Showing titles in Genre Fiction

Originally published in 1982 as the first of Edmund White's trilogy of autobiographical novels, A Boy's Own Story became an instant classic for its pioneering portrayal of homosexuality. The audiobook's unnamed narrator, growing up during the 1950s, is beset by aloof parents, a cruel sister, and relentless mocking from his peers, compelling him to seek out works of art and literature as solace-and to uncover new relationships in the struggle to embrace his own sexuality.

Maya Hoshimoto was once the best art thief in the galaxy. For ten years, she returned stolen artifacts to alien civilizations – until a disastrous job forced her into hiding. Now she just wants to enjoy a quiet life as a graduate student of anthropology, but she's haunted by persistent and disturbing visions of the future. Then an old friend comes to her with a job she can't refuse: find a powerful object that could save an alien species from extinction. Except no one has seen it in living memory, and they aren't the only ones hunting for it.

Nell and her partner Adrienne are about to have a baby. For Adrienne, it’s the start of a new life. For Nell, it’s the reason the two of them are sitting in a therapist’s office. Because she can’t go into this without dealing with the truth: that she has been a mother before, and now she can hardly bring herself to speak to her own mother, let alone return home to Ireland. Nell is running out of places to hide from her past. But to Ireland and the past is where she must go, and that is where The Amendments takes us.

The beautiful young Dorian Gray has his portrait painted by society artist Basil Hallward. Admired by all, the dazzling, wealthy, handsome young man has everything anyone could wish for, or so it appears. Oscar Wilde's novel is a masterly study of moral corruption, a tour-de-force of suspense and surprise.

Until recently, Julia hadn’t had sex in three years. But now: a one-night stand is accusing her of breaking his penis; a sexually confident lesbian is making eyes at her over confrontational modern art; and she’s wondering whether trimming her pubes makes her a bad feminist. Julia’s about to learn that she’s been looking for love - and satisfaction - in all the wrong places.... Frank, filthy and very, very funny, In at the Deep End is a brilliant debut from a major new talent. #ImInAtTheDeepEnd

One afternoon, a mother opens her front door to find the length of her son's body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek's birth, the day his grandmother Ahunna died. It is the story of an over protective mother and a distant father and the heart-wrenching tale of one family's struggle to understand their child, just as Vivek learns to recognise himself.

After Sappho is Selby Wynn Schwartz's joyous reimagining of the lives of a brilliant group of feminists, sapphists, artists and writers in the late 19th and early 20th century as they battle for control over their lives; for liberation and for justice. Sarah Bernhard—Colette—Eleanora Duse—Lina Poletti—Josephine Baker—Virginia Woolf... these are just a few of the women (some famous, others hitherto unsung) sharing the minutes of a novel as fierce as it is luminous—lush and poetic; furious and funny.

Raised in a brothel at the edge of a dying empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs where the ‘wolves’ – prostitutes and slaves from every corner of the empire – conduct their business.

Angie Righetti is the daughter of a sprawling but close-knit Italian American family. She's out and they're proud. Jillian Clark's family is the white bread to Angie's olive oil. Stoic and emotionally buttoned up, they don't want to think about Jillian's sexuality. It's 1988 when they move in together, on the brink of starting their careers. Like every couple at the start of their life together, they expect to live happily ever after. And for 23 years life happens.

Please note: This podcast is intended for adults only.

Poland, 1980. Anxious, disillusioned Ludwik Glowacki, soon to graduate university, has been sent along with the rest of his class to an agricultural camp. Here he meets Janusz - and together, they spend a dreamlike summer swimming in secluded lakes, reading forbidden books - and falling in love. But with summer over, the two are sent back to Warsaw, and to the harsh realities of life under the Party. Exiled from paradise, Ludwik and Janusz must decide how they will survive; and in their different choices, find themselves torn apart.

A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the 'primitive minds' of our ancestors. Teenage Silvie is living in a remote Northumberland camp as an exercise in experimental archaeology. Her father is an abusive man, obsessed with recreating the discomfort, brutality and harshness of Iron Age life. Behind and ahead of Silvie's narrative is the story of a bog girl, a sacrifice, a woman killed by those closest to her, and as the hot summer builds to a terrifying climax, Silvie and the Bog girl are in ever more terrifying proximity.

Sadomasochism. Obsession. Death. A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s - a darkness that threatens to forever transform them once they finally succumb to their most horrific desires. What have you done today to deserve your eyes?

It’s the new millennium and the anxiety of midlife is creeping up on Sam Singer, a thirty-seven-year-old art advisor. Fed up with his partner and his life in New York, Sam flies to Berlin to attend a gallery opening. There he finds a once-divided city facing an identity crisis of its own. In Berlin the past is everywhere: the graffiti-stained streets, the candlelit cafés and techno clubs, the astonishing mash-up of architecture, monuments, and memorials.

Misha is a jaded scriptwriter who has been working in Hollywood for decades, and has just been nominated for his first Oscar. But when he's pressured by his producers to kill off a gay character in the upcoming season finale—"for the algorithm"—Misha discovers that it's not that simple. As he is haunted by his past, and past mistakes, Misha must risk everything to find a way to do what's right—before it's too late.

Millie wants to graduate, get a job and buy a house. She’s slowly saving up from her job on campus, but when a visiting professor offers her an unusual opportunity to make some extra money, she jumps at the chance. Agatha is a writer, recovering from a break-up while researching attitudes towards weddings and money for her new book. She strikes gold when interviewing the girls in Millie’s dorm, but her plans take a turn when she realises that the best material is unfolding behind closed doors.

When Zoe Stamper, specialist in Ancient Greek Tragedy, meets fellow academic Dr Penny Cartwright at a faculty music recital, she seems impossibly glamorous to Zoe, who is, after all, several rungs down the academic pecking order - and a nervous ingénue as far as Penny’s sophisticated circle is concerned. But Penny leaves Zoe a cryptic note, and a passionate affair ensues . . .

Mae and Ari are not your average power couple. Their love story started when they met at Leeds University. Back when Mae, whilst never short of a date and confident about who she is at her core, needed Ari's bright light to help her grow into herself. Ari, having run from New York following an undisclosed scandal and battling his own demons, held onto Mae as his grounding anchor. Though they quickly become inseparable, their inimitable bond must survive guilt, secrets, growing up and, ultimately, love in all its complex and fluid forms.

In the summer of 1973, teenage Ruth and her four friends are obsessed with pre-Raphaelite paintings and a little bit obsessed with each other. They spend the scorching summer days in the river by Ruth's grand family home, pretending to be the drowning Ophelia and recreating tableaus of other tragic mythical heroines. But by the end of the summer, real tragedy has found them. Twenty-four years later, Ruth is a wife and mother of three children and moves her family into her still-grand, but now somewhat dilapidated, childhood home following the death of her father.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.