Showing results by publisher "Picador" in African American

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture and history. We meet Black and multi-racial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.

Zach Wells is a perpetually dissatisfied geologist-slash-paleobiologist. Expert in an incredibly niche field, he spends his days playing chess with his daughter, trading puns with his wife as she does yoga, and dodging committee work at the college where he teaches. After his daughter is diagnosed with a fatal illness, Wells finds a cryptic plea for help tucked into a secondhand jacket bought online. Desperately seeking a way avoid his newfound sense of powerlessness, he embarks for New Mexico on a quixotic rescue mission.

Ogden Walker, deputy sheriff of a small New Mexico town, is on the trail of an old woman’s murderer. But at the crime scene, his are the only footprints leading up to and away from her door. Something is amiss, and even his mother knows it. As other cases pile up, Ogden gives chase, pursuing flimsy leads for even flimsier reasons. His hunt takes him from the seamier side of Denver to a hippie commune as he seeks the puzzling solution.

Thelonious 'Monk' Ellison's once-acclaimed writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers. He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited 'some relatives in Harlem for a couple of days'. Meanwhile, Monk struggles with real family tragedies – his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

The sudden death of Not Sidney Poitier's mother orphans him at age eleven. He is left with a name no one understands, an uncanny resemblance to an Oscar winning actor, and serious amount of shares in the Turner Corporation. Percival Everett's novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin colour with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not Sidney learns to navigate a world that doesn't know what to do with him.

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, she is sleeping with all the wrong men and she has failed at the only thing that meant anything to her: painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted Black daughter who doesn’t have a single person in her life who can show her how to do her hair.

Chicago, 1954. When his father, Montrose, goes missing, 22-year-old army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his uncle George - publisher of The Safe Negro Travel Guide - and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite - heir to the estate that owned one of Atticus’ ancestors - they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.

Jordan Peele, the visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of brand new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our world. Featuring an introduction by Jordan Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and its stories prey on everything we think we know about our world, and redefine what it means to be afraid. Very afraid.

Recognized as one of the great poets of modern times, and as a deeply respected and influential political and cultural activist and social critic, Linton Kwesi Johnson is also a prolific writer of non-fiction. Here, he selects some of his most powerful prose for the first time. Written over many decades, it is a body of work that draws creatively and critically on Johnson’s own Jamaican roots and on Caribbean history to explore the politics of race and ethnicity that continue to inform the Black British experience.

Bonnie and Mansour are meant to be: two children abandoned by their mothers from opposite sides of the Black Atlantic, who find each other in New York in 1968 and set about making music that will change the world. Mansour’s sound is unique: a fusion of Senegalese prayer songs, and the wild beats of East Coast American jazz. His voice soars and lifts, carrying away the hearts of all who hear him; carrying away Bonnie, a lost American girl with her own troubled past. As they travel together from New York to Paris, to Rio and Switzerland, Mansour’s music forges connections and breaks new ground.

Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. At first glance Lewis and Mariah are a blessed couple—handsome, rich and seemingly happy. Almost at once, however, Lucy begins to notice cracks in their beautiful facade. With a mixture of anger and compassion, Lucy scrutinizes the privileged, facile world of her employers while comparing it to the vivid realities of her home in the Caribbean.

Rutherford Calhoun, a puckish rogue and newly freed slave, spends his days loitering around the docks of New Orleans, dodging debt collectors, gangsters and Isadora Bailey, a prim and frugal woman who seeks to marry him and curb his mischievous instincts. When the heat from these respective pursuers becomes too much to bear, he cons his way on to the next ship leaving the dock: the Republic. Upon boarding, to his horror he discovers that he is on an illegal slave ship embarking on the Middle Passage.

Bread and Circus is a hybrid and palimpsestic memoir-in-verse: it combines poetry, photography and spectral imagining to explore the realities of economic necessity and marginal poverty through a personal lens. Examining the experience of the US urban Black community from a variety of perspectives, it draws heavily on the author’s archival research on Adam Smith, the eighteenth-century Scottish economist, as well as his magnum opus, The Wealth of Nations.