Showing results for "the great courses" in Literary Fiction

Ulysses depicts a world that is as fully conceived and vibrant as anything in Homer or Shakespeare. It has been delighting and puzzling readers since it was first published on Joyce's 40th birthday in 1922. And here, Professor Heffernan maps the brilliance, passion, humanity, and humor of Joyce's modern Odyssey in these 24 lectures that finally make a beguiling literary masterpiece accessible for anyone willing to give it a chance.

Odysseus. Robinson Crusoe. Harry Potter. What do these memorable characters have in common? Why do we turn to certain stories again and again? And what impact have they made on world history? These 24 eye-opening lectures give fresh insight into some of the greatest heroes in world literature, from warriors such as Beowulf and Odysseus to unexpected heroes such as Uncle Tom and Sancho Panza. Professor Shippey gives you an inside glimpse into the writer's process.

If you've ever longed to read the great Modernist novels of the early 20th century - perhaps James Joyce's Ulysses, Virginia Woolf's To the Lighthouse, or William Faulkner's Absalom, Absalom! - but have shied away or set them down because of their intimidating style, fragmented narrative, or lack of a clear plot, you no longer need to wait, or be reluctant to return. In this series of 24 lectures, an acclaimed literary scholar and award-winning teacher has created an accessible gateway to this remarkable literary movement.

Can literature change our real world society? At its foundation, utopian and dystopian fiction asks a few seemingly simple questions aimed at doing just that. Who are we as a society? Who do we want to be? Who are we afraid we might become? When these questions are framed in the speculative versions of Heaven and Hell on earth, you won't find easy answers, but you will find tremendously insightful and often entertaining perspectives.

Many of literature's greatest works, from ancient myths to the works of Nobel laureates, rely on fantasy. Even when there has been a dominant preference for realism, generation after generation of readers have been drawn to stories of the fantastic-not only for what they help us learn about ourselves as individuals or as members of society, but also for what they show about our social values.