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London, 2014. Hal Lancaster – twenty-two, gay, Catholic, chops lines of cocaine with his myWaitrose card – is the reluctant heir of his father Henry, the sixteenth Duke of Lancaster. Henry is half tyrant, half martyr, with an investment in his eldest son that has grown into an obsession. While Hal floats between internships and drinking sessions, Henry keeps him in check with passive-aggression, religious guilt, and a cruelty that Hal sometimes confuses for tenderness.

Please note: This podcast is intended for adults only.

Enid is many things: lesbian, serial dater, deaf in one ear, space obsessive, true crime fanatic. When she's not listening to grizzly murder podcasts, she's managing her crippling phobia of bald people and trying hard not to think about her mortifying teenage years—which is hard, when she's lost the password to her old YouTube account and the (many) vlogs that her teen self once uploaded. She's worried about herself, her depressive mother, and what the deal is with gender reveal parties.

Victor Mancini, a medical school dropout, is an antihero for our deranged times. Needing to pay elder care for his mother, Victor has devised an ingenious scam: He pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him.

When Myriam and Allison fall in love at a show in a run-down punk house, their relationship begins to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam’s depression was Allison’s flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker - or sexier - would their dynamic be if one were a power-hungry CEO, and the other her lowly employee?

Sigrid hates working at the Dollar Pal, but having always resisted the idea of growing up into the trappings of adulthood, she did not graduate high school, preferring to roam the streets of her small town with her best friend Greta, the only person in the world who ever understood her. Her older sister Margit is baffled and frustrated by Sigrid’s inability to conform to the expectations of polite society.

Two years after successfully melting down the top secret sperm bank under the Space Needle, the CLITO collective (Community of Lesbians Inclusive To Others) is thriving on their newly acquired private island, Lesbos 2. All is well in their queer utopia. Or is it? Investigative reporter Sarah Keebler (Sarah Steele) is piecing together the crew's previous heist for her bombshell true-crime podcast–and getting dangerously close to the truth.

From syndicated humor columnist Marc Acito comes a wildly inventive and hysterically funny novel that is equal parts Ferris Bueller's Day Off, Fame, Risky Business, Dead Poets Society, and The Catcher in the Rye.

When 79-year-old Arthur gathers his family together to share some important news, no one is prepared for the bombshell he drops: he's gay, and after a lifetime in the closet, he's about to come out. Arthur's daughter, Elizabeth, storms out. She swears that she won't have anything to do with her father again—and she forbids her children from seeing him too. Arthur's 21-year-old grandson, Teddy, has a secret of his own: he's also gay, and developing serious feelings for his colleague Ben. But Teddy doesn't feel remotely ready to come out yet.

In their lovely old Cotswolds village, Janet and Susan are known to all the other villagers as “the girls”—a fixture. Partners in love and work, co-proprietors of a picturesque shop specializing in the work of local artisans and farmers, they lead an enviable, enviably settled life. So it’s no catastrophe when Sue, the younger of the two, feels the need to take a month to travel on her own, leaving Jan alone to run their stall at the Inland Waterways Rally Craft Fair.

Introducing Ezra Darling and Teddy Montgomery: millennials from two of the world's biggest reality TV families who are contractually obligated to play nice when a scandalous collaboration between networks sees Teddy marrying Ezra's sister.

Ellen is tired of being overshadowed at work. Tired of watching less competent, entitled suits take the promotions she’s earned. But when one of them pushes her too far, things take a murderous turn. And it turns out the darker Ellen goes, the shinier her future starts to look. Business can be murder, but it turns out murder can also be good business for Ellen.

Keith Ridgway, author of the acclaimed Hawthorn & Child, writes about people whose understanding of their own situation is only ever partial and fuzzy, who are consumed by emotions and anxieties and narratives, or the lack thereof, that they cannot master. He focuses on peripheral figures who mean well and to whom things happen, and happen confusingly, and his fictional strategies reflect this focus. In a deftly conjured high-wire act, Ridgway achieves the fine balance between the imperatives of drama and fidelity to his characters.

After a lifetime of taking care of his impossible but irresistible sister and his cherished niece, Tom is ready to put himself first. An architect specializing in tiny houses, he finally has an opportunity to build his masterpiece—“his last shot at leaving a footprint on the dying planet.” Assuming, that is, he can stick to his resolution to keep the demands of his needy family at bay. Naturally, that’s when his phone rings.

Frances was not looking for a relationship when she met Elaine in a bar. She was, in fact, looking to drown her sorrows in a pint or 12 and nurse a broken heart that was shattered by the gorgeous, electric Adrienne. But somehow (it involved a steady stream of beer and weed, as things often did with Frances) Elaine ended up in Frances’s bed and never left. Now, faced with mounting pressure from her drug dealer, Dom, Frances comes up with a terrible idea: ask Elaine to move in with her to split the rent.

Damani is tired. Every day she cares for her mom, drives ride shares to pay the bills and is angry at a world that promised her more before spitting her out. That is until the summer she meets Jolene and life opens up. Jolene seems like she could be the perfect girlfriend—attentive, attractive, liberal—and their chemistry feels genuine. So maybe Damani can look past the one thing that's holding her back: Jolene is white. But Jolene really doesn't seem like one of the bad ones—she's done the reading, she goes to every protest, she even listens.

Welcome back to Jericho, a small town tightly tucked into the Appalachian Mountains of Virginia, where life and love have as many twists and turns as a winding mountain road. Join Syd, Maddie, David, Michael, Henry, Celine, and the irrepressible Roma Jean Freemantle as they band together to navigate the minefields of their ever-changing world in this newest Jericho novel.

Naughty Tales of Leather & Latex is a trilogy of laugh out loud adventures by Roxy Katt, a self-proclaimed cultural Bolshevik, who has a unique talent for writing what can best be described as slapstick lesbian fetish humor. Roxy's heroines often find themselves inadvertently entangled in scenarios featuring leather or latex clad women, embarrassing predicaments, and comical sexual liaisons.

In 1979 Bridget Doyle has one goal left in life: for her family to produce the very first Irish pope. Fired up by John Paul II’s appearance in Phoenix Park, she sprinkles Papal-blessed holy water on the marital bed of her son and daughter-in-law and leaves them to get on with things. But nine months later her daughter-in-law dies in childbirth, and Granny Doyle is left bringing up four grandchildren: five-year-old Peg and baby triplets Damien, Rosie and John Paul.

Set at the fag-end of the 60s at the moment when Swinging London is starting to take on a darker hue in the wake of Charles Manson's murders, and framed as a novel within a novel published by a seedy Piccadilly-based publisher of pulp fiction, Man-Eating Typewriter is a homage to the great oulipo experiments in fiction. It is the story of a psychopath called Raymond Novak and his untimely demise told entirely in 'polari' - a language developed and used mainly amongst the metropolitan homosexual community in the time when being gay was still a criminal offence.