Showing results for "William" in African American

In the dying days of the American Civil War, newly freed brothers Landry and Prentiss find themselves cast into the world without a penny to their names. Forced to hide out in the woods near their former Georgia plantation, they're soon discovered by the land's owner, George Walker, a man still reeling from the loss of his son in the war. When the brothers begin to live and work on George's farm, the tentative bonds of trust and union begin to blossom between the strangers.

William Wells Brown's Clotel (1853), the first novel written by an African American, was published in London while Brown was still legally regarded as property within the borders of the United States. The novel was inspired by the story of Thomas Jefferson's purported sexual relationship with his slave Sally Hemings. Brown fictionalizes the stories of Jefferson's mistress, daughters, and granddaughters, all of whom are slaves in order to demythologize the dominant U.S. cultural narrative celebrating Jefferson's America as a nation of freedom and equality for all.

June, 1957. One afternoon, in the backwater town of Sutton, a young black farmer by the name of Tucker Caliban matter-of-factly throws salt on his field, shoots his horse and livestock, sets fire to his house and departs the southern state. And thereafter, the entire African-American population leave with him. The reaction that follows is told across a dozen chapters, each from the perspective of a different white townsperson. These are boys, girls, men and women, either liberal or conservative, bigoted or sympathetic - yet all of whom are grappling with this spontaneous, collective rejection of subordination.

When Cam and Desiree Woodson find the luxurious rental home in a quiet, suburban Atlanta neighborhood, they believe they've discovered the perfect place for their growing young family—and for their tight budget, the price is too good to be true. But what starts as a bargain soon turns into a nightmare when the landlord's unusual lease terms become more suffocating than they ever imagined...

Clotel; or, The President's Daughter: A Narrative of Slave Life in the United States is an 1853 novel by the author and playwright William Wells Brown. Set in the early 19th century, it is the story of Clotel and her sister Althesa, who are fictional slave daughters of Thomas Jefferson. It is considered the first novel published by an African American and explores the destructive effects of slavery on African American families, the difficult lives of mixed-race people, and the degraded and immoral condition of the relationship between master and slave.

In 1992, Los Angeles burned. In the aftermath of the Rodney King beating and subsequent riots, a ground-breaking ceremony at the infamous intersection of Florence and Normandie unearths the body of a Korean liquor store owner. Black private eye Ivan Monk searches for the killer—many suspect the motives for the murder were racial. But then another body turns up, and while the FBI and the Rolling Daltons, the largest gang in the city, dog Monk’s trail, Monk questions who the real perpetrators are and whether he can prevent more from dying, including himself, before he uncovers the truth.

William Wells Brown (1814-1884) was a prominent abolitionist, historian, novelist, and playwright. Brown was an African-American pioneer in various literary genres. His novel Clotel; or, The President's Daughter (1853), was published in London, England in 1853. It is the story of Clotel and her sister Althesa who are fictional slave daughters of Thomas Jefferson, and explores the destructive effects of slavery on African-American families, the difficult lives of people of mixed-race, and the degraded and immoral relationship between master and slave.

From the pages of The New Yorker comes a bold and telling portrait of Black life in America, with astonishing early work from Rebecca West’s account of a lynching trial and James Baldwin’s ‘Letter from a Region in My Mind’ (which later formed the basis of The Fire Next Time) to more recent writing by Toni Morrison, Ta-Nehisi Coates, Zadie Smith, Hilton Als, Jamaica Kincaid, Malcolm Gladwell, Elizabeth Alexander, Chimamanda Ngozi Adichie, Doreen St. Félix, Henry Louis Gates Jr., Kelefa Sanneh and more.

After the tragic unsolved murder of his beloved wife, Detective Ronald King never thought there’d be more to his life than work. But from the second he meets his city's captivating new mayor, Tabitha Knight, he’s drawn in by her lively political savvy, her warm, generous nature—and her determination to make the city work for everyone. Once he finishes investigating the toughest narcotics case he's ever faced, he’ll marry the woman he's grown to love—and support her as she makes a bound-to-be successful bid for governor . . .

