Showing results by publisher "Picador" in Literary Fiction

Thelonious 'Monk' Ellison's once-acclaimed writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers. He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited 'some relatives in Harlem for a couple of days'. Meanwhile, Monk struggles with real family tragedies – his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

1866. In a coastal village in southern England, Nell picks violets for a living. Set apart by her community because of the birthmarks that speckle her skin, Nell’s world is her beloved brother and devotion to the sea. But when Jasper Jupiter’s Circus of Wonders arrives in the village, Nell is kidnapped. Her father has sold her, promising Jasper Jupiter his very own leopard girl.

Smita, Giulia, Sarah: three lives, three continents, three women with nothing in common but nevertheless bound by a rare expression of courage...like three strands in a braid. Through the story of one woman’s hair, three women’s destinies are drawn together. Laetitia Colombani’s The Braid is the powerfully moving story of three women’s courage in the face of adversity.

When Jess first meets Josh at their Ivy League college she dislikes him immediately: an entitled guy in chinos, ready to take over the world. Meanwhile Jess is almost always the only Black woman in their class. And Josh can’t accept that life might be easier for him because he’s white. After graduating, Jess and Josh end up working together in the same investment bank. As they lunch, spar and pick each other’s brains, Jess begins to see Josh in a different light, and it seems their connection might be deeper than Jess could ever have imagined.

Lives separated by time and space have collided, and an exiled Englishman, a writer trapped far from home, and a girl destined to die too young, have each glimpsed a world that is not their own. Travelling through the centuries, between colonies on the moon and an ever-changing Earth, together their lives will solve a mystery that will make you question everything you thought you knew to be true.

From mingling with tabloid millionaires to trading favours and fortunes with royalty, she will stop at nothing to reach the top of the career ladder at the Mercury newspaper. Landing scoop after scoop, Becky ruthlessly carves a place for herself in a society determined to ignore her. These are the biggest stories and scandals of the decade, and she has something to do with every one of them. But Becky may have more in common with the people she writes about than she thinks – what takes a lifetime to build takes only a moment to destroy...

For fans of American Dirt, a sweeping, masterful debut about a daughter's fateful choice, a mother motivated by her own past, and a family legacy that begins in Cuba before either of them were born. Of Women and Salt is a story of shared heritage, populated by magnetic, fascinating, flawed women whose voices demand to be heard.

Nell and her partner Adrienne are about to have a baby. For Adrienne, it’s the start of a new life. For Nell, it’s the reason the two of them are sitting in a therapist’s office. Because she can’t go into this without dealing with the truth: that she has been a mother before, and now she can hardly bring herself to speak to her own mother, let alone return home to Ireland. Nell is running out of places to hide from her past. But to Ireland and the past is where she must go, and that is where The Amendments takes us.

Eleven-year-old Anna O'Donnell stops eating, but remains miraculously alive and well. A nurse, sent to investigate whether she is a fraud, meets a journalist hungry for a story. Set in the Irish Midlands in the 1850s, Emma Donoghue's The Wonder – inspired by numerous European and North American cases of 'fasting girls' between the sixteenth century and the twentieth – is a psychological thriller about a child's murder threatening to happen in slow motion before our eyes.

This collection of short stories is about women and their experiences in society, about bodies and the bodily, mapping the skin and bones of its characters through their experiences of isolation, obsession and love. Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and seaside towns are invaded and transformed, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants.

A poet’s life is turned inside out by a sudden, wrenching pain. The pain brings him to his knees, and eventually to the ICU. Confined to bed, plunged into the dysfunctional American healthcare system, he struggles to understand what is happening to his body, as someone who has lived for many years in his mind. This is a searching, sweeping novel set at the furthest edges of human experience, where the forces that give life value – art, memory, poetry, music, care – are thrown into sharp relief.

Anisa Ellahi dreams of being a translator of 'great works of literature,' but instead mostly spends her days subtitling Bollywood movies, living off her parents’ generous allowance, and discussing the 'underside of life' with her best friend, Naima. Anisa’s mediocre white boyfriend, Adam, only adds to her growing sense of inadequacy with his savant-level aptitude for languages, successfully leveraging his expansive knowledge into an enviable career. But when Adam learns to speak Urdu with native fluency practically overnight, Anisa forces him to reveal his secret.

The sudden death of Not Sidney Poitier's mother orphans him at age eleven. He is left with a name no one understands, an uncanny resemblance to an Oscar winning actor, and serious amount of shares in the Turner Corporation. Percival Everett's novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin colour with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not Sidney learns to navigate a world that doesn't know what to do with him.

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, she is sleeping with all the wrong men and she has failed at the only thing that meant anything to her: painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted Black daughter who doesn’t have a single person in her life who can show her how to do her hair.

When I was a child, I loved old men, and I could tell that they also loved me. And so we meet our deliciously incisive narrator: a popular English professor whose husband, a charismatic professor at the same small liberal arts college, is under investigation for his inappropriate relationships with his former students. The couple have long had a mutual understanding when it comes to their extramarital pursuits, but with these new allegations, life has become far less comfortable for them both.

In a small back alley in Tokyo, there is a cafe which has been serving carefully brewed coffee for more than 100 years. But this coffee shop offers its customers a unique experience: the chance to travel back in time. From the author of Before the Coffee Gets Cold comes a story of four new customers, each of whom is hoping to take advantage of Cafe Funiculi Funicula's time-travelling offer.

Casey has ended up back in Massachusetts after a devastating love affair. Her one constant is the novel she has been writing for six years, but at 31 she is in debt and directionless, and feels too old to be that way - it’s strange, not be the youngest kind of adult anymore. Suddenly Casey finds herself at the point of a love triangle, torn between two very different relationships that promise two very different futures.

Miri thinks she has got her wife back when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home. To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp.

When Jane meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including—a few years later—all the attendant joys and labors of motherhood. But it’s not long until Jane finds herself subsumed by John’s ambitions, whims, and ego; in short, she becomes a wife. As Jane’s career flourishes, their marriage starts to falter. Throughout the upheavals of family life, Jane tries to hold it together. That is, until John leaves her.

In the late summer of 1913, George Sawle brings his Cambridge friend Cecil Valance, a charismatic young poet, to visit his family home. The weekend will be one of excitements and confusions for everyone, but it is on George’s sixteen-year-old sister Daphne that it will have the most lasting impact. As the decades pass, Daphne and those around her endure startling changes in fortune and circumstance, and as reputations rise and fall, the events of that long-ago summer become part of a legendary story.