Showing titles in Coming of Age

It's 1984 in The Valleys, South Wales, and Eluned Hughes is stuck. The miners' strikes are ravaging her family and community, and her boyfriend of six years, Lloyd, is starting to bring up marriage more than she would like. She spends her days selling shoes, listening to Madonna, and trying to hold it all together. Meanwhile, Eluned's clever and precocious little sister, Mabli, thinks she knows it all. Mabli takes her older, moneyed, Thatcherite, policeman boyfriend, Graham, as the ticket out of her working class reality.

One afternoon, a mother opens her front door to find the length of her son's body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek's birth, the day his grandmother Ahunna died. It is the story of an over protective mother and a distant father and the heart-wrenching tale of one family's struggle to understand their child, just as Vivek learns to recognise himself.

"Something Like Stars" playfully explores what would happen if someone made a movie about Ben, Tim, and Jace. Harold attempts to befriend Noah and Felix in "Something like Us", unrequited feelings challenging their relationship. Marcello prepares for the inevitable while revealing secrets from his past in "Something like Goodbye". And in "Something like Heaven", Ben must decide once and for all who his heart - and his future - belongs to.

Elsie is out of options. She's exhausted from being pushed in and out of social housing, she's deflated by debt and she's disturbed by the dark reality of having bailiffs show up at her door. With nowhere to go, there's only one person left to turn to: her best friend, Juliet. She finds friendship and safety in Juliet's flat, but when Elsie loses her bar job and all creative inspiration for her poetry dries up, she hits rock bottom.

Nell and her partner Adrienne are about to have a baby. For Adrienne, it’s the start of a new life. For Nell, it’s the reason the two of them are sitting in a therapist’s office. Because she can’t go into this without dealing with the truth: that she has been a mother before, and now she can hardly bring herself to speak to her own mother, let alone return home to Ireland. Nell is running out of places to hide from her past. But to Ireland and the past is where she must go, and that is where The Amendments takes us.

Inspired by Nigeria's folktales and war, Under the Udala Trees is a deeply searching, powerful debut about the dangers of living and loving openly. Ijeoma comes of age as her nation does; born before independence, she is 11 when civil war breaks out in the young republic of Nigeria. Sent away to safety, she meets another displaced child, and the star-crossed pair fall in love. They are from different ethnic communities. They are also both girls.

Ted Ainsworth has always worked at his family's ice cream business in the quiet Lancashire town of St Luke's-on-Sea. He doesn't even like ice cream, though he's never told his parents that. When Ted's husband suddenly leaves him, the bottom falls out of his world. But what if this could be an opportunity to put what he wants first? This could be the chance to finally follow his secret dream: something Ted has never told anyone.

Welcome back to Pride High, where the delicious drama continues! Ricky tries to sort through his feelings for Diego—the hot guy who has been bullying him—and ends up in the middle of a feud. Anthony and Cameron, now a couple, must navigate first times and coming out. Silvia finds herself questioning her feelings for Omar when someone else catches her eye…and it’s a girl.

Danny Scudd is absolutely fine. At 27 years old, he's finally moved to London and escaped his parents' tiny fish and chip shop, his beloved collection of house plants are thriving and every Monday evening he has a date night with his boyfriend, Tobbs. But Danny's life is thrown into chaos when he discovers at an STI clinic that Tobbs might be cheating on him. And then he—and his plants—are unceremoniously evicted from his London flat. So, he's forced to move in with his best friend Jacob, a non-binary artiste who Danny's known since childhood.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the 'primitive minds' of our ancestors. Teenage Silvie is living in a remote Northumberland camp as an exercise in experimental archaeology. Her father is an abusive man, obsessed with recreating the discomfort, brutality and harshness of Iron Age life. Behind and ahead of Silvie's narrative is the story of a bog girl, a sacrifice, a woman killed by those closest to her, and as the hot summer builds to a terrifying climax, Silvie and the Bog girl are in ever more terrifying proximity.

Cambridge, 1994. Professor Don Lamb is a revered art historian at the height of his powers, consumed by the book he is writing about the skies of the Venetian master Tiepolo. However, his academic brilliance belies a deep inexperience of life and love. When an explosive piece of contemporary art is installed on the lawn of his college, it sets in motion Don's abrupt departure from Cambridge to take up a role at a south London museum. There he befriends Ben, a young artist who draws him into the anarchic 1990s British art scene and the nightlife of Soho.

Savannah "Sav" Henry is almost the person she wants to be, or at least she's getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.

Originally published in 1982 as the first of Edmund White's trilogy of autobiographical novels, A Boy's Own Story became an instant classic for its pioneering portrayal of homosexuality. The audiobook's unnamed narrator, growing up during the 1950s, is beset by aloof parents, a cruel sister, and relentless mocking from his peers, compelling him to seek out works of art and literature as solace-and to uncover new relationships in the struggle to embrace his own sexuality.

Mallory sees the woman for the first time at her college gym and is immediately transfixed. As a naturally reserved person who is now reeling from the loss of her mother, Mallory finds herself compelled by the woman's assurance and longs to know her better. Despite the discovery that she is a professor at the college, Mallory finds herself falling into a complicated love affair with the woman, the stakes of which she never quite understands.

Charlie Matthews’ love story begins in a pebble-dashed house in suburban Bolton, at a time when most little boys want to grow up to be Michael Jackson, and girls want to be Princess Di. Remembering the Green Cross Code and getting out of football are the most important things in his life until Auntie Jan gives him a gift that will last a lifetime: a seven-inch single called "Lucky Star"....

Mickey Donnelly is smart, which isn't a good thing in his part of town. Despite having a dog called Killer and being in love with the girl next door, everyone calls him gay. He dreams of going to America, taking Wee Maggie and Ma with him to get them away from Belfast and Da. Mickey realises it's all down to him. He has to protect Ma from herself. And sometimes, you have to be a bad boy to be a good son.

The almost daughter is almost normal, because she knows how to know and also not know. She knows and does not know, for instance, about the barracks by the athletics field, and about the lonely woman she visits each week. She knows—almost—about ghosts, and their ghosts, and she knows not to have questions about them. She knows to focus on being a woman: on training her body and dreaming only of escape. Then, the almost daughter meets Oksana. Oksana is not even almost normal, and the questions she has are not normal at all.

Eighteen years old, pregnant and working as a pizza delivery girl, our dysfunctional heroine is deeply lost and in complete denial about it all. She’s grieving the death of her father, avoiding her loving boyfriend and flagrantly ignoring her future. Her world is further upended when she becomes obsessed with Jenny, a stay-at-home mother new to the neighbourhood, who comes to depend on weekly deliveries of pickle-covered pizzas for her son’s happiness.

At a meatpacking facility in Missouri, Dee-Dee and her coworkers kill and butcher 40,000 chickens in a single shift. The work is repetitive and brutal, with each stab and cut a punishment to her hands and joints, but Dee-Dee's more concerned with what is happening inside her body. After a series of devastating miscarriages, Dee-Dee has found herself pregnant, and she is determined to carry this child to term.