Showing results by publisher "Bloomsbury Publishing Plc" in Literature & Fiction

Alif is a mild-mannered middle-aged history teacher, living in contemporary Delhi. Though his life's passion is the history he teaches, it's the present that presses down on him: his wife is set on a bigger house and a better car while trying to ace her MBA exams; his teenage son wants to quit school to get rich; his supercilious colleagues are suspicious of a Muslim teaching India's history; and his old friend Ganesh has just reconnected with a childhood sweetheart with whom Alif was always rather enamored himself. And then the unthinkable happens.

Maddie's life has come crashing down around her. Her husband has left her and moved on with a new woman and baby. No longer can she run from the past that's been haunting her. The past has destroyed her future. In a new flat, trying to start a new life, Maddie meets Jade and her young son, Ben. All too swiftly Maddie finds the dark thoughts whirring through her brain. But Jade's different, she loves Ben, doesn't she? As the two women begin to open up about their exes over a few glasses of wine, Jade conjures a plan, a pact. She'll kill Maddie's if Maddie kills hers.

The year is 1921. Lesley Hamlyn and her husband, Robert, a lawyer and war veteran, are living at Cassowary House on the Straits Settlement of Penang. When “Willie” Somerset Maugham, a famed writer and old friend of Robert’s, arrives for an extended visit with his secretary Gerald, the pair threatens a rift that could alter more lives than one. Maugham, one of the great novelists of his day, is beleaguered: Having long hidden his homosexuality, his unhappy and expensive marriage of convenience becomes unbearable after he loses his savings—and the freedom to travel with Gerald.

One powerful novella, with two thematically linked short stories on either side of it, forms the basis of Everything in This Country Must. Although these are stories about Ireland and the Troubles, they have an almost mythical rather than a political feel.

As an adult, I learned this: persist. Work hard. Face rejection, weather the setbacks, until you meet the gatekeeper who will open a door for you. Jesmyn Ward grew up in a poor, rural community in Mississippi. Today, as the first woman to win the National Book Award twice, she is celebrated as one of America’s greatest living writers. Navigate Your Stars is a stirring reflection on the value of hard work and the importance of respect for oneself and others.

1883. Thaniel Steepleton returns home to his tiny London apartment to find a gold pocket watch on his pillow. Six months later, the mysterious timepiece saves his life, drawing him away from a blast that destroys Scotland Yard. At last, he goes in search of its maker, Keita Mori, a kind, lonely immigrant from Japan. Although Mori seems harmless, a chain of unexplainable events soon suggests he must be hiding something. When Grace Carrow, an Oxford physicist, unwittingly interferes, Thaniel is torn between opposing loyalties.

An ageing nun is tracked to ground by her sister; a garrulous beautician must lay out the corpse of a loved one. These are eloquent tales of exile and displacement, of characters always in search of a way back home or of a way to leave it. Mischievous, assured and versatile, Colum McCann's collection of short stories marks him out as one of our best contemporary writers.

The day of her wedding, 17-year-old Ada’s life looks good; she loves her husband, and she loves working as an apprentice to her mother, a respected midwife. But after a year of marriage and no pregnancy, in a town where barren women are routinely hanged as witches, her survival depends on leaving behind everything she knows. She joins up with the notorious Hole in the Wall Gang, a band of outlaws led by a preacher-turned-robber known to all as the Kid. Charismatic, grandiose and mercurial, the Kid is determined to create a safe haven for outcast women.

In 1996, the unnamed narrator of Teddy Wayne’s Apartment is attending the MFA writing program at Columbia on his father’s dime and living in an illegal sublet of a rent-stabilized apartment. Feeling guilty about his good fortune, he offers his spare bedroom rent-free to Billy, a talented, charismatic classmate from the Midwest eking out a hand-to-mouth existence in Manhattan. The narrator’s rapport with Billy develops into the friendship he’s never had due to a lifetime of holding people at arm’s length, hovering at the periphery, feeling "fundamentally defective."

