Showing titles in Poetry

Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology.

One of the great masterpieces of Western literature, The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars. Though the stormy god of the ocean is determined to keep him off course, Odysseus is clever and has the brilliant goddess Athena on his side.

To fully experience the ecstatic poetry of the Middle and Near East, you must hear it as originally intended: stirred ablaze by inspired music and rhythms before a live audience. In I Want Burning, Coleman Barks fuses his passionate scholarship with a deep feeling for the poetry of Rumi, Hafiz (a 14th-century Sufi mystic, called "one of the jewels in the necklace of Persian poetry"), and Lalla (an exquisite Kashmiri female poet of the 14th century).

A short section from Milton's epic poem, expressing how much sweeter the world is when you are with the one you love, read by Jenny Agutter.

Monsieur Jourdain est un commerçant qui a fait fortune dans les perruques. Il décide de vivre "en homme de qualité"' et ouvre sa maison aux arts et aux lettres... Cette comédie-ballet consacre l'image d'Epinal de l'arriviste, dont Molière moque allègrement la fatuité et l'ignorance. Le titre donné à la pièce est révélateur. Il nous apprend que pour Molière le sujet de l'œuvre, c'est M. Jourdain et sa propension vaniteuse à gagner une classe sociale qui n'est pas la sienne.

Homer's Odyssey is the thrilling and moving tale of the wanderings of the hero Odysseus after the end of the Trojan war. For ten years he experiences storms, shipwrecks, and seductions as he tries to find a way home to Ithaca, contending with the wrath of Poseidon but protected by Pallas Athena. Meanwhile, his wife Penelope is beset by suitors who believe him dead.

Ghalib's poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib's voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent's cultural and literary tradition.

Paradise Lost is a well-known part of the English literary canon. Told as an epic poem in blank verse, Paradise Lost is John Milton’s retelling of the biblical story of Satan’s fall from grace and the beginning of humanity. In the beginning of Paradise Lost, Satan has been banished to Hell and is working to organize the angels who fell with him and create his new kingdom. While a constant angelic war rages, Satan begins to wield his influence on the first humans created on Earth, and soon tempts them into defying God by using wit and logic to tempt Eve.

Dante Alighieri is indisputably one of the world's greatest poets. His epic masterpiece, the Divine Comedy, has been frequently referred to as the supreme work of Italian literature and a staple in the Western Christian tradition. Now, you can explore Dante's life and masterwork with a truly gifted Catholic professor as your guide. In this 12-lecture series, Dante's Divine Comedy, Sr. Mary Clemente Davlin will take you through this timeless narrative that has so profoundly influenced Western history, literature, and the Christian faith.

The Völsunga saga is a legendary saga, a late 13th-century poetic rendition in Old Norse of the origin and decline of the Völsung clan (including the story of Sigurd and Brynhild and the destruction of the Burgundians). It is one of the most famous legendary sagas and an example of a "heroic saga" that deals with Germanic heroic legend. The saga covers topics including the quarrel between Sigi and Skaði, a huge family tree of great kings and powerful conquerors and the quest led by Sigmund and Sinfjǫtli to save princess Signý from the evil king Siggeir.

A collection of the funny, curious verse written during the 19th and 20th centuries, read by some of Britain's most renowned actors. Humorous and whimsical verse are collated together in these timeless readings of poetry from our funniest writers. Performed by Sir John Gielgud; Imogen Stubbs; Tim Pigott-Smith; Peter Orr; Wendy Hillier.

Sappho was a female poet who was well known in ancient Greece and Rome for her lyrical poetry. She was most famous for her poems involving women who loved women, and it is from her name that sapphic, a term referring to sexual relations between women, originated. This is a compendium of her surviving work, a collection of 54 fragments translated by Henry de Vere Stacpoole.

Paradise Lost is the greatest epic poem in the English language. In words remarkable for their richness of rhythm and imagery, Milton tells the story of Man's creation, fall, and redemption to "justify the ways of God to men."

One of the great works of medieval Europe, Dante Alighieri's The Divine Comedy translates the thought of the Middle Ages into a thrilling narrative. Seven centuries later it remains the most successful merger of theology and philosophy in epic poetry. In in this audio course, you'll gain a philosophical and literary understanding of Dante's masterpiece.

This remarkable poem, dedicated to Queen Elizabeth I, was Spenser's finest achievement: the first epic poem in modern English. The Faerie Queene combines dramatic narratives of chivalrous adventure with exquisite and picturesque episodes of pageantry. At the same time, Spenser is expounding a deeply-felt allegory of the eternal struggle between Truth and Error.

This 14th-century Italian poet was a model for many who followed him. His passionate sonnets to Laura became the epitome for love poetry. Over some 40 years he wrote 366 sonnets to Laura, whom he probably never even spoke to, and they remain immediate and affecting even now. Called "Rime Sparse (Scattered Rhymes)", they influenced Chaucer and many others.

"Le Tartuffe ou l'Imposteur" est une comédie de Molière en cinq actes et en vers créée le 5 février 1669 sur la scène du Théâtre du Palais-Royal. Orgon est l'archétype du personnage de cour tombé sous la coupe de Tartuffe, un hypocrite et un faux dévot. Il est, ainsi que sa mère, Madame Pernelle, dupe de Tartuffe. Ce dernier réussit à le manipuler en singeant la dévotion et il est même parvenu à devenir son directeur de conscience. Il se voit proposer d'épouser la fille de son bienfaiteur, alors même qu'il tente de séduire Elmire, la femme d'Orgon, plus jeune que son mari.

The Iliad of Homer is the earliest work of European literature that we have. Created in the eighth century BC it has continued to arouse interest for over 2000 years. The author intended it to be heard, as delivered by a bard or rhapsode who had made the presentation of Greek epic poetry his profession, and who had command of the vocal resources and the dramatic power to move his audience.

Mirabai was a Rajput princess born to the Rathore clan in 1498 in Kudaki, Rajasthan, in northern India. Despite being one of the most significant saints in the Bhakti tradition and an immensely popular Hindu mystic and religious poet, very few facts are actually known about her life including her date of birth. It is clear that her mother died when she was very young and she was greatly influenced by her father, also a worshipper of Krishna. From a young age, Mirabai’s devotion to Krishna was absolute surrender and complete devotion.

Frederick Lazarus Light's resolve to write a greater Iliad in English than Homer composed in Greek is manifest. This translation impersonates Homeric Greek. It runs with Achilleus and like man-shattering Hector in the shock of arms is resolutely sharp. As unrelenting as sublimity, not yielding lyrically, unprosaically vindicating Homer's vision, the brightest labor has been attempted and is brought over as a consummate attempt.