Showing titles in Coming of Age

It’s the new millennium and the anxiety of midlife is creeping up on Sam Singer, a thirty-seven-year-old art advisor. Fed up with his partner and his life in New York, Sam flies to Berlin to attend a gallery opening. There he finds a once-divided city facing an identity crisis of its own. In Berlin the past is everywhere: the graffiti-stained streets, the candlelit cafés and techno clubs, the astonishing mash-up of architecture, monuments, and memorials.

Raised in a brothel at the edge of a dying empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs where the ‘wolves’ – prostitutes and slaves from every corner of the empire – conduct their business.

A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the 'primitive minds' of our ancestors. Teenage Silvie is living in a remote Northumberland camp as an exercise in experimental archaeology. Her father is an abusive man, obsessed with recreating the discomfort, brutality and harshness of Iron Age life. Behind and ahead of Silvie's narrative is the story of a bog girl, a sacrifice, a woman killed by those closest to her, and as the hot summer builds to a terrifying climax, Silvie and the Bog girl are in ever more terrifying proximity.

It's 1984 in The Valleys, South Wales, and Eluned Hughes is stuck. The miners' strikes are ravaging her family and community, and her boyfriend of six years, Lloyd, is starting to bring up marriage more than she would like. She spends her days selling shoes, listening to Madonna, and trying to hold it all together. Meanwhile, Eluned's clever and precocious little sister, Mabli, thinks she knows it all. Mabli takes her older, moneyed, Thatcherite, policeman boyfriend, Graham, as the ticket out of her working class reality.

Danny Scudd is absolutely fine. At 27 years old, he's finally moved to London and escaped his parents' tiny fish and chip shop, his beloved collection of house plants are thriving and every Monday evening he has a date night with his boyfriend, Tobbs. But Danny's life is thrown into chaos when he discovers at an STI clinic that Tobbs might be cheating on him. And then he—and his plants—are unceremoniously evicted from his London flat. So, he's forced to move in with his best friend Jacob, a non-binary artiste who Danny's known since childhood.

Originally published in 1982 as the first of Edmund White's trilogy of autobiographical novels, A Boy's Own Story became an instant classic for its pioneering portrayal of homosexuality. The audiobook's unnamed narrator, growing up during the 1950s, is beset by aloof parents, a cruel sister, and relentless mocking from his peers, compelling him to seek out works of art and literature as solace-and to uncover new relationships in the struggle to embrace his own sexuality.

The almost daughter is almost normal, because she knows how to know and also not know. She knows and does not know, for instance, about the barracks by the athletics field, and about the lonely woman she visits each week. She knows—almost—about ghosts, and their ghosts, and she knows not to have questions about them. She knows to focus on being a woman: on training her body and dreaming only of escape. Then, the almost daughter meets Oksana. Oksana is not even almost normal, and the questions she has are not normal at all.

1970s Weston-Super-Mare, and 10-year-old oddball Eustace, an only child, has life transformed by his mother's quixotic decision to sign him up for cello lessons. Music making brings release for a boy who is discovering he is an emotional volcano. He laps up lessons from his young teacher, not noticing how her brand of glamour is casting a damaging spell over his frustrated and controlling mother.

Mae and Ari are not your average power couple. Their love story started when they met at Leeds University. Back when Mae, whilst never short of a date and confident about who she is at her core, needed Ari's bright light to help her grow into herself. Ari, having run from New York following an undisclosed scandal and battling his own demons, held onto Mae as his grounding anchor. Though they quickly become inseparable, their inimitable bond must survive guilt, secrets, growing up and, ultimately, love in all its complex and fluid forms.

Winner of the Whitbread Prize for best first fiction. Oranges Are Not the Only Fruit is a coming-out novel from Winterson, the acclaimed author of The Passion and Sexing the Cherry. The narrator, Jeanette, cuts her teeth on the knowledge that she is one of God’s elect, but as this budding evangelical comes of age and comes to terms with her preference for her own sex, the peculiar balance of her God-fearing household crumbles.