Alina and Laura are independent and career-driven women in their mid-thirties, neither of whom have built their future around the prospect of a family. Laura is so determined not to become a mother that she has taken the drastic decision to have her tubes tied. But when she announces this to her friend, she learns that Alina has made the opposite decision and is preparing to have a child of her own.

In 1963, in a Siberian prison, former nuclear specialist Valery Kolkhanov has mastered what it takes to survive: the right connections to the guards for access to food and cigarettes, the right pair of warm boots, and the right attitude toward the small pleasures of life so he won’t go insane. But one day, all that changes: Valery’s university mentor steps in and sweeps him from the frozen camp to a mysterious unnamed city. It houses a set of nuclear reactors, and surrounding it is a forest so damaged it looks like the trees have rusted from within.

This is a story about two marriages. Or is it? It begins with a wedding, held in the small San Francisco forest of Bottle Grove - bestowed by a wealthy patron for the public good, back when people did such things. Here is a cross section of lives, a stretch of urban green where ritzy guests, lustful teenagers, drunken revelers, and forest creatures all wait for the sun to go down. The girl in the corner slugging vodka from a cough-syrup bottle is Padgett - she’s keeping something secreted in the woods.

When the unnamed narrator of Little Rabbit first meets the choreographer at an artists’ residency in Maine, it’s not a match. She finds him loud, conceited, domineering. He thinks her serious, guarded, always running away to write. But when he reappears in her life in Boston and invites her to his dance company’s performance, she’s compelled to attend. Their interaction at the show sets off a summer of expanding her own body’s boundaries: she follows the choreographer to his home in the Berkshires, to his apartment in New York and into submission during sex.

A hurricane is building, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's 14 and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.

Valzhyna Mort's work is characterised by a memorial sensibility that honours those lost to the violence of nation states. In Music for the Dead and Resurrected, the poet offers us a body of work that balances political import with serious play. There are few poets writing with such an intuitive sense of the balance between arcane and contemporary currents in poetry. Mort's lines are timeless, finely honed to last beyond a single lifetime.

A wife compulsively digs in her garden. Two brothers, long estranged, reunite for a terse, heady summer. A woman flies to Krakow to see her adult son. At dusk, a teenage girl pushes her dying mother out into the sea. A small boy sits on his own in the cinema, entranced by the cowboys who light up the screen. With these short stories, Tim Pears illuminates a series of blazing moments in quiet lives - the tragic, strange, funny and beautiful fragments that make and unmake us - and shines a light into the gulfs that lie between us and those who should know us best.

Dawn, mist clearing over rice fields, a burning Vietnamese village and a young photographer takes the shot that might make his career. The image, of a staring soldier in the midst of mayhem, will become one of the great photographs of the war. But what Jonathan has seen in that village is more than he can bear. He flees to Japan, to lose himself in the vastness of Tokyo and to take different kinds of pictures: of streets and crowds and cherry blossom - and of a girl with whom he is no longer lost. Yet even here his history will catch up with him

The year is 2059. For two centuries, the Republic of Scion has led an oppressive campaign against unnaturalness in Europe. In London, Paige Mahoney holds a high rank in the criminal underworld. The right hand of the ruthless White Binder, Paige is a dreamwalker, a rare and formidable kind of clairvoyant. Under Scion law, she commits treason simply by breathing. When Paige is arrested for murder, she meets the mysterious founders of Scion, who have designs on her uncommon abilities.

Their average age was twenty-five. They came from Berkeley, Cambridge, Paris, London and Chicago – and arrived in New Mexico ready for adventure or at least resigned to it. But hope quickly turned to hardship in the desolate military town where everything was a secret, including what their husbands were doing at the lab. They lived in barely finished houses with a P.O. Box for an address, in a town wreathed with barbed wire, all for the benefit of ‘the project’ that didn’t exist as far as the greater world was concerned.

Amy Acre’s debut collection is an unforgettable, unflinching excavation of motherhood, what it means to be a female artist, and what it means to be a poet with a deeply integrated community. This is a timeless work the like of which we haven’t seen enough of in the past, primed to last long into the future.