Showing titles in Death, Grief & Loss

c a r v e d, Kate Mapother's first collection of poetry, explores life and loss in its varied dimensions. At once gut-wrenching and hopeful, these poems take the listener by the hand and heart through themes of sexuality, God, love, grief, and family. The writing is rich in imagery and substance, leaving no doubt in the listener's mind about Mapother's ability to plumb the depths of hard emotion, then land you somewhere soft. These poems don't pretend to know. They simply witness.

Whatever happens, happens. Right? Whoever overthinks also overloves. Right? Just let it go. Right? Just stop doing it. Right? How? All these statements and no understanding of how to do it. It doesn't happen overnight, but does it even happen at all? Do I get too busy to remember? Do I become too numb to feel? How? How do I just stop? Just go, get over, and pretend? Everything happens for a reason. Right? Everything makes you stronger. Right? Wrong. I was weak. I was down. I was broken. I was lost. I made the choice to be stronger and rebuild again. I guess it is what it is. Right?

Subverting celebrated classics of poetry and mythology and examining horrors from contemporary film and cultural fact, National Book Award-winner Justin Phillip Reed engages darkness as an aesthetic to conjure the revenant animus that lurks beneath the exploited civilities of marginalized people. In these poems, Reed finds agency in the other-than-human identities assigned to those assaulted by savageries of the state. In doing so, he summons a retaliatory, counterviolent black spirit to revolt and to inhabit the revolting.

Attending to one's mother while she succumbs to cancer is no easy feat as this poetry chapbook will attest to.

My Way With Words is reamed from decades of jotted thoughts and poems. Jotted thoughts are easily understood, but jotted poems I believe in my case deserves an explanation. Many of my poems were completed beginning to end with no changes between or very little editing and that includes a few longer poems.

Returning with her newest poetry book, beloved poet Courtney Peppernell combines storytelling, poetry, and prose in a uniquely inspirational way. Filled with heartfelt anecdotes and insightful messages, The Way Back Home is a tribute to rebuilding our lives after loss. Divided into sections that draw on themes of courage, resilience, purpose, and hope, the collection has Peppernell once again walking us through a redemptive journey of the heart, mind, and soul.

Stephen C. Pollock's poetry collection Exits explores the beauty and frailty of life, the cycles of nature, and the promise of renewal. Musical and multilayered, the poems in Exits have drawn comparisons to the poetry of Seamus Heaney and the sonnets of William Shakespeare.

With electrifying boldness and fearlessness of vision, Holland-Batt confronts what it means to be mortal in an astonishing and deeply humane portrait of a father’s Parkinson’s Disease, and a daughter forged by grief. Opening and closing with startling elegies set in the charged moments before and after a death, and fearlessly probing the body’s animal endurance, appetites and metamorphoses, The Jaguar is marked by Holland-Batt’s lyric intensity and linguistic mastery, along with a stark new clarity of voice.

Sound interesting? The author thinks so too! Listen to the poem Femicide: When Friendship Meets Brutality today.

In Tired Wonder, Eric Overby offers a personal account of his last two years. 2021-2023 has seen both the continuation of a struggle with infertility and the birth of his daughter. Eric also changes careers and struggles with his new identity and the changes that come along, ultimately leading him to circle back around and return to it.

We Alive, Beloved moves beyond being a poetry collection; it's a celebration of the profound aspects of our existence. Each poem seeks to immortalize the fleeting moments of joy, love, resilience, and inspiration that often slip through the grasp of our fast-paced lives.

Osyp Vasyl'ovych Turyans'kyy—vydatnyy ukrayins'kyy pys'mennyk i literaturnyy krytyk. Tyazhkyy i zhorstokyy zhyttyevyy shlyakh pys'mennyka znayshov svoye vidobrazhennya u yoho tvorchosti, zokrema, u povisti-poemi Poza mezhamy bolyu. Tsey antyvoyennyy psykholohichnyy tvir, napysanyy u 1917 rotsi, opysuye vtechu avstiys'kykh soldativ z viys'koho polonu v period Pershoyi svitovoyi viyny. Povist'-poema Poza mezhamy bolyu vrazhaye realistychnym vidobrazhennyam zhorstokykh umov, v yakykh opynyvsya holovnyy heroy.

These are the poems that oozed out of the poet's experience and perception looking at people and the world around him. Most of the poems are on the themes of love, life, and liberty. They cover a decade-long time period in the Himalayan country of Nepal that was affected by the People's War. All poems carry emotions, human sentiments, and remnants of war, poverty, and loss of lives. Brilliant poetry, strong images, and very poetic!

This is a poetry collection from 2020. This is dark poetry that reflects the terrible year 2020 has been. There are about 72 poems and some journal entries.

A book of poetry and song lyrics by Joe Lyon. In "Poetry is Cool," the author invites listeners to explore a lifetime's worth of lyrics and poems, meticulously crafted over fifty years. This collection spans from 1979 to the present, touching on themes of living, aging, love, family, after-life, and reflecting on life's journey. Through heartfelt and authentic expressions, the author captures the real and imagined landscapes of their experiences, preserving these works as a testament to their existence. This compilation serves as a reminder that, once, there was a voice, a mind, and a heart that felt deeply and expressed those feelings through the timeless art of poetry.

Poetry Is Cool contains poetry and lyrics by Joe Lyon.

An English poet and soldier, Owen depicted more graphically and effectively than any poet before him the horrors and realities of fighting in the trenches. His poignant verse has made him one of the greatest voices to emerge from World War I.

This debut collection of poems, composed with no thought to commercial publication and discovered by Green Writers Press by happenstance, addresses events in the poet's life that every listener can relate to—friendships, the beginning, middle, and end of romantic relationships, and the death of a loved one. And they do so with “stiletto-sharp” metaphors—“rosebuds stillborn in the falling snow”—and wry observations —“Trying Again: Like an old shoe comfortable for a while but still causing blisters”—that evoke from the listener a knowing nod and sometimes an outright laugh.

This selection of poems by a new author was triggered by the tragic death of his 28-year-old daughter. So the collection begins with loss and the aftermath of loss: the hope of the author that his daughter and he may be reunited in the life to come. This hope underlies many of the poems. This is clearly articulated in ‘Osler and Son’, where a father grieves for loss of his son in World War I but in a stoical, unexpressed manner.

Despite Eliot's comparative youth at the time (he was in his early thirties) each poem brilliantly captures different aspects of the profound effect of the aging process on human aspiration.