Showing results for "katherine mansfield" in Genre Fiction

At the Bay is a 1922 short story by Katherine Mansfield. It was first published in the London Mercury in January 1922 in twelve sections, and later reprinted in The Garden Party and Other Stories (1922) with a short descriptive coda which is now the thirteenth section. The story represents Mansfield's best mature work, a luminous example of her literary impressionism. While writing it at the Chalet des Sapins, she was coming to terms with her relationship with Murry and with her own origins and identity.

"Pentru un traducator e un privilegiu sa transpuna în alt vesmânt lingvistic povestirile lui Katherine Mansfield, asa cum pentru un cititor e un privilegiu sa le citeasca. Dupa valurile, mai vechi sau mai noi, de realism - socialist, magic, erotic etc. -, existentialism, structuralism, textualism, postmodernism, dupa avalansa de literatura cu iz de kitsch hollywoodian, debordând de violenta si sexualitate, cât de reconfortanta apare adierea de aer proaspat pe care o degaja povestirile lui Katherine Mansfield!

The first collected volume of short stories of the New Zealand modernist. Inspired by her own travels, Mansfield begins to refine her craft with a series of tales which depict German life at the brink of the First World War.

Katherine Mansfield (1888-1923) was a prominent modernist writer of short fiction and a close associate of D. H. Lawrence and Virginia Woolf. Set in 1915 in France, 'An Indiscreet Journey' is a tale of travelling behind the lines in war-torn Europe, where soldiers and civilians are living a strange precarious existence.

"Miss Brill" is a short story by Katherine Mansfield (1888-1923). It was first published in Athenaeum on 26 November 1920, and later reprinted in The Garden Party and Other Stories. Miss Brill is an English teacher living near the Public Gardens in a French town. The narrative follows her on a regular Sunday afternoon, which she spends walking about and sitting in the park.

"The Lady's Maid" is a story by Katherine Mansfield: Eleven o'clock. A knock at the door... I hope I haven't disturbed you, madam. You weren't asleep - were you? But I've just given my lady her tea, and there was such a nice cup over, I thought, perhaps...

La felicidad es evanescente. Al momento la sientes como una explosión y, al otro, puede transformarse en desazón o simple tristeza. Bertha lo tiene todo: es joven; ella y Harry, su marido; siguen tan enamorados como el primer día; tienen un bebé hermoso; viven en una casa amplia con jardín; y sus amigos son gente moderna e interesante. Pero la sensible Bertha siente que no encaja y que su felicidad es frágil.

"Prelude" is a 1918 short story by Katherine Mansfield. It was first published by the Hogarth Press in July 1918, and later reprinted in "Bliss and Other Stories".

The Garden Party is a 1922 short story by Katherine Mansfield. It was first published (as "The Garden-Party") in three parts in the Saturday Westminster Gazette on 4 and 11 February 1922, and the Weekly Westminster Gazette on 18 February 1922. It later appeared in The Garden Party: and Other Stories. Its luxurious setting is based on Mansfield's childhood home at 133 Tinakori Road (originally numbered 75), the second of three houses in Thorndon, Wellington that her family lived in. The wealthy Sheridan family prepares to host a garden party.

Il titolo di questo libro è il titolo di una poesia di Coleridge che è il tema del più lungo dei racconti, pubblicati postumi, scritti dal 1908 al 1921, a solo due anni dalla morte prematura della scrittrice, di cui Virginia Woolf ha detto: "E' l'unica scrittura che io abbia mai invidiato". Il filo conduttore dei racconti, e forse della vita, dell'autrice, è il passaggio continuo dalla vita al sogno, o meglio da un mondo ad un altro, legati da fili sottilissimi, sempre sul punto di rompersi.

¡Qué bello es enamorarse por primera vez! ¡Qué emocionante ir a tu primer baile con dieciocho años! Pero la vida puede ser cruel cuando eres joven e inexperto. Como un retrato en mosaico de su propia vida de amores y desamores, opulencia y miserias, de ambiciones y censuras, la extraordinaria escritora neozelandesa Katherine Mansfield condensa el espíritu modernista de los locos años veinte y la bohemia en esta recopilación de relatos.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

"È un aloe, Kezia" disse Linda. "Non fa mai fiori?" "Sì, bambina mia" disse la madre. Chinò la testa verso Kezia e, socchiudendo gli occhi, le sorrise: "Una volta ogni cento anni". È dal desiderio di dar voce alla terra natale, la Nuova Zelanda, "una terra sconosciuta da far guizzare per un istante davanti agli occhi del Vecchio Mondo", che tra il 1915 e il 1916 nasce "L'aloe", che Katherine Mansfield chiamava "il mio romanzo" e dal quale avrebbe poi tratto uno dei suoi racconti più intensi, "Preludio".

"The Young Girl" is a 1920 short story written by Katherine Mansfield. Mrs. Raddick's and her beautiful daughter waited on the steps of the casino. The daughter was incredibly beautiful with flushed cheeks, blue eyes, and golden curls. She "might have just dropped from this radiant heaven" (79), and Mrs. Raddick seemed to think so too - if her appreciative glances were any indication. The girl; however, appeared only bored as if heaven had been full of casinos and they no longer held any interest for her.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.