Showing titles in Renaissance

Ann Stilwell arrives in New York City, hoping to spend her summer working at the Metropolitan Museum of Art. Instead, she is assigned to The Cloisters, a gothic museum and garden renowned for its collection of medieval and Renaissance art. There she is drawn into a small circle of charismatic but enigmatic researchers, each with their own secrets and desires, including the museum's curator, Patrick Roland, who is convinced that the history of Tarot holds the key to unlocking contemporary fortune telling.

1560: Amy Robsart is trapped in a loveless marriage to Robert Dudley, a member of the court of Queen Elizabeth I. Surrounded by enemies and with nowhere left to turn, Amy hatches a desperate scheme to escape – one with devastating consequences that will echo through the centuries. Present Day: When Lizzie Kingdom is forced to withdraw from the public eye in a blaze of scandal, it seems her life is over. But she’s about to encounter a young man, Johnny Robsart, whose fate will interlace with hers in the most unexpected of ways.

Florence, 1415. Banker Cosimo Medici is looked down upon as a jumped up money-changer. Then he marries the noble Contessina de Bardi and becomes the richest man in Europe. But his wealth and power threaten the Florentine elite, who are determined to bring him down. However, the House of Medici cannot be crushed that easily. Sixty years and many violent deaths later, the family are the unquestioned, ruthless rulers of Florence.

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

Erzsébet Báthory, whose infamous place in history characterises her as the 'Blood Countess', is rumoured to have murdered 600 peasant girls. The Nightingale's Castle tells the gripping story of an intelligent and capable woman fighting to hold onto her wealth and independence, in a world where the poor and the wealthy alike face savage challenges.

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

England. 1535. Jane Seymour is 27 years old and increasingly desperate to marry and secure her place in the world. When the court visits Wolf Hall, the Seymour ancestral manor, Jane has the perfect opportunity to shine: her diligence, efficiency, and newfound poise are sure to finally attract a suitor. Meanwhile, King Henry VIII is 45 and increasingly desperate for an heir. He changed his country's religion to leave his first wife, a princess of Spain, for Anne Boleyn—but she, too, has failed to provide a son.

Written in the winter of 1849, The Scarlet Letter unfolds the story of Hester Prynne, a young woman branded as an adulteress in the harsh Puritan world of 17th-century New England. As Hester calls on her inner strength to transcend her shame, the scarlet letter ceases to be a stigma and finally becomes Hester's symbol of self-affirmation. This dramatic reading heightens the sense of lyric poetry that permeates every line of Nathaniel Hawthorne's great novel.

In seventeenth-century Rome, an arrogant and reckless artist named Caravaggio drinks and brawls his way through his violent, insatiable life, all while painting some of the world’s greatest religious works of art. But it is his bitter feud with Giovanni Roero, a brutal knight in the Maltese Order of St. John, that is his fatal error. Now, in the village of Monte Piccolo, a priest claims to have discovered a lost painting by the famed artist in the storage room of an orphanage. Retired professor A. R. Richman believes it’s a delusional dream.

Florence. Autumn, 1539. Cesare Aldo was once an officer for the city’s most feared criminal court. Following a period of exile, he is back but demoted to night patrol when only the drunk and the dangerous roam the streets. Chasing a suspect in the rain, Aldo discovers a horrifying scene beneath Michelangelo’s statue of David. Lifeless eyes gaze from the face of a man whose body has been posed as if crucified. It’s clear the killer had religious motives. When more bodies appear, Aldo believes an unholy murderer is stalking the citizens of Florence.

Kit Marlowe: playwright, poet, lover. In the plague-stricken streets of Elizabethan England, Kit flirts with danger, leaving a trail of enemies and old flames in his wake. His plays are a roaring success; he seems destined for greatness. But the queen's eyes are everywhere and the air is laced with paranoia. When Marlowe is arrested on charges of treason, heresy and sodomy—all of which are punishable by death—he is released on bail with the help of Thomas Walsingham, a man he presumes to be his friend, but who has in fact hired the infamous assassin Robin Poley to take care of Marlowe.

