Showing results by publisher "Bloomsbury Publishing Plc" in Genre Fiction

Ana and Connor have been having an affair for three years. In hotel rooms and coffee shops, swiftly deleted texts and briefly snatched weekends, they have built a world with none but the two of them in it. But then the unimaginable happens, and Ana finds herself alone, trapped inside her secret. How can we lose someone the world never knew was ours? How do we grieve for something no one else can ever find out? In her desperate bid for answers, Ana seeks out the shadowy figure who has always stood just beyond her reach - Connor's wife Rebecca.

Another day! And then another and another and another. It seemed as if it would all go on forever in that exquisitely boring and beautiful way. But of course it wouldn’t; everyone knows that. In this collection, Hilma Wolitzer invites us inside the private world of domestic bliss, seen mostly through the lens of Paulie and Howard’s gloriously ordinary marriage. From hasty weddings to meddlesome neighbours and ex-wives who just won’t leave, Wolitzer captures the tensions, contradictions and unexpected detours of daily life with wit, candour and an acutely observant eye.

A moving novel on the power of friendship in our darkest times, from internationally renowned writer and speaker Elif Shafak. In the pulsating moments after she has been murdered and left in a dumpster outside Istanbul, Tequila Leila enters a state of heightened awareness. Her heart has stopped beating, but her brain is still active - for 10 minutes 38 seconds. While the Turkish sun rises and her friends sleep soundly nearby, she remembers her life - and the lives of others, outcasts like her.

One night in New York City's Chinatown, Lola is at a dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into a former boyfriend. The next night, she runs into another ex. And then…another. The city has become awash with ghosts of heartbreaks past. What might have passed for coincidence becomes something far stranger when the recently engaged Lola must contend not only with the viability of her current relationship, but the fact that her best friend and her former boss might have an unhealthy investment in its outcome.

Aldwych West, an eighty-year-old modern-day aristocrat living alone in his Manhattan townhouse, is used to having what he wants. And when he sets eyes on August Dupond, a strong, stunningly beautiful soloist in the New York City Ballet, he decides he must have him. Soon they strike up a closeness that falls between the blurry lines of friendship, sponsorship, and love, and August moves in with Aldwych. But eventually August starts bringing home other men, and a formidable woman in Aldwych's circle named Ernestine also takes a deep interest in the enchanting young star.

Helen and Ellie are identical twins—like two peas in a pod, everyone says. The girls know this isn’t true, though: Helen is the leader and Ellie the follower. Until they decide to swap places: just for fun, and just for one day. But Ellie refuses to swap back. And so begins a nightmare from which Helen cannot wake up. Her toys, her clothes, her friends, her glowing record at school, the favour of her mother and the future she had dreamed of are all gone to a sister who blossoms in the approval that used to belong to Helen.

A woman stands on a dark street, thousands of kilometers from her home in Israel, and peeks through the windows of a home in a city in northern Holland. The two little girls she sees through the window are her granddaughters, whom she has never met, the daughters of her only daughter. At the center of this brilliant novel is a small family – mother, daughter, and father, in this order, a family whose mistakes, made in the name of love, accumulate gradually to create an unforgettable psychological drama.

Marie owes Michka more than she can say - but Michka is getting older and can't look after herself any more. So Marie has moved her to a home where she’ll be safe. But Michka doesn’t feel any safer - she is haunted by strange figures who threaten to unearth her most secret, buried guilt, guilt that she’s carried since she was a little girl. And she is losing her words - grasping more desperately day by day for what once came easily to her.

Dear Catherine, he began. Here I sit, making a meal out of asking you to dinner. I don’t really know how to do it. To have cultural integrity, I would have to send my aunt to speak, discreetly, to your aunt, who would then speak to your mother, who would speak to my mother, who would speak to my father, who would speak to me and then approach your mother, who would then approach you. Demoralised by small persecutions and the squalor and poverty of his life, Daud takes refuge in his imagination.

In electric prose T. C. Boyle explores myriad facets of society: greed and excess, parenthood and responsibility, the digital world and the way we understand our mortality. Roaming unrestrainedly through the present and near future, he inhabits his characters’ minds with a ventriloquist’s flair, skewering human motivations and revealing us to ourselves with empathy and wry humour.