Chase never had many friends, but at college, he meets and forms close ties with straight jock Tyler Davidson—a connection he fears he’ll lose if he tells Tyler he’s gay. Keeping his sexuality secret becomes harder for Chase as he joins Tyler and his family at their idyllic lake house for the summer. It grows more and more difficult for Chase to avoid Tyler’s attempts to set him up with girls, and he’s tired of making excuses. Chase is ready to embrace the man he is, but he’s afraid of what it will cost him.

From syndicated humor columnist Marc Acito comes a wildly inventive and hysterically funny novel that is equal parts Ferris Bueller's Day Off, Fame, Risky Business, Dead Poets Society, and The Catcher in the Rye.

An unnamed young trans woman grows up in a working-class suburb that has no place for her. She discovers community and kinship in downtown Madrid, amid a dazzling party scene animated by charming junkies, glamorous pop divas, and fallen angels. With each step she takes forward in the city, she finds herself confronted by an antagonism she does not yet know how to counter. In this thrilling and yet often frightening place each decision can have the highest of stakes and yet she knows that only she can forge a path forward to the life she truly wants to live.

Written in a Yorkshire dialect that brings a place and its people magnificently to life, We Pretty Pieces of Flesh takes you by the hand and drags you through Doncaster’s schoolyards, alleyways and nightclubs, bringing back the intimate treachery of adolescence and how we betray ourselves when we don’t trust our friends. Like The Glorious Heresies and Shuggie Bain, it tracks hard-edged lives and makes them sing, turning one overlooked and forgotten place into the very centre of the world.

Michael Chabon masterfully renders the funny, tender, and captivating first-person narrative of Art Bechstein, whose confusion and heartache echo the tones of literary forebears like The Catcher in the Rye's Holden Caulfield and The Great Gatsby's Nick Carraway. The Mysteries of Pittsburgh incontrovertibly established Chabon as a powerful force in contemporary fiction, even before his Pulitzer Prize-winning The Amazing Adventures of Kavalier & Clay. An unforgettable story of coming of age in America, it is also an essential milestone in American fiction.

On the cusp of adulthood, James dreams of another life far away from his small village. His burgeoning desire – an ache for autonomy, tenderness and sex – threatens to unravel his shy exterior. Then he meets Luke. Unkempt and handsome, charismatic and impulsive, he has been sent to live with his aunt and uncle on a nearby farm. Luke comes with a reputation for danger, yet underneath his bravado lie anxieties and hopes of his own. As the seasons pass, and the pair form an ever-changing bond, James falls into a terrifying first love that will transform his life forever.

Savannah "Sav" Henry is almost the person she wants to be, or at least she's getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.

Moving from a Midwestern college to the Stonewall Tavern on the night of the first gay uprising - and populated by eloquent queens, butch poseurs, and a fearfully incompetent shrink - The Beautiful Room is Empty conflates the acts of coming out and coming of age.

It's summer, 1984, in blue-collar Swaffham, Massachusetts. Mel is thirteen, drinking a Slush Puppie at the drugstore, when she hears a voice, ‘deep and movie-star dramatic, like Lauren Bacall': Sylvia. What follows is a story of transgender awakening. Sylvia's shameless swagger and tough-girl trans femininity is an affront to the Swaffham locals, and her presence triggers hatred and, ultimately, violence. But it is also a catalyst for Mel. Through her friendship with Sylvia, Mel comes to realize that not only is there a world beyond Swaffham, there are other ways of being.

Molly Bolt is a young lady with a big character. Beautiful, funny and bright, Molly figures out at a young age that she will have to be tough to stay true to herself in 1950s America. In her dealings with boyfriends and girlfriends, in the rocky relationship with her mother and in her determination to pursue her career, she will fight for her right to happiness. Charming, proud and inspiring, Molly is the girl who refuses to be put in a box.