Showing results by publisher "Fourth Estate" in Anthologies & Short Stories

The games and rituals performed by Katherine Heiny’s characters range from mischievous to tender. In ‘Bridesmaid, Revisited,’ Marilee, suffering from a laundry and life crisis, wears a massive bridesmaid’s dress to work. In ‘Twist and Shout,’ Ericka’s elderly father mistakes his four-thousand-dollar hearing aid for a cashew and eats it. In ‘Turn Back, Turn Back,’ a bedtime storxy coupled with a receipt for a Starbucks babyccino reveal a struggling actor’s deception. And in ‘561,’ Charlene pays the true price of infidelity and is forced to help her husband’s ex-wife move out of the family home.

A dazzling new collection of short stories, spanning 15 years of writing, from Yiyun Li, the prize-winning author of The Book of Goose and Where Reasons End.

1979. Topper and Sanya flee to Miami as political violence consumes their native Kingston. But they soon learn that the welcome in America will be far from warm. Trelawny, their youngest son, comes of age in a society which regards him with suspicion and confusion, greeting him with the puzzled question ‘What are you?’ Their eldest son Delano’s longing for a better future for his own children is equalled only by his recklessness in trying to secure it.

Eley Williams returns with a subversive and essential collection of short stories exploring the nature of relationships both intimate and transient – from the easy gamesmanship of contagious yawns to the horror of a smile fixed for just a second too long. Whether jostling for attention or ducking to evade it, her characters seek connections not only with each other but also to versions of themselves.

A brilliant young philosophy student bent on seducing her famous philosopher-mentor finds herself outmaneuvered; diabolically clever high school girls wreak a particularly apt sort of vengeance on sexual predators in their community; a woman stalked by a would-be killer may be confiding in the wrong former lover; a young woman is morbidly obsessed by her unfamiliar new role as “mother.” In the collection’s longest story, a much-praised cutting-edge writer cruelly experiments with “drafts” of his own suicide.

What does it mean to take action? To bear witness? What does it cost? These stories take us into the heart of contemporary New York City and its residents’ lives. We meet children, grandmothers and even ghosts as they strive to connect, to stand up for, and to really see each other. Their relationships shape not only their own futures but those of their families and their city. In its portraits of families and friendships, Witness enacts its own testimony.

This debut collection movingly explores how women and girls are looked at, look at one another and look at themselves, and how living as an object can shape their passions, fears and joys. With a clear eye and dark humour, Danielle Pender considers sex, parenting, grief and class as lenses for the ways in which the world watches women—and how women are always watching back.

It's in the nature of myth to be infinitely adaptable. Each of these startlingly original stories is set in modern Britain. Their characters include a people-trafficking gang master and a prostitute, a migrant worker and a cocksure estate agent, an elderly musician doubly befuddled by dementia and the death of his wife, a pest controller suspected of paedophilia and a librarian so well behaved that her parents wonder anxiously whether she’ll ever find love.