A BBC Radio 4 full-cast dramatisation of M.M. Kaye’s epic novel of love and war. M.M. Kaye’s masterwork is a vast, rich and vibrant tapestry of love and war that spans over twenty years, moving from the foothills of the Himalayas, to the burning plains, to the besieged British Mission in Kabul. It begins in 1857 when, following the Indian Mutiny, young English orphan Ashton is disguised by his ayah Sita as her Indian son, Ashok. As he forgets his true identity, his destiny is set...

Sister. Pawn. Liar. Traitor. Her words sent two queens to the scaffold. Her secrets shaped a kingdom. But her true story was hidden. Until now. Philippa Gregory brings the Boleyn traitor out of the shadows in a groundbreaking tale of love, betrayal — and survival.

Mary is queen of Scotland, but she has been forced to flee her land and take refuge in an England that is ruled by her cousin, Elizabeth. But England, precarious in its Protestant state, set against the mighty powers of Spain, France and Rome, doesn't need a charismatic Catholic figurehead at large. So Elizabeth's chief advisor, Cecil, devises a plan in which Mary will live under guard with his trusted accomplice: Bess of Hardwick.

March, 1605. Country doctor and former ship surgeon Gabriel Taverner is ready for his next adventure. He can't wait to leave Devon and tend to the crew of the Luipaard while sailing the Eastern seas. As years pass by, Gabriel's family and friends back home are struggling with his substitute physician. Doctor Maudsley Cheverell turned out to be as incompetent as they come and unpleasant at best. So when he is found dead in a ditch one day, no one seems to be too surprised. Only, when examining the body, it seems like Cheverell was tortured using a specific method from the East . . .

Elizabeth I has acceded to the throne of England, a position she has waited and schemed for all her life. She is surrounded by advisers, all convinced that a young woman cannot form political judgements. Elizabeth feels that she can rely on just one man: her oldest friend, Robert Dudley. It is soon plain that he is more than merely a friend.

À présent familiarisé avec les mœurs japonaises – notamment grâce à l’enseignement de Mariko, son interprète –, Blackthorne est parvenu à gagner le respect de Toranaga. Celui-ci, conscient de l’importance du "barbare" dans le conflit à venir, l’a même élevé au rang d’hatamoto. Mais en ces temps troublés, où complots et trahisons sont légion, celui que l’on surnomme Anjin-san sait qu’il ne pourra compter que sur lui-même. Car Ishido a rallié le Conseil des régents à sa cause, poussant Toranaga dans ses derniers retranchements... et rendant la guerre inévitable.

Yorkshire. 1649. Caragh has hidden her true name and her Irish identity, and since her family fled Ireland in secret they have been proud to own land of their own in England. But one morning, Caragh’s father tells her that they must leave their beloved home as it is no longer safe for them to stay. That morning, Caragh hears shots fired. When she returns to the cottage, she finds her family murdered by Lemuel Lane, a wealthy Protestant who has taken it upon himself to rid the area of anyone with Catholic sympathies.

Renaissance Venice is a furnace of ideas and ambition. Artists flock here, not just for wealth and fame, but for revolutionary colour. Yet artist Giorgione 'Zorzo' Barbarelli's career hangs in the balance. Competition is fierce, and his debts are piling up. When Zorzo hears a rumour of a mysterious, other-worldly new pigment, brought to Venice by the richest man in Europe, he sets out to acquire the colour and secure his name in history. Winning a commission to paint a portrait of the man's wife, Sybille, Zorzo thinks he has found a way into the merchant's favour.

As lady-in-waiting and confidante to Queen Elizabeth, wife of Henry VII, Joan understands royal patronage is vital if she and her husband, Sir Richard, are to thrive in the volatile atmosphere of court life. But Tudor England is in mourning following the death of the prince of Wales, and within a year, the queen herself. With Prince Henry now heir to the throne, the court murmurs with the sound of conspiracy. Is the entire Tudor project now at stake or can young Henry secure the dynasty?