Showing results by publisher "Picador" in Biographical Fiction

In January 1895 Henry James anticipates the opening of his first play, Guy Domville, in London. The production fails, and he returns, chastened and humiliated, to his writing desk. The result is a string of masterpieces, but they are produced at a high personal cost. In The Master Colm Tóibín captures the exquisite anguish of a man who circulated in the grand parlours and palazzos of Europe, who was astonishingly vibrant and alive in his art, and yet whose attempts at intimacy inevitably failed him and those he tried to love.

Azzy Williams is ready. Ready to smoke, pop pills, drink wine and ready to fight. But most of all, he’s ready to do anything for his friends, his gang, his young team. Round here, in the schemes of the forgotten industrial heartland of Scotland, your mates, your young team - they’re everything. Azzy Williams is 14; a rising star, this is his life, and he loves it. Azzy Williams is 17; he’s out of control. Azzy Williams is 21; he’d like to leave it all behind. But a way out isn’t easy to find....

A poet’s life is turned inside out by a sudden, wrenching pain. The pain brings him to his knees, and eventually to the ICU. Confined to bed, plunged into the dysfunctional American healthcare system, he struggles to understand what is happening to his body, as someone who has lived for many years in his mind. This is a searching, sweeping novel set at the furthest edges of human experience, where the forces that give life value – art, memory, poetry, music, care – are thrown into sharp relief.

n 1805, at a boarding school in York, two fourteen-year-old girls first meet. Eliza Raine, the orphan daughter of an Indian mother, keeps herself apart from the other girls, tired of being picked out for being different. Anne Lister, a gifted troublemaker, is determined to conquer the world, refusing to bow to society’s expectations of what a woman can do. As they fall in love, the connection they forge will remain with them for the rest of their lives.

Set in a sun-drenched Sicily, among the decadent Italian aristocracy of the late 1950s, Steven Price’s Lampedusa explores the final years of Giuseppe Tomasi, last prince of Lampedusa, as he struggles to complete his only novel, The Leopard. In 1955, Giuseppe Tomasi was diagnosed with advanced emphysema; shortly after, he began work on a novel that would fail to be published before his death four years later. When The Leopard at last appeared, it won Italy’s Strega Prize and became the greatest Italian novel of the century.

Aeon, a mixed-up and mixed-race teenager from a leafy Liverpool suburb, is desperate to find his Black roots. He needs to understand the Black identity foisted upon him by his friends and his community. To his growing shame, the only Black people in his life are his dad and his cousin, Increase – but they don’t count. Aeon’s dad is intent on ignoring race and climbing the social ladder. And Increase has taken to demeaning all Black culture since the shady and unresolved death of his father, a Yardie gangster.

Each member of the family always responded in the same way whenever Désiré’s name came up. Father and Grandfather would say nothing at all. Mother would say a few words and then falter, ‘It's all very sad.’ So, each in their own way, no one seemed to have anything much to say. The truth was that in 1983 my uncle Désiré ran away from our village, in the South of France. And when he returned home from Amsterdam, he was addicted to heroin. And then he died. That was the truth, but not the whole truth . . .