Showing results by publisher "Fourth Estate" in Essays

Mostly drawn from the earliest part of her astonishing five-decade career, the wide-ranging pieces in this collection include Didion writing about a Gamblers Anonymous meeting, a visit to San Simeon and a reunion of WWII veterans in Las Vegas and about topics ranging from Nancy Reagan to Robert Mapplethorpe to Martha Stewart.

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ This collection of 20 reviews, essays and pieces of memoir from the next three decades tells the story of what happened next.

When it comes to shame, Desiree Akhavan knows what she’s talking about—whether it’s winning the title of The Ugliest Girl at her high school, acquiescing to the nose job she was lovingly forced into by her Iranian parents, or losing her virginity to a cokehead she met in a support group for cutters. In You're Embarrassing Yourself, Desiree goes to the rawest places—the lifelong struggle to be at peace in one’s body, the search for home as the child of immigrants, the anxious underbelly of artistic ambition—in pursuit of wisdom, catharsis, and lolz.

A standalone work of nonfiction by the bestselling author of Treacle Walker, Powsels and Thrums is a distillation of a lifetime of work. It blends family history, folklore, stories and poetry, bringing to life the language and landscape of Garner’s beloved Cheshire. Full of charm and insight, this book is a celebration of the writer’s life, values and language.

Alan Garner is an exceptional lecturer and essayist. This rich collection of writings, spanning more than twenty years, explores an enviable range of scholarly interests: archaeology, myth, language, education, philosophy, the spiritual quest, mental health, literature, music and film. The book also serves as a poetic autobiography of one of England's best-loved but least public writers. He hears himself declared dead at the age of six; he draws on the deep vein of a rural working-class childhood in a family of craftsmen who instilled the passion for excellence and for innovation and humour.

‘If you care about the planet, and about the people and animals who live on it, there are two ways to think about this. You can keep on hoping that catastrophe is preventable, and feel ever more frustrated or enraged by the world’s inaction. Or you can accept that disaster is coming, and begin to rethink what it means to have hope.’ The honesty and realism of Jonathan Franzen’s writings on climate have been widely denounced and just as widely celebrated.

When Tim O’Brien became an older father, he resolved to give his young sons what he wished his own father had given to him - a few scraps of paper signed ‘Love, Dad’. Maybe a word of advice. Maybe a sentence or two about some long-ago Christmas Eve. Maybe some scattered glimpses of their rapidly ageing father, a man they might never really know. For the next 15 years, the author talked to his sons on paper, as if they were adults, imagining what they might want to hear from a father who was no longer among the living.

“There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.” There is no good way to say this—because words fall short. It takes only an instant for death to become fact, “a single point in a timeline.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James.