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Socrates is on trial for his life. He is charged with impiety and corrupting young people. He presents his own defense, explaining why he has devoted his life to challenging the most powerful and important people in the Greek world. The reason is that rich and famous politicians, priests, poets, and a host of others pretend to know what is good, true, holy, and beautiful, but when Socrates questions them, they are shown to be foolish rather than wise.

The Athenian court has found Socrates guilty and sentenced him to death. While he is waiting to be executed, his friend, Crito, comes to the prison to persuade him to escape and go into exile. Socrates responds by examining the essence of law and community, probing the various kinds of law and making distinctions that go far beyond the particular issue of whether or not Socrates should escape.

Three tales from The Canterbury Tales, read in the original Middle English by Richard Bebb under the direction of Britain's foremost Chaucer scholar, Derek Brewer.

Aristotle's Poetics is best known for its definitions and analyses of tragedy and comedy, but it also applies to truth and beauty as they are manifested in the other arts. In our age, when the natural and social sciences have dominated the quest for truth, it is helpful to consider why Aristotle claimed poetry is more philosophical and more significant than history. Like so many other works by Aristotle, the Poetics has dominated the way we have thought about all forms of dramatic performance in Europe and America ever since.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle.

You will never see war the same way after reading this extraordinary retelling of an ancient Greek fable about a tragically unnecessary battle between mice and frogs. This miniature masterpiece ranks with Animal Farm as one of the greatest parables of human foibles. Originally published in 1962, The Battle of the Frogs and the Mice tells in words and pictures a classic tale of the foolhardiness of war. When Crum-snatcher, a Mouse, cautiously mounts the back of Puff-jaw, King of the Frogs, to explore the frogs pond, the Mouse meets with a disaster which soon brings the two nations into mortal conflict.

It is both amazing and wonderful that so much of the richness of our language and our moral education still owes a huge debt to a Greek slave who was executed over 2,000 years ago. Yet "sour grapes", "crying wolf", "a dog in a manger", "actions speak louder than words", "honesty is the best policy", and literally hundreds of other metaphors, axioms, and ideas that are now woven into the very fabric of Western culture all came from Aesop's Fables.