Showing titles in Gothic

Laura lives an isolated life with her father, alone in a castle in the Austrian wilderness. When the mysterious Carmilla, a strange and beautiful lady, arrives in the night, no one suspects the supernatural occurrences that follow. But still more unsuspected is the tempestuous romance that blooms between the two young women, and Carmilla’s nightmarish secret. Written 26 years before Stoker’s "Dracula", Carmilla is the original vampire novel. Sheridan Le Fanu combines a chilling Gothic atmosphere with horrifying episodes, boldly exploring the sexual desires of his heroines, and establishing the image of the female vampire.

Jealousy, tragedy, survival, and revenge - the discovery of Christopher’s diary in the ruins of Foxworth Hall brings new secrets of the Dollanganger family to light and obsesses a new generation. With Flowers in the Attic and Petals on the Wind both now major Lifetime TV events, this first new addition to the Dollanganger story in nearly 30 years is a timely look at the events in the attic - from teenage Christopher’s point of view.

Marion Shaw has been raised in the slums, where want and deprivation are all she knows. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a strange advertisement in the newspaper, seeking a 'bloodmaid'. Though she knows little about the far north—where wealthy nobles live in luxury and drink the blood of those in their service—Marion applies to the position. In a matter of days, she finds herself at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery.

1560: Amy Robsart is trapped in a loveless marriage to Robert Dudley, a member of the court of Queen Elizabeth I. Surrounded by enemies and with nowhere left to turn, Amy hatches a desperate scheme to escape – one with devastating consequences that will echo through the centuries. Present Day: When Lizzie Kingdom is forced to withdraw from the public eye in a blaze of scandal, it seems her life is over. But she’s about to encounter a young man, Johnny Robsart, whose fate will interlace with hers in the most unexpected of ways.

When Mouse's dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there's more—Mouse stumbles across her step-grandfather's journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself. Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors.

In 1886, a respectable young woman must acquire a husband. But Violet Pring does not want to marry. She longs to be a professional artist and live on her own terms. When her scheming mother secures a desirable marriage proposal from an eligible Brighton gentleman for her, Violet protests. Her family believes she is deranged and deluded, so she is locked away in Hillwood Grange Lunatic Asylum against her will. In her new cage, Violet faces an even greater challenge: she must escape the clutches of a sinister and formidable doctor and set herself free.

From the attic of a dilapidated English country house, she sees them - Cara first: dark and beautiful, clinging to a marble fountain of Cupid, and Peter, an Apollo. It is 1969, and they are spending the summer in the rooms below hers while Frances writes a report on the follies in the garden for the absent American owner. But she is distracted. Beneath a floorboard in her bathroom, she discovers a peephole which gives her access to her neighbours' private lives.

My world is on fire, and I’m obsessed with the girl who lit the match. Bloodied knuckles and a lifeless body at my feet confirm it: Penny is my demise. My gentlemanly façade is nothing but a memory. My sins are seeping through my shirt like ink. I tried to leave her. Couldn’t do it. I tried to snuff the life out of her. Couldn’t do that, either. So we’ll slow dance in the flames until I’m nothing but ash and embers. I’ll only rise like a phoenix when she’s gone. The problem is, I’d never let her go.

Lords of Wrath, the second book in the Royals of Forsyth University series, is coming soon!

Yeah, I’m the one they talk about. The headmaster’s prized possession, locked away in the bell tower of Notredame Parochial College. To most of the students, I was just a myth. An urban legend. The girl who rings the bells up in the tower, the one who talks to gargoyles.

Twenty years ago Helen Franklin did something she cannot forgive herself for, and she has spent every day since barricading herself against its memory. But her sheltered life is about to change. A strange manuscript has come into her possession. It is filled with testimonies from the darkest chapters of human history, which all record sightings of a tall, silent woman in black, with unblinking eyes and bleeding feet: Melmoth, the loneliest being in the world. Condemned to walk the Earth forever, she tries to beguile the guilty and lure them away for a lifetime wandering alongside her.

When a copycat murderer prowls among the trees of Ponderosa Springs, our loyalty is tested. It had been foolish of us to believe our revenge would go unpunished. That the town wouldn't retaliate after what we did. With our lives hanging in the balance, Thatcher and I have no choice but to coexist. In the twilight of musty cabins and haunted library towers, my somber secrets are exposed, and his cravings are revealed. So the question is . . . What is love without obsession?

Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realises that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark secrets.

Ten years ago, four young men shot some elk and then went on with their lives. It happens every year; it's been happening forever; it's the way it's always been. But this time it's different. Ten years after that fateful hunt, these men are being stalked themselves. Soaked with a powerful Gothic atmosphere, the endless expanses of the landscape press down on these men - and their children - as the ferocious spirit comes for them one at a time.

Every autumn, John Pentecost returns to the farm where he grew up to help gather the sheep down from the moors for the winter. Very little changes in the Endlands, but this year, his grandfather - the Gaffer - has died and John's new wife, Katherine, is accompanying him for the first time. Each year, the Gaffer would redraw the boundary lines of the village, with pen and paper, but also through the remembrance of tales and timeless communal rituals, which keep the sheep safe from the Devil.

From New York Times best-selling author Erik Larson comes his first venture into fiction, an otherworldly tale of intrigue and the impossible that marshals his trademark approach to nonfiction to create something new: a ghost story thoroughly grounded in history. Pioneering psychologist William James leads an expedition to a remote isle in search of answers after a family inexplicably vanishes. Was the cause rooted in the physical world...or were there forces more paranormal and sinister at work? Available only on audio, because as Larson says, ghost stories are best told aloud.

Hugh and his men are faced with fighting creatures only thought to live in legend but which have been brought to Earth by evil bent on annihilating all the realms. That is Hugh's life - and he loves it. At least he did until he found himself staring into the angelic, innocent face of Lady Mina of Stone Crest. In all the time he has led the Shields Hugh has trusted his instinct to keep his men alive, yet now he doesn't know what to believe. Everything points to Mina as the evil summoning the creatures, but she proclaims her innocence. He should be able to see through her lies, if she is indeed lying, but his attraction to her blinds him to even that.

Every night, in the college's ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story. One dark October evening in the defunct churchyard, they find a hole that wasn't there before. A fresh, open grave where no grave should be. But who dug it, and for whom?

June 1914 and a young woman - Clara Waterfield - is summoned to a large stone house in Gloucestershire. Her task: to fill a greenhouse with exotic plants from Kew Gardens, to create a private paradise for the owner of Shadowbrook. Yet on arrival, Clara hears rumours: something is wrong with this quiet, wisteria-covered house. Its gardens are filled with foxgloves, hydrangea and roses; it has lily ponds, a croquet lawn - and the marvellous new glasshouse awaits her. But the house itself feels unloved. Its rooms are shuttered or empty.

A troubled Byronic hero, a young governess blinded by her romantic obsession, a beautiful but forbidding manor, and a secret as ominous as the black rainbow that frames the huddled towers of the manor in the moonlight are the romantic elements of this Gothic mystery.