Showing titles in Biographical Fiction

"Il mio libro più autobiografico. La storia di Eve è la mia storia." Eve, una famosa scrittrice, un giorno si sveglia in un letto di ospedale senza ricordare come ci sia finita. Il marito, sempre presente, le spiega che è stata sottoposta a un intervento chirurgico per rimuovere un grosso tumore al cervello. Mentre impara nuovamente a camminare, parlare e scrivere, Eve deve fare i conti con la sua diagnosi e affrontare la malattia trovando anche il modo di spiegare quanto le sta accadendo ai suoi amati figli.

Barney Panofsky - Canadian expat, wily lover of women, writer, television producer, raconteur - is finally putting pen to paper so he can rebut the charges about him made in his rival’s autobiography. Whether it’s ranting about his bohemian misadventures during the 1950s in Paris, his tumultuous three marriages, or his successful trashy TV company, Totally Unnecessary Productions, he quickly proves that his memory may be slipping, but his bile isn’t.

In 1665, a young man from Martha's Vineyard became the first Native American to graduate from Harvard College. Upon this slender factual scaffold, Brooks has created a luminous tale of love and faith, magic and adventure. The narrator of Caleb's Crossing is Bethia Mayfield, growing up in the tiny settlement of Great Harbor amid a small band of pioneers and Puritans. Restless and curious, she yearns after an education that is closed to her by her sex....

Marie Sklodowska, 25, is studying science at the Sorbonne—one of the only universities in the world that has begun to admit women. A thousand miles from her native Poland, with no money and the odds stacked against any woman daring to pursue a career in such a rigorous field, Marie throws herself into her studies. She’s certain that to succeed in a man’s world, she will have to go it alone.

Peter Rock's stunning autobiographical novel begins in the '90s on the Door Peninsula of Wisconsin. The narrator, a recent college graduate, and a young widow, Mrs. Abel, swim together at night, making their way across miles of open water, navigating the currents and swells carried by the rise and fall of the lake. The nature of these night swims, and of his relationship to Mrs. Abel, becomes increasingly mysterious to the narrator as the summer passes, until the night that Mrs. Abel disappears.

When Donaldina Cameron arrives at the Occidental Mission Home for Girls in 1895, she intends to teach sewing skills to young Chinese women immigrants, but, within days, she discovers that the job is much more complicated than perfect stitches and even hems. San Francisco has a dark side, one where a powerful underground organization - the criminal tong - brings Chinese young women to America to sell them as slaves. With the help of Chinese interpreters and the Chinatown police squad, Donaldina becomes a tireless social reformer to stop the abominable slave and prostitution trade.

From her beginnings as the daughter of a courtesan to her extraordinary transformation into the most celebrated actress of her era, Sarah Bernhardt is brought to life by an internationally best-selling author praised for his historical novels featuring famous women.

In 1912, the SS Birmingham approaches India. On board is Morgan Forster, novelist and man of letters. It will be another 12 years, and a second time spent in India, before A Passage to India, E. M. Forster's great work of literature, is published. During these years, Morgan will come to a profound understanding of the infinite subtleties and complexity of human nature.

Milano, fine Ottocento. Quando varca per la prima volta la soglia dell’orfanotrofio, Angelo Rizzoli ha otto anni, indossa un maglione più grande di un paio di misure e delle scarpe da adulto che lo fanno camminare come una papera. Il funzionario che lo registra all’ingresso scrive sulla scheda d’ammissione: ‘Una vita di stenti’. In quel piccolo mondo pieno di regole – e di punizioni – Angelo è felice: povero tra i poveri, impara che per fare strada bisogna compiere sacrifici, correre dei rischi e, soprattutto, credere in se stessi.

Jerome. K. Jerome allows us to laugh, with and at, both himself and ourselves, in his writing. As we peruse his “Idle Thoughts” on subjects ranging from babies to ambition, from dogs to poverty, we find that the dust of over a hundred years have not dimmed the mirror in which we look. Jerome, as in his other comic works, presents a seeming stream of consciousness that can shift in a moment from the ridiculous to the sublime, from self-deprecation to intense longing.

