Showing results by publisher "Bloomsbury Publishing Plc" in Women's Fiction

Everything about life intrigues Alma Whittaker. Her passion for botany leads her far from home, from London to Peru to Tahiti, in pursuit of that rare specimen: knowledge. But as her careful studies draw her deeper into the mysteries of evolution, she meets the man who she will come to love - whose perspective, radically different from her own, will transform the way she understands the world.

Orlando King is a trilogy about a beautiful young man, raised in a remote and eccentric wilderness, arriving in 1930s London and setting the world of politics ablaze. In a time of bread riots and hunger marches, with the spectre of fascism casting an ever lengthening shadow over Europe, Orlando glidingly cuts a swathe through the thickets of business, the corridors of politics, the pleasure gardens of the Cliveden set, acquiring wealth, adulation, a beautiful wife and a seat in parliament.

The seat of the Trelawney family for over 800 years, Trelawney Castle was once the jewel of the Cornish coast. Each successive Earl spent with abandon, turning the house and grounds into a sprawling, extravagant palimpsest of wings, turrets and follies. But recent generations have been better at spending than making money. Now living in isolated penury, unable to communicate with each other or the rest of the world, the family are running out of options.

Rosaleen is still a teenager, in the early '60s, when she meets the famous sculptor Felix Lichtman. Felix is dangerous, bohemian, everything she dreamed of in the cold nights at her Catholic boarding school. And at first their life together is glitteringly romantic but it’s not long before Rosaleen finds herself fearfully, unexpectedly alone. Kate lives in '90s London, stumbling through her unhappy marriage. Aoife sits at her husband’s bedside as he lies dying and tells him the story of their marriage.

The woman moves through the city, her city, on her own. She moves along its bright pavements; she passes over its bridges, through its shops and pools and bars. She slows her pace to watch a couple fighting, to take in the sight of an old woman in a waiting room; pauses to drink her coffee in a shaded square. Sometimes her steps take her to her grieving mother, sealed off in her own solitude. Sometimes they take her to the station, where the trains can spirit her away for a short while.

In the year of 1413, two women meet for the first time in the city of Norwich. Margery has left her fourteen children and husband behind to make her journey. Her visions of Christ – which have long alienated her from her family and neighbours, and incurred her husband’s abuse – have placed her in danger with the men of the Church, who have begun to hound her as a heretic. Julian, an anchoress, has not left Norwich, nor the cell to which she has been confined, for twenty-­three years. She has told no one of her own visions – and knows that time is running out for her to do so.

A Daphne du Maurier-esque chiller set on the mysterious Cornish coast from the author of The Silent Companions and The Corset. Consumption has ravaged Louise Pinecroft’s family, leaving her and her father alone and heartbroken. But Dr Pinecroft has plans for a revolutionary experiment: convinced that sea air will prove to be the cure his wife and children needed, he arranges to house a group of prisoners suffering from the same disease in the cliffs beneath his new Cornish home.

Maryam and Zahra. In 1988 Karachi, two fourteen-year-old girls are a decade into their friendship, sharing in-jokes, secrets and a love for George Michael. As Pakistan’s dictatorship falls and a woman comes to power, the world suddenly seems full of possibilities. Elated by the change in the air, they make a snap decision at a party. That night, everything goes wrong, and the two girls are powerless to change the outcome.

Rachel is 24, a lapsed Jew who has made calorie restriction her religion. By day, she maintains an illusion of control by way of obsessive food rituals. At night, she pedals nowhere on the elliptical machine. Then Rachel meets Miriam, a young Orthodox-Jewish woman intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam - by her sundaes and her body, her faith and her family - and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk and honey.

Anna is struggling to afford life in London as she trains to be a singer. During the day, she vies to succeed against her course mates with their discreet but inexhaustible streams of cultural capital and money, and in the evening she sings jazz at a bar in the City to make ends meet. It’s there that she meets Max, a financier 14 years older than her. Over the course of one winter, Anna’s intoxication oscillates between her hard-won moments on stage and nights spent with Max. But Anna’s fledgling career demands her undivided attention, and increasingly so does Max....

