Showing results by publisher "Picador" in Women's Fiction

One cool day in 1929, Lee Miller arrives in bohemian Paris to pursue her dream of being an artist, having left behind a successful modelling career at Vogue. Gorgeous and talented, she catches the eye of renowned surrealist artist Man Ray and convinces him to hire her as his assistant. Man is an egotistical, charismatic force, and soon their personal and professional lives become intimately entwined.

Amelia is no stranger to sex and death. Her job in her family’s funeral parlour, doing make-up on the dead, might be unusual, but she’s good at it. Life and warmth comes from the men she meets online - combining with someone else’s body at night in order to become something else, at least for a while. But when a sudden loss severs her ties with someone she loves, Amelia sets off on a 72-hour mission to outrun her grief - skipping out on the funeral, running away to stay with her father in Tasmania and experimenting on the local BDSM scene.

For fans of American Dirt, a sweeping, masterful debut about a daughter's fateful choice, a mother motivated by her own past, and a family legacy that begins in Cuba before either of them were born. Of Women and Salt is a story of shared heritage, populated by magnetic, fascinating, flawed women whose voices demand to be heard.

Eleven-year-old Anna O'Donnell stops eating, but remains miraculously alive and well. A nurse, sent to investigate whether she is a fraud, meets a journalist hungry for a story. Set in the Irish Midlands in the 1850s, Emma Donoghue's The Wonder – inspired by numerous European and North American cases of 'fasting girls' between the sixteenth century and the twentieth – is a psychological thriller about a child's murder threatening to happen in slow motion before our eyes.

Casey has ended up back in Massachusetts after a devastating love affair. Her one constant is the novel she has been writing for six years, but at 31 she is in debt and directionless, and feels too old to be that way - it’s strange, not be the youngest kind of adult anymore. Suddenly Casey finds herself at the point of a love triangle, torn between two very different relationships that promise two very different futures.

Miri thinks she has got her wife back when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home. To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp.

An adored only child, Annie has until recently lived a peaceful and content life. She is inseparable from her beautiful mother, a powerful and influential presence, who sits at the very centre of the little girl’s existence. Loved and cherished, Annie grows and thrives within her mother’s shadow. When she turns twelve, however, Annie’s life changes, in ways that are often mysterious to her.

A mother moves to Geneva with her husband and their two young children. In their beautiful new rented apartment, surrounded by their rented furniture, and several Swiss instructions to maintain quiet, she finds herself totally isolated. Her husband’s job means he is almost never present, and her entire world is caring for her children - making sure they are happy, and fed and comfortable, and that they can be seen as the happy, well-fed, comfortable family they should be. Everything is perfect. But, of course, it’s not....

When an ageing mother allows her 30-something daughter to move into her apartment, she wants for her what many mothers might say they want for their child: a steady income and, even better, a good husband with a good job with whom to start a family. But when Green turns up with her girlfriend, Lane, in tow, her mother is unprepared and unwilling to welcome Lane into her home. In fact, she can barely bring herself to be civil. Having centred her life on her husband and child, her daughter’s definition of family is not one she can accept.

Once home to the country's most illustrious families, Waitsfield, Massachusetts, is now an unforgiving place awash with secrets. Forged in this frigid landscape, Ruthie learns how the town's prim facade conceals a deeper, darker history and how silence often masks a legacy of harm—from the violence that runs down the family line to the horrors endured by her high school friends.

Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. At first glance Lewis and Mariah are a blessed couple—handsome, rich and seemingly happy. Almost at once, however, Lucy begins to notice cracks in their beautiful facade. With a mixture of anger and compassion, Lucy scrutinizes the privileged, facile world of her employers while comparing it to the vivid realities of her home in the Caribbean.

A college freshman, flying home, strikes up an odd, ephemeral friendship with the couple next to her on the airplane. A long-lost stepbrother's visit to New York prompts a reckoning with a family's old taboos. An office worker, exhausted by the ambitions of the men around her, emerges into the gridlocked city one afternoon to make a decision. A wife, looking at her husband's passwords neatly posted on the wall, realises there are no secrets left in their marriage.

Over the course of a single year, our nameless narrator heroically tries to keep her small brood of four chickens alive despite the seemingly endless challenges that caring for another creature entails. From the freezing nights of a brutal winter to a sweltering summer which brings a surprise tornado, she battles predators, bad luck and the uncertainty of a future that may not look anything like the one she always imagined.

Collecting pieces written for the New Yorker and the Paris Review between 1978 and 1982, including the seminal ‘Girl’, these stunning works announced a fully-formed, generational talent and firmly established the themes that Kincaid would continue to return to in her later work: the loss of childhood, the fractious nature of mother–daughter relationships, the intangible beauty of the natural world and the striving for independence in a colonial landscape.