The scandalous historical love affair between Lydia Robinson and Branwell Brontë, brother to novelists Charlotte, Emily, and Anne, gives voice to the woman who allegedly brought down one of literature’s most famous families.

As a small boy hunting in the deep Florida swamps, C.E. “Kid” Miller had to become a crack shot, or his five sisters would go hungry. Now, in the summer of 1946, Miller hunts Georgia moonshiners instead of game, and packs a Smith and Wesson instead of a double barrel.

El libro más personal de Pedro Almodóvar: un autorretrato articulado en doce relatos que revelan su pasión secreta por la escritura.

" Déjà, je me suis mis au monde tout seul. Ils étaient trois ou quatre à assister à l’événement, et ils m’ont toujours accordé une chose : c’est moi qui ai dû me taper le plus dur, vu que ma mère était, disons, hors du coup. " Né à même le sol d’un mobil-home au fin fond des Appalaches d’une jeune toxicomane et d’un père trop tôt disparu, Demon Copperhead est le digne héritier d’un célèbre personnage de Charles Dickens.

In 1911, in the Scottish Border village of Sprouston, the young parish minister wrote to the Daily Mail for entry forms for its sweet pea competition. The top prize was a staggering £1000 and organisers predicted that as many as 15,000 would enter. He could not foretell that the paper's estimate of the number of competitors would be more than doubled, or that a fortnight before the deadline a nation-wide drought would threaten the very existence of the sweet peas he was so painstakingly cultivating.

Aeon, a mixed-up and mixed-race teenager from a leafy Liverpool suburb, is desperate to find his Black roots. He needs to understand the Black identity foisted upon him by his friends and his community. To his growing shame, the only Black people in his life are his dad and his cousin, Increase – but they don’t count. Aeon’s dad is intent on ignoring race and climbing the social ladder. And Increase has taken to demeaning all Black culture since the shady and unresolved death of his father, a Yardie gangster.

Una donna ancora giovane, serena e appagata, tutt’altro che inattiva nel cerchio sicuro della famiglia, viene abbandonata all’improvviso dal marito e precipita in un gorgo scuro e antico. Rimasta con i due figli e il cane, profondamente segnata dal dolore e dall’umiliazione, Olga, dalla tranquilla Torino dove si è trasferita da qualche anno, è risucchiata tra i fantasmi della sua infanzia napoletana. Comincia a questo punto una caduta rovinosa, un racconto che cattura e trascina fino al fondo più nero, più dolente dell’esperienza femminile.

Since dropping out of school three years ago with no qualifications, no pals, and no ambition, Jamie Skelton spends most of his days asleep and most of his nights wanking, playing video games with his online friend, Lee, and occasionally making the journey downstairs to the kitchen. When Fiona, Jamie's maw, tries to get Jamie to apply for a job, he sees her as the cause for all of his problems. Then Lee tells Jamie he's realised there's a name for what they are - incels - and that there's a guy he's met through the forums they can go stay with in London, to get away from their nagging mams.

Willie Nelson, Waylon Jennings, Kris Kristofferson. Before they were household names, these budding legends called Sue’s Nashville apartment—lovingly dubbed the “Boar’s Nest”—home. Sue’s place was an intimate staging ground where a new breed of singer-songwriters—wounded souls, wayward upstarts—would spur each other on to tap into something bigger, realer.

"J'ai alors décidé d'écrire ce que j'avais tu si fort, dire enfin ce qui se cachait derrière l'exigence de séduire qui ne voulait pas me lâcher et qui m'a jetée dans l'excès de la prostitution, et si le besoin de plaire l'emporte toujours lorsque j'écris, c'est qu'il faut bien revêtir de mots ce qui se tient là derrière, et que quelques mots suffisent pour être lus par les autres, pour n'être pas les bons mots."