Showing results by publisher "Picador" in World Literature

In each of the short poems in Billy Collins’s Musical Tables, the former United States Poet Laureate tempers his characteristically jocular voice with what he calls the “thrill of mortality” – flashes of profundity amongst the mundane, startling reminders of the wonder of being alive. Through the brevity of these poems, Collins’ knack for coaxing the poetry out of the everyday becomes ever more refined.

Poland, 1941. Roza and her five-year-old daughter, Shira, are the only surviving Jews in their town. They spend day and night hidden in a neighbour’s barn. Forbidden from making a sound, only the yellow bird from her mother’s stories can sing the melodies Shira composes in her head. Roza does all she can to take care of Shira and shield her from the horrors of the outside world. They play silent games and invent their own sign language.

Osmond has written a powerful and challenging collection of original poems representing the complex, fragmentary nature of traumatic experience. Interleaved with these are translated excerpts of two very different texts: the Anglo Saxon epic poem Beowulf and the Qur'an. Osmond's translations from the Qur'an, in contrast to the stereotype of the Qur'an as a monolithic book full of judgment and proscription, focus on its vivid lyricism and the surprisingly riddling nature of its philosophy.

Colliding with and confronting Shakespeare's The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal beautifully evoke the poet's Jamaican childhood and reach beyond to explore history, race relations in America, womanhood, otherness and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic and intricately woven.

These are poems of whimsy and imaginative acrobatics, but they are grounded in the familiar, common things of everyday experience. Collins takes us for a walk with an impossibly ancient dog, discovers the proper way to eat a banana, meets an Irish spider and invites us to his own funeral. Facing both the wonders of being alive and the thrill of mortality, these new poems can only solidify Collins’ reputation as one of America’s most durable and interesting poets.

Raymond Antrobus’ astonishing debut collection, The Perseverance, won both Rathbone Folio Prize and the Ted Hughes Award, amongst many other accolades; the poet’s much anticipated second collection, All the Names Given, continues his essential investigation into language, miscommunication, place, and memory.

Denise Riley has pursued her singular path with a determined disregard for poetic fashion: a poet of immense musical gifts and formal skill, as happy in traditional forms as experimental, her non-alignment with any ‘tribe’ has led to a rich and various poetry that, while densely allusive and intellectually uncompromising, remains emotionally open towards the reader at the most profound level. Say Something Back, her lyric meditation on bereavement, won Riley universal acclaim - and a wide and long-deserved readership.

Witty, candid, furious, and always compelling, Them! negotiates the fraught and fruitful space between the worlds of ‘online’ and the ‘outside’, and how they fuse and diverge in the imagination. Giles’ visual poetics create an unusually dynamic listening experience as she finds new ways ‘to sing, shout and strike in the cracks of what’s possible’. At a time when trans rights are to the fore in public discourse, Them! is a zestful poetic intervention from one of this generation’s most necessary poets.

Jackie Kay’s new collection is a lyric counterpart to her memoir, Red Dust Road, the extraordinary story of the search for her Nigerian and Highland birth-parents; but it is also a moving book in its own right, and a deep enquiry into all forms of human friendship. Fiere – Scots for ‘companion, friend, equal’ – is a vivid description of the many paths our lives take, and of how those journeys are made meaningful by our companions on the road: lovers, friends, parents, children, mentors – as well as all the remarkable and chance acquaintances we would not otherwise have made.

In more than sixty new poems, 'America's favourite poet' (New York Times) Billy Collins writes with joy and wonder about the beauty and irony of daily life. The best poetry, he believes, begins with clarity and ends in mystery, and in Water, Water we encounter a writer endlessly astonished by the world all around.

In But & Though, Jake Hawkey scrutinizes the impact of parental addiction on families, its title a nod to the language of dependency, its circles of prevarication and excuse. Hawkey’s poems chart the loss of a father and the resilient love between siblings, and take an unflinching look at a parent–child relationship sometimes painfully inverted through alcoholism.