving them a slippery, ghostly quality. bandit country is a haunting exploration of this place and its people, looking back to the Troubles and forward towards Brexit—and to the ever-looming fences and boundaries with which we must reckon, collectively and urgently.

Centred around two lyric poems on imminent fatherhood and the birth of a child, Signs, Music is a book about masculinity, fatherhood, and love. The speaker, looking backwards to his late father and forwards to his new son, prepares to become a parent for the first time. Meditating on the cognitive and emotional dissonances between the ‘hypothetical’ and the ‘real’ of becoming a father, this irreversible transition causes the poet’s ‘lines [to] lead towards my father (again!)’.

Alexa, What Is There to Know About Love? is a wonderful collection of poems about love in all its forms, covering everything from romantic love to familial love, to long-distance love and even love on the internet. The collection also features poems about the true passions for many booklovers, reading and literature, and the odd one about the subject causing many of us heartbreak: politics. With titles like ‘Hold My Hand While We Jump Off This Cliff’ and ‘Remembrance of Things Pasta’, there’s something for even the most jaded romantic within.

Set in a sun-drenched Sicily, among the decadent Italian aristocracy of the late 1950s, Steven Price’s Lampedusa explores the final years of Giuseppe Tomasi, last prince of Lampedusa, as he struggles to complete his only novel, The Leopard. In 1955, Giuseppe Tomasi was diagnosed with advanced emphysema; shortly after, he began work on a novel that would fail to be published before his death four years later. When The Leopard at last appeared, it won Italy’s Strega Prize and became the greatest Italian novel of the century.

Spanning the breadth of the 20th century and into the post-9/11 wars and their legacy, Correspondents is a powerful novel that centres on Rita Khoury, an Irish-Lebanese woman whose life and family history mirror the story of modern America. Both sides of Rita’s family came to the United States in the golden years of immigration, and in her home north of Boston Rita grows into a stubborn, perfectionist and relentlessly bright young woman.

Sara hasn't seen or heard from her childhood best-friend, Lejla, in years. She's comfortable with her life in Dublin, with her partner, their avocado plant and their naturist neighbour. But when Lejla calls and demands she come home to Bosnia, Sara finds that she can't say no. What begins as a road trip becomes a journey through the past, as the two women set off to find Armin, Lejla's brother, who disappeared towards the end of the Bosnian War. Presumed dead by everyone else, only Lejla and Sara believed Armin was still alive.

Acclaimed novelist Susannah Dickey turns to poetry in emphatically striking style via a true crime podcast with this, her debut collection. Isdal is comprised of three parts, the first a very funny poetic stalking of the flirty co-presenters of a podcast about a long-unsolved murder mystery, as they ruminate over meagre evidence and reach, well, very few conclusions. It is crafted in Dickey’s intellectually agile and witty rhyming style. At the centre of the book is a prose philosophical enquiry into our perennial obsession with female victims, ‘sexiness’, and death.