Dottie Badoura Fatma Balfour finds solace amidst the squalor of her childhood by spinning warm tales of affection about her beautiful names. But she knows nothing of their origins, and little of her family history—or the abuse her ancestors suffered as they made their home in Britain. At seventeen, she takes on the burden of responsibility for her brother and sister and is obsessed with keeping the family together. However, as Sophie, lumpen yet voluptuous, drifts away, and the confused Hudson is absorbed into the world of crime, Dottie is forced to consider her own needs.

It starts as a game at a book group one night. Never Have I Ever... done something I shouldn't. But Amy Whey has done something she shouldn't. And Roux, the glamorous newcomer to Amy's suburban neighbourhood, knows exactly what that is. Roux promises she will go away - if Amy plays by her rules. But Amy isn't prepared to lose everything. She's going to fight back, and in this escalating game of cat and mouse, there can be only one winner.

Annie is not the first love of Graham’s life but she is, he thinks, his last and greatest. Very recently, he has faltered; but he means to put it right. Here they are in marriage, in late middle age, in comfort. Mismatched, and yet so well matched: the bookseller with his appetite, his conviviality, his bigness; the photographer with her delicacy, her astuteness, her reserve. The children are offstage, grown up and scattered on either coast; Graham’s first wife, Frieda, is peaceably in their lives, but not between them.

Amsterdam in the year 1705. It is Thea Brandt’s eighteenth birthday. She is ready to welcome adulthood with open arms, but life at home is increasingly difficult. Her father Otto and her Aunt Nella argue endlessly over their financial fate. As catastrophe threatens to engulf the household, Thea seeks refuge in Amsterdam’s playhouses. She loves the performances, and the stolen moments afterwards are even better. In the backrooms, Thea can spend a few precious minutes with her secret lover, Walter. The thrill of their hidden romance offers Thea an exciting distraction from home.

Two teenagers, a Greek Cypriot and a Turkish Cypriot, meet at a taverna on the island they both call home. In the taverna, hidden beneath garlands of garlic, chili peppers and creeping honeysuckle, Kostas and Defne grow in their forbidden love for each other. A fig tree stretches through a cavity in the roof, and this tree bears witness to their hushed, happy meetings and eventually, to their silent, surreptitious departures. The tree is there when war breaks out, when the capital is reduced to ashes and rubble, and when the teenagers vanish.

Ana and Connor have been having an affair for three years. In hotel rooms and coffee shops, swiftly deleted texts and briefly snatched weekends, they have built a world with none but the two of them in it. But then the unimaginable happens, and Ana finds herself alone, trapped inside her secret. How can we lose someone the world never knew was ours? How do we grieve for something no one else can ever find out? In her desperate bid for answers, Ana seeks out the shadowy figure who has always stood just beyond her reach - Connor's wife Rebecca.

A moving novel on the power of friendship in our darkest times, from internationally renowned writer and speaker Elif Shafak. In the pulsating moments after she has been murdered and left in a dumpster outside Istanbul, Tequila Leila enters a state of heightened awareness. Her heart has stopped beating, but her brain is still active - for 10 minutes 38 seconds. While the Turkish sun rises and her friends sleep soundly nearby, she remembers her life - and the lives of others, outcasts like her.

The Dodds family once ruled Manchester’s underworld; now the men are dead, leaving three generations of women trapped in a house haunted by violence, harbouring an unregistered baby. Matriarch Nedra presides over the household, which bustles with activity as she prepares the welcome feast for her grandson Kelly’s return from prison. Her grieving daughter-in-law Carol is visited by both the welcome intimate ghost of her murdered lover, and by Mac, an ageing criminal enforcer, a man who may just offer her a real and possible future.

In 1887, young Nellie Bly sets out for New York and a career in journalism, determined to make her way as a serious reporter, whatever that may take. But life in the city is tougher than she imagined. Down to her last dime and desperate to prove her worth, she comes up with a dangerous plan: to fake insanity and have herself committed to the asylum that looms on Blackwell's Island. There, she will work undercover to document—and expose—the wretched conditions faced by the patients.

Deftly weaving from one end of life to another - from ageing parents to newborn babies, from a young girl’s coming of age to an old woman’s unexpected delivery of a strange new second youth, from mystery and wonder at a life at its close or at a future waiting to unfold, Nicole Krauss’ stories illuminate the moments in the lives of women in which the forces of sex, power and violence collide.