Robert “Scatterboy” Williams is a small-time hustler selling bogus Cartier watches in Pacific Shores, a port city south of Los Angeles. One day, he’s gunned down in the street, seemingly at random. The police categorize Scatterboy’s murder as business as usual. But his girlfriend convinces private eye Ivan Monk to find the killer. What looks like three unrelated shootings of Black men in Southern California will put Monk on a tortuous trail unraveling a larger nefarious plan: the rise of an extremist demagogue.

Heat is building in the Rancho Tajuata Housing Projects, and not just because it’s summer in L.A. An immigrant family is firebombed and killed in their apartment. Rage threatens to explode. The pressure is on to solve the murders quickly, lest more death and destruction follow. At the request of the controversial onsite security force, P.I. Ivan Monk is called in to investigate.

Sick of being overlooked, underpaid, and unappreciated, Brian Jackson decides he's done playing "the good guy" and is ready for a ride on the wild side. But this ride might be a little more than he ever bargained for. After a night at a seedy strip club and an encounter with an uninhibited stripper, Brian finds himself in a world of danger and deceit. Instead of running back to his safe world of button-downs and khakis, Brian delves deeper into a life of crime. Now it's time for the newfound badass to take the reins of Tampa Bay.

Long ago, Marshall Spears was a hero of the ballpark. In a time when baseball—and the nation—was segregated, he played in the vaunted Negro Leagues. Decades later, Old Man Spears is living out his days as a fixture in a barbershop in South Central.

Erandus and his wife are on their last dragon run. One final dragon trade will set them on the path to their long-awaited dream of leaving the dragon islands for good. No trades. No more running for their lives. No more killing. However, when the two of them spot enemy ships docking off their coast, their hopes of a better life are soon put on hold. An unfortunate turn of events throws the two of them into the adventure of their lives. Now, with the dragon islands under siege, Erandus and his wife must decide if they will leave.

Marcus is one of the few black male counselors at the Thresholds Recovery clinic, and he knew his job would be challenging, but he never thought working with heroin addicts would involve murder, monsters, and geriatric MMA fighters. When the day his phone rings and he hears the frantic cries of one his clients being murdered, he is plunged into a deadly world he never knew existed, making him question his own sanity and sobriety.

Clotel; or, The President’s Daughter is rooted not only in the horrific reality of institutional slavery but also in the historical fact of Thomas Jefferson’s relationship with the enslaved Sally Hemings (here represented by the character Currer). In William Wells Brown’s telling, Currer has two daughters by Jefferson, Clotel and Althesa. Both become Jefferson’s legal property when they are born, and both wind up at auction - along with their mother - when Jefferson dies.

Thanks to James Johnson's ground-breaking technology, the drug game and oil exports are now on life support. His prophecy has been fulfilled. However, the Saudi Arabian Oil King, Shalik Khalid, has unleashed a vicious death squad on American soil. The message is clear, and now the surviving members of the Johnson clan must regroup, while the architect of their movement lies in critical condition. The reigns have been passed down and now there exists one logical decision for the heirs to the throne. "Bring to them what they brought to us!"

Raised on the deadly streets of New Orleans, James Johnson is displeased and disheartened by the drug game and the sickness it's inflicting on his race. Unexpectedly, James has befriended America's most wanted and deadliest fugitive, Osama Bin Laden. Now he and Osama have joined forces in an effort to eliminate the nation's drug trade.

An new historical anthology from transatlantic slavery to the Reconstruction curated by the Schomburg Center, that makes the case for focusing on the histories of Black people as agents and architects of their own lives and ultimate liberation, with a foreword by Kevin Young.

In We Inherit What the Fires Left, award-winning poet William Evans embarks on a powerful new collection that explores the lived experience of race in the American suburbs and what dreams and injuries are passed from generation to generation. Fall under the spell of Evans' boldly intimate, wise, and emotionally candid voice in these urgent, electrifying poems. This eloquent collection explores not only what these inheritances are composed of, but what price the bearer must pay for such legacies, and the costly tolls exacted on both body and spirit.