Showing titles in Essays

We live in a world where strongman politics are rising, neo-liberalism has hollowed out political parties and corporations have undermined democracy. Ordinary voters feel helpless to effect change, resulting in outbreaks of populist anger, and traditional platforms for debate are losing their viability as readers source information online. In this short and vital polemic, progressive thinker and activist Billy Bragg argues that accountability is the antidote to authoritarianism and that without it, we can never truly be free.

In San Francisco, 1960, James Baldwin spoke to John Cheever about what he saw as a 'failure of the masculine sensibility'. Strange Relations examines how Baldwin came to this assessment and what may be amiss in our understanding of masculinity. Building on Walt Whitman's philosophy of the love between men, the book considers the work and lives of Tennessee Williams, Carson McCullers, Cheever and Baldwin. All four writers wrestled in their art, as well as in their sexual and platonic relationships, with the expectations of masculinity, the pull of queer life and the tensions between the two.

Thoreau gives an account of three canoe and hiking journeys - by himself and with others - through the mostly uninhabited forests of Maine in the 1850s. Identifying birds, trees and plants by their botanical as well as their common names, he also records the Indian names of lakes, rivers and plants. He investigates the connections between waterways and trails, and provides detail on camping, fishing and hunting in the woods, using whatever is at hand. Extolling the beauty of the wilds that he encounters, Thorough’s narrative is also imbued with elements of his philosophy.

In this blistering, irreverent and very funny first book of non-fiction, Lauren Oyler - one of the most trenchant, influential, and revelatory critics of her generation - takes on the bizarre particularities of our present moment in a series of interconnected essays about literature, the attention economy, gossip, the role of criticism and her own relentless, teeth-grinding anxiety. No Judgement excavates the layers of psychology and meaning in how we communicate, tell stories and make critical judgements - to offer dazzling insights into how we live and think today.

Within this essay, Orwell criticises the 'ugly and inaccurate' written English of his time and examines the connection between political orthodoxies and the debasement of language. The essay focuses on political language, which, according to Orwell, 'is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind'. Bad English, he believed, was a vehicle for oppressive ideology.

Tolstoy claims that all good art is related to the authentic life of the broader community and that the aesthetic value of a work of art is not independent of its moral content.

The Ultimate Essays Collection is a wide-ranging collection of 30 classic essays analysing everything from war to love, journalism to race, travel to nature, and much more, read by an award-winning cast of narrators. Included here are essays by some of the greatest writers of all time, including George Orwell; Thomas Paine; Fyodor Dostoyevsky; Henry David Thoreau; Virigina Woolf; Sigmund Freud; Zorea Neale Huston; Langston Hughes; Jack London, and more.

Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles. Here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention.

Too personal for an almanac, too sophisticated for a domestic history, and too funny and self-doubting for a literary journal, One Man's Meat can best be described as a primer of a countryman's lessons and a timeless recounting of experience that will never go out of style.

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile. Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis.

America Ferrera has always felt wholly American, and yet, her identity is inextricably linked to her parents’ homeland and Honduran culture. Speaking Spanish at home, having Saturday morning salsa-dance parties in the kitchen, and eating tamales alongside apple pie at Christmas never seemed at odds with her American identity. Still, she yearned to see that identity reflected in the larger American narrative. Now, in American Like Me, America invites 31 of her friends, peers, and heroes to share their stories about life between cultures.

Sebastian Haffners "Geschichte eines Deutschen" handelt von einem Jungen aus bürgerlicher Familie, der den Ausbruch des Ersten Weltkrieges als Zerstörung seines Ferienidylls empfindet. Der die galoppierende Inflation 1923 beobachtet, mit ihren jugendlichen Aktienspekulanten und hilflosen Vätern, ihrem Januskopf von Hunger und Verschwendung...

According to the Washington Post, no one who cares about contemporary African-American cultures can ignore Bell Hooks's electrifying feminist explorations. Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As Hooks herself notes, interrogations of popular culture can be a "powerful site for intervention, challenge and change." And intervene, challenge, and change is what hooks does best.

"Depuis que j'ai quitté le Liban pour m'installer en France, que de fois m'a-t-on demandé, avec les meilleures intentions du monde, si je me sentais plutôt français" ou "plutôt libanais". Je réponds invariablement : "L'un et l'autre !" Non par quelque souci d'équilibre ou d'équité, mais parce qu'en répondant différemment, je mentirais. Ce qui fait que je suis moi-même et pas un autre, c'est que je suis ainsi à la lisière de deux pays, de deux ou trois langues, de plusieurs traditions culturelles. C'est cela mon identité..."

In this love letter to reading, curated by Pandora Sykes in aid of the National Literacy Trust, bestselling and beloved writers share their favourite books: the ones they hold most dearly, that they return to time and again and that helped make them the writers they are.

Le Guin’s sharp and witty voice is on full display in this collection of twenty-four essays, revised by the author a decade after its initial publication in 1979. The collection covers a wide range of topics and Le Guin’s origins as a writer, her advocacy for science fiction and fantasy as mediums for true literary exploration, the writing of her own major works such as A Wizard of Earthsea and The Left Hand of Darkness, and her role as a public intellectual and educator.

In this tender, funny, and sharp companion to her acclaimed memoir-in-essays Amateur Hour, Kimberly Harrington explores and confronts marriage, divorce, and the ways love, loss, and longing shape a life.

This is Virginia Woolf’s first collection of essays, published in 1925. In them, she attempts to see literature from the point of view of the ‘common reader’ - someone whom she, with Dr Johnson, distinguished from the critic and the scholar. She read, and wrote, as an outsider: a woman set to school in her father’s library, denied the educational privileges of her male siblings - and with no fixed view of what constitutes ‘English literature’. What she produced is an eccentric and unofficial literary and social history from the 14th to the 20th centuries.

At a remote little inn not far from the Kansas homestead of Laura Ingalls Wilder lived the Bender family. These pioneers welcomed unwary visitors with jackrabbit stew and a sledgehammer to the skull. In time, their apple orchard gave up its secrets - a burial ground for their mutilated victims, each stripped of their possessions. The devilish enterprise on “Hell’s Half-Acre” would earn the Bloody Benders an undying place in the annals of American infamy. But it was the mysterious fate of eldest daughter, Kate, that would make them the stuff of mythic campfire prairie tales.

When Paul Auster was asked to join NPR's Weekend All Things Considered program to tell stories, he turned the proposition on its head: he would let the stories come to him. He invited listeners to submit brief, true-life anecdotes about events that touched their lives.