Showing titles in Genre Fiction

Millie wants to graduate, get a job and buy a house. She’s slowly saving up from her job on campus, but when a visiting professor offers her an unusual opportunity to make some extra money, she jumps at the chance. Agatha is a writer, recovering from a break-up while researching attitudes towards weddings and money for her new book. She strikes gold when interviewing the girls in Millie’s dorm, but her plans take a turn when she realises that the best material is unfolding behind closed doors.

Angie Righetti is the daughter of a sprawling but close-knit Italian American family. She's out and they're proud. Jillian Clark's family is the white bread to Angie's olive oil. Stoic and emotionally buttoned up, they don't want to think about Jillian's sexuality. It's 1988 when they move in together, on the brink of starting their careers. Like every couple at the start of their life together, they expect to live happily ever after. And for 23 years life happens.

Welcome back to Pride High, where the delicious drama continues! Ricky tries to sort through his feelings for Diego—the hot guy who has been bullying him—and ends up in the middle of a feud. Anthony and Cameron, now a couple, must navigate first times and coming out. Silvia finds herself questioning her feelings for Omar when someone else catches her eye…and it’s a girl.

In the genteel squares and stuccoed villas of late-Victorian Brighton, Ellen and Reynold Harper - twins, companions, colleagues, - ply their trade as portrait photographers. But at the golden hour, the girls arrive to pose for the lucrative - and dangerous - illicit photographs that really keep the Harpers' business afloat. This is the other, shadowy world of the city: a world of erotic tableaux, boundary-crossing music hall artistes, and the sinister figure of the local gangster, the Croc.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate. Robbie lives by his gun and one hard-learned motto: other people aren't safe. After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics—all while outrunning packs of feral men, and their own demons.

On the cusp of adulthood, James dreams of another life far away from his small village. His burgeoning desire – an ache for autonomy, tenderness and sex – threatens to unravel his shy exterior. Then he meets Luke. Unkempt and handsome, charismatic and impulsive, he has been sent to live with his aunt and uncle on a nearby farm. Luke comes with a reputation for danger, yet underneath his bravado lie anxieties and hopes of his own. As the seasons pass, and the pair form an ever-changing bond, James falls into a terrifying first love that will transform his life forever.

At 18, Brian, like so many other promising young gay men, arrived in New York City without much more than a love for the freedom and release from his past that it promised. But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.

Cambridge, 1994. Professor Don Lamb is a revered art historian at the height of his powers, consumed by the book he is writing about the skies of the Venetian master Tiepolo. However, his academic brilliance belies a deep inexperience of life and love. When an explosive piece of contemporary art is installed on the lawn of his college, it sets in motion Don's abrupt departure from Cambridge to take up a role at a south London museum. There he befriends Ben, a young artist who draws him into the anarchic 1990s British art scene and the nightlife of Soho.

Danny Scudd is absolutely fine. At 27 years old, he's finally moved to London and escaped his parents' tiny fish and chip shop, his beloved collection of house plants are thriving and every Monday evening he has a date night with his boyfriend, Tobbs. But Danny's life is thrown into chaos when he discovers at an STI clinic that Tobbs might be cheating on him. And then he—and his plants—are unceremoniously evicted from his London flat. So, he's forced to move in with his best friend Jacob, a non-binary artiste who Danny's known since childhood.

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup: bringing an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDs epidemic grows around him. One by one, his friends are dying, and after his friend Nico's funeral, he finds his partner is infected and that he might even have the virus himself. The only person he has left is Fiona, Nico's little sister.

Savannah "Sav" Henry is almost the person she wants to be, or at least she's getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.

Eroan, one of the last elven assassins, lives for one purpose: Kill the queen. He would have succeeded if not for her last line of defense: Prince Lysander. Now, captured and forced into the queen's harem, Eroan sees another opportunity. Why kill just the queen when he can kill them all? It would be simple, if not for the troubled and alluring dragon prince.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.

The almost daughter is almost normal, because she knows how to know and also not know. She knows and does not know, for instance, about the barracks by the athletics field, and about the lonely woman she visits each week. She knows—almost—about ghosts, and their ghosts, and she knows not to have questions about them. She knows to focus on being a woman: on training her body and dreaming only of escape. Then, the almost daughter meets Oksana. Oksana is not even almost normal, and the questions she has are not normal at all.

What the hell do you do when life changes on a dime without warning? Ryder Freeman-His job is to keep Harrison safe from a stalker and one step ahead of the paparazzi. That's it! The hotter than hell young billionaire is forbidden fruit and crossing that line is not an option. So, why is it that when bullets start flying, Ryder makes an executive decision to take his client away to the Freeman family cabin?

Ted Ainsworth has always worked at his family's ice cream business in the quiet Lancashire town of St Luke's-on-Sea. He doesn't even like ice cream, though he's never told his parents that. When Ted's husband suddenly leaves him, the bottom falls out of his world. But what if this could be an opportunity to put what he wants first? This could be the chance to finally follow his secret dream: something Ted has never told anyone.

A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the 'primitive minds' of our ancestors. Teenage Silvie is living in a remote Northumberland camp as an exercise in experimental archaeology. Her father is an abusive man, obsessed with recreating the discomfort, brutality and harshness of Iron Age life. Behind and ahead of Silvie's narrative is the story of a bog girl, a sacrifice, a woman killed by those closest to her, and as the hot summer builds to a terrifying climax, Silvie and the Bog girl are in ever more terrifying proximity.

Keisha Lewis mourned the loss of her wife, Alice, who disappeared two years ago. There was a search, there was grief beyond what she thought was possible. There was a funeral. But then Keisha began to see her wife, again and again, in the background of news reports from all over America. Alice isn’t dead. And she is showing up at the scene of every tragedy in the country. Keisha shrugs off her old life and hits the road as a trucker - hoping on some level that travelling the length of the country will lead her to the person she loves.

Leisa Yeats has always defined herself by the things that are important to her - a good family, a loving relationship, and a meaningful job working with kids. Life is good. But within a span of a few weeks, all of that changes. She’s always known she was adopted, but newly revealed lies and secrets kept by her parents make her question everything she thought she knew about her beginnings. Her 10-year relationship with her partner, Nan, is unexpectedly on shaky ground when she discovers that Nan, too, has kept a secret from her all these years.