Showing results for "elephants" in Literary Fiction

The story begins from nine-year-old Nate's point of view, etching the details of an unbalanced mind struggling to make sense of rampant thought patterns and heightened paranoia. Enter Ashley, Nate's mother and a hardworking advertising executive concerned that she's not giving her family enough of her time - especially now that she senses something might be wrong with her son. As the story moves deftly back and forth between the two perspectives, the narrative converges to reveal one family's journey of discovery as they strive to find balance in their lives.

Forcefully-retired zoo-keeper Mick Munroe is hiding two BIG things: Alzheimer’s and a 42 year-old Indian elephant called Sinbad. Mick and his elephant become overnight on-the-run, anti-hero legends when Mick, an old rebel with a cause, takes matters into his own hands.

"Tout le monde devrait mourir ainsi. Entourée d'amour, sous un ciel clément, dans un jardin, avec un petit singe qui traîne pas loin. Mourir au cœur de la vie, avec délicatesse. Éteindre la douleur au moment opportun. Avoir le choix, le contrôle de l'interrupteur." Marguerite est comme l'éléphant de Tanzanie : dans son Ehpad cannois, elle sent que son monde rétrécit. Elle veut tirer sa révérence, mais en France, ce choix ne lui appartient pas.

The common wisdom is that John Wilkes Booth, the assassin of Abraham Lincoln, was a failed actor and a madman. But the truth is that he was the matinee idol of his time, and the attack on Lincoln was not the act of a maniac, but part of a plan developed at the highest levels of the Confederacy. In Consider the Elephant, the story of John Wilkes Booth's life and death is told by his brother, Edwin Booth, the greatest Shakespearean actor of his age.

This is the story of my life as a young girl following Hannibal and his army from Carthage in North Africa to Iberia, and then over the Alps toward Rome. I never reached Rome, but then neither did Hannibal. I left him after the battle of Trebbia, taking with me his last remaining elephant, Obolus, and my friend, the slave girl, Tin Tin Ban Sunia. This book recounts the first month of our long journey.

Toomai's father rides Kala Nag the elephant to catch wild elephants in the hills. Toomai comes to help and risks his life throwing a role up to one of the drivers. His father forbids him to enter the elephant enclosure again. One night he follows the elephant hunters, and is picked up by Kala Nag; he rides into the elephants' meeting place in the jungle, where they dance. On his return he is welcomed by both hunters and elephants.