As a psychiatrist Charlie Weir has seen every kind of trauma New York has to offer. Yet he has never managed to overcome the tragic mistake, seven years earlier that lost him his wife and his daughter, leaving him prone to corrosive loneliness and restless anger. Then into his life walks the alluring Nora Chiara, with her inescapable air of sadness and mystery, and Charlie falls for her quickly, hungrily.

Being Tommy’s mother is too much for Sonya. Too much love, too much fear, too much longing for the cool wine she gulps from the bottle each night. Because Sonya is burning the fish fingers, and driving too fast, and swimming too far from the shore, and Tommy’s life is in her hands. Once there was the thrill of a London stage, a glowing acting career, fast cars, handsome men. But now there are blackouts and bare cupboards, and her estranged father showing up uninvited. There is Mrs O’Malley spying from across the road. There is the risk of losing Tommy - forever.

Megan Kamalei Kakimoto's wrenching and sensational debut story collection follows a cast of mixed native Hawaiian and Japanese women through a contemporary landscape thick with inherited wisdom and the ghosts of colonization. This is a Hawai'i where unruly sexuality and generational memory overflow the postcard image of paradise and the boundaries of the real, where the superstitions born of the islands take on the weight of truth.

The year is 1921. Lesley Hamlyn and her husband, Robert, a lawyer and war veteran, are living at Cassowary House on the Straits Settlement of Penang. When “Willie” Somerset Maugham, a famed writer and old friend of Robert’s, arrives for an extended visit with his secretary Gerald, the pair threatens a rift that could alter more lives than one. Maugham, one of the great novelists of his day, is beleaguered: Having long hidden his homosexuality, his unhappy and expensive marriage of convenience becomes unbearable after he loses his savings—and the freedom to travel with Gerald.

1964. Ceylon is on the brink of change. But Kairo is at a loose end. School is closed, the government is in disarray, the press is under threat and the religious right are flexing their muscles. Kairo’s hard-working mother blows off steam at her cha-cha-cha classes; his Trotskyite father grumbles over the state of the nation between his secret flutters on horseraces in faraway England. All Kairo wants to do is hide in his room and flick over second-hand Westerns and superhero comics, or escape on his bicycle and daydream.

Aoife knows everyone in Dundalk’s underworld. Too well, in some cases. But when she meets Annie, a beautiful whirlwind of a woman, and brings her to the Town, she finds that she doesn't know nearly enough about her. Annie is magnetic and wild, and Aoife’s desire to learn more quickly becomes a need, and then an obsession - to know this dangerous woman, to love her, to keep her.

When Helen Whitmore's stepson brings home a new girlfriend one evening, her already imperfect family begins to tip towards breaking point. Diana is smart, beautiful, feisty and clearly out to cause trouble. Then an old photograph resurfaces that threatens to uncover a long-buried secret, one that Helen has taken great care to keep hidden in the past. Only one person could have that photograph – and she is dead. Helen immediately suspects that Diana is connected somehow, but before she can confront her, Diana is found dead and the entire family has motive.

The life of Zoli Novotna begins on the leafy backroads of Slovakia, when she and her grandfather come upon a quiet lake where their family has been drowned by fascist guards. Zoli and her grandfather flee to join up with another clan of travelling harpists. So begins an epic tale of song, intimacy and betrayal. Based loosely on the true story of the Gypsy poet Papusza, and set against the backdrop of the Second World War, Zoli is a love story, a tale of loss and a parable of modern-day Europe.

Fifteen-year-old Andrew Aziza lives in Kontagora, Nigeria, where his days are spent about town with his droogs, Slim and Morocca, grappling with his fantasies about white girls – especially blondes – and wondering who his father is. When he’s not in church, at school or attempting to form ‘Africa’s first superheroes’, he obsesses over mathematical theorems, ideas of black power and HXVX: the Curse of Africa. Sure enough, the reluctantly nicknamed ‘Andy Africa’ soon falls hopelessly and inappropriately in love with the first white girl he lays eyes on, Eileen.

Joe Tournier has a bad case of amnesia. His first memory is of stepping off a train in the 19th-century French colony of England. The only clue Joe has about his identity is a century-old postcard of a Scottish lighthouse that arrives in London the same month he does. Written in illegal English - instead of French - the postcard is signed only with the letter 'M', but Joe is certain whoever wrote it knows him far better than he currently knows himself and he’s determined to find the writer.