Showing results by publisher "Fourth Estate" in Literary History & Criticism

Throughout history, humans have been driven by the quest for two cherished ideals: community and freedom. The two don’t coexist easily: we value individuality and self-reliance, yet are utterly dependent on community for our most basic needs. In this intricately crafted and thought-provoking book, Sebastian Junger examines this tension that lies at the heart of what it means to be human.

Alan Garner is an exceptional lecturer and essayist. This rich collection of writings, spanning more than twenty years, explores an enviable range of scholarly interests: archaeology, myth, language, education, philosophy, the spiritual quest, mental health, literature, music and film. The book also serves as a poetic autobiography of one of England's best-loved but least public writers. He hears himself declared dead at the age of six; he draws on the deep vein of a rural working-class childhood in a family of craftsmen who instilled the passion for excellence and for innovation and humour.

Joan Didion was a writer’s writer; not only a groundbreaking journalist, essayist, novelist and screenwriter, but a keen observer who honed her sights on life’s telling details. Her insights continue to influence creatives and admirers, encouraging them to become close observers of the world. The World According to Joan Didion is a meditation on the people, places, and objects that propelled Didion’s prose and an invitation to journalists, storytellers, and life adventurers to “throw themselves into the convulsions of the world,” as she once said.

Identifying the meaning of life and where we are heading preoccupies all of us at some stage or another. Who better to help us articulate this sense of direction than the most articulate people among us? Writers and thinkers, Ben Hutchinson suggests in this sparkling new book, help us reflect on purpose.

This is an audiobook about a poet, about a poem, about a city, and about a world at a point of change. More than a work of literary criticism or literary biography, it is a record of why and how we create and respond to great poetry. This an audiobook about a poet, W. H. Auden, a wunderkind, a victim-beneficiary of a literary cult of personality who became a scapegoat and a poet-expatriate largely excluded from British literary history because he left.

Cecelia Watson used to be obsessive about grammar rules. But then she began teaching. And that was when she realised that strict rules aren’t always the best way of teaching people how to make words say what they want them to; that they are even, sometimes, best ignored. One punctuation mark encapsulates this thorny issue more clearly than any other. The semicolon. Hated by Stephen King, Hemingway, Vonnegut and Orwell, and loved by Herman Melville, Henry James and Rebecca Solnit, it is the most divisive punctuation mark in the English language, and many are too scared to go near it.

Weaving together fragments of artists’ stories across time and place, Philip Hoare embarks on a Sebaldian exploration of the enduring legacy of William Blake. A poet, painter and printmaker who was unappreciated and considered mad in his own time, Blake was eventually lauded as a key pillar of the Romantic movement. His posthumous influence reverberates endlessly, from the films of Derek Jarman to our ongoing fear of technological advancement.