Showing results for "We" in Literary Fiction

Lila Kennedy has a lot on her plate. A broken marriage, two wayward daughters, a house that is falling apart and an elderly stepfather who seems to have quietly moved in. Her career is in freefall and her love life is … complicated. So when her real dad - a man she has barely seen since he ran off to Hollywood thirty-five years ago - suddenly appears on her doorstep, it feels like the final straw.

Memphis, 1939. Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family's Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge, until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children's Home Society orphanage, the Foss children are assured that they will soon be returned to their parents - but they quickly realize the dark truth….

In this world of bribes, vendettas, and swindling, in which heiresses are gambled and won, Trollope's characters embody all the vices: Lady Carbury is 'false from head to foot'; her son Felix has 'the instincts of a horse, not approaching the higher sympathies of a dog'; and Melmotte - the colossal figure who dominates the book - is a 'horrid, big, rich scoundrel...a bloated swindler...a vile city ruffian'. But as vile as he is, he is considered one of Trollope's greatest creations.

Marie Laure lives with her father in Paris within walking distance of the Museum of Natural History where he works as the master of the locks (there are thousands of locks in the museum). When she is six, she goes blind, and her father builds her a model of their neighbourhood, every house, every manhole, so she can memorise it with her fingers and navigate the real streets with her feet and cane. When the Germans occupy Paris, father and daughter flee to Saint-Malo on the Brittany coast, where Marie-Laure's agoraphobic great uncle lives in a tall, narrow house by the sea wall.

Ah Hock is an ordinary, uneducated man born in a Malaysian fishing village and now trying to make his way in a country that promises riches and security to everyone but delivers them to only a chosen few. With Asian society changing around him, like many he remains trapped in a world of poorly paid jobs that just about allow him to keep his head above water but ultimately lead him to murder a migrant worker from Bangladesh.

Meet the Sorenson Family. Marilyn has somehow fallen into motherhood and spent four decades married to David, who's pretty certain he loves her more than anyone has ever loved another person. Wendy, their eldest, a cause for concern, soothes herself with drink after being widowed young, while Violet, lawyer-turned-stay-at-home-mother, is disturbed by the reappearance of a son placed for adoption 15 years earlier.

One morning in December, Kyungha is called to her friend Inseon’s hospital bedside. Airlifted to Seoul for an operation following a wood-chopping accident, Inseon is bedridden and begs Kyungha to take the first plane to her home on Jeju Island to feed her pet bird, who will quickly die unless it receives food. Unfortunately, as Kyungha arrives a snowstorm hits. Lost in a world of snow, she begins to wonder if she will arrive in time to save the bird – or even survive the terrible cold that envelops her with every step.

On the day before his twenty-first wedding anniversary, David Sullinger buried an ax in his wife’s skull