Showing results for "fyodor dostoevsky" in Psychological

“Memorias del Subsuelo” es una novela corta organizada en dos partes. La primera, que consta de once capítulos breves y es llamada "La Ratonera", es básicamente un monólogo interior en el que se nos presenta al protagonista, un miserable funcionario frustrado, como un antihéroe contradictorio, enfermizo y excitable, que dirige su charla a un público inexistente. La segunda parte, que nace a propósito de la "caída de nieve húmeda", consiste en el relato de una memoria del narrador, donde cuenta algo ocurrido en su juventud, relacionado con la despedida a Zvérkov.

The book probes the possible roles of four brothers in the unresolved murder of their father, Fyodor Karamazov. At the same time, it carefully explores the personalities and inclinations of the brothers themselves. Their psyches together represent the full spectrum of human nature, the continuum of faith and doubt. Ultimately, this novel seeks to understand the real meaning of faith and existence and includes much beneficial philosophical and spiritual discussion that moves the reader towards faith.

The Gambler paints a stark picture of the attractions—and addictions—of gambling. Using skillful characterization, Dostoevsky faithfully depicts life among the gambling set in old Germany. This probing psychological novel explores the tangled love affairs and complicated lives of Alexey Ivanovitch, a young gambler, and Polina Alexandrovna, the woman he loves.

The narrator and central character of The Adolescent is Arkady Dolgoruky, a naive 19-year-old boy full of ambition and opinions. The illegitimate son of a dissipated landowner, he is torn between his desire to expose his father’s wrongdoing and the desire to win his love. He travels to St. Petersburg to confront the father he barely knows, inspired by an inchoate dream of communion and armed with a mysterious document that he believes gives him power over others.

Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original. This audio edition of Notes from Underground is the only recording of Pevear and Volokhonsky's translation of Dostoevsky’s classic work.

This magnificent novel is about the murder of a miserly, aged pawnbroker and her younger sister by a radical, destitute St. Petersburg student named Raskolnikov, and the emotional, mental, and physical effects that follow. It is a remarkable masterpiece about a man's turbulent inner life and his relationship to others and to society at large.

Crime and Punishment is a novel by the Russian author Fyodor Dostoevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It was later published in a single volume. It is the second of Dostoevsky's full-length novels following his return from ten years of exile in Siberia. Crime and Punishment is considered the first great novel of his mature period of writing. The novel is often cited as one of the supreme achievements in world literature.

The Brothers Karamazov is the final novel by the Russian author Fyodor Dostoevsky and is generally considered the culmination of his life's work. Published in November 1880, Dostoevsky spent nearly two years writing the novel set in 19th-century Russia. Fydor Karamazov, a mean and disreputable landowner, has three sons, Dmitry, a profligate army officer; Ivan, a writer with revolutionary ideas; and Alexey, a religious novice.

In the grim alleys of St. Petersburg, follow the intense psychological journey of Rodion Raskolnikov, a destitute but proud former student, who commits a heinous crime under the guise of a twisted moral philosophy. Witness his tumultuous struggle with guilt, redemption, and the pursuit of a twisted ideal, set against the vivid backdrop of 19th-century Russian society.

Fyodor Dostoyevsky is a titanic among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.

Dostoevsky's last and greatest novel, The Brothers Karamazov (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons—the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha—are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disastrous consequences of rationalism.

"I am a sick man...I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

Crime and Punishment is Fyodor Dostoevsky’s novel about the nature of law and morality, told through the eyes of a murderer and his internal conflict.

A desperate young man plans the perfect crime - the murder of a despicable pawnbroker, an old woman no one loves and no one will mourn. Is it not just, he reasons, for a man of genius to commit such a crime - to transgress moral law - if it will ultimately benefit humanity? So begins one of the greatest novels ever written: a powerful psychological study, a terrifying murder mystery, and a fascinating detective thriller infused with philosophical, religious, and social commentary.

Netochka Nezvanova - a 'Nameless Nobody' - tells the story of a childhood dominated by her stepfather, a failed musician who believes he is an obscured genius. When she is rescued by a high society family, the abuse against Netochka's psyche continues in a more subtle way, condemning her to remain an outsider - a solitary spectator of a glittering society.

Director David Fishelson transforms Dostoyevsky's The Brothers Karamazov and The Idiot into spellbinding drama that illuminates both titanic novels. In The Brothers Karamazov, the passionate brothers spring to life, led by their roué of a father ¿ who entertains himself by drinking, womanizing, and pitting his three sons against each other. The men have plenty to fight over, including the alluring Grushenka.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Upon its first publication in 1846, "Poor Folk" was an immediate critical triumph. Composed entirely of an exchange of letters between a middle-aged copy clerk and a young seamstress who live on opposite sides of a Petersburg tenement courtyard, the novel explores the emotional and psychological effects of a threatening urban environment on the psyches of poor people struggling to survive.

Fyodor Mikhailovich Dostoyevsky was born in Moscow on 11th November, 1821, to distinguished multi-ethnic parents from a Lithuanian background. In 1846 he published his first novel ‘Poor Cow’ to great literary acclaim. His next was unable to emulate that success but his short stories helped provide an income. ‘The Dream of a Ridiculous Man’ is one of his many classic short stories that turn a splinter of the ordinary into the spiralling descent of chaos.

Dostoevsky studied human nature with passion and precision. He plumbed the depths and never winced at what he found, even when it was beyond his understanding. This extraordinary novel is a recital of his findings, told in the story of four brothers: Dimitri, pleasure-seeking, impatient, unruly; Ivan, brilliant and morose; Alyosha, gentle, loving, honest; and the illegitimate Smerdyakov, sly, silent, cruel. What give this story its dramatic grip is the part these brothers play in their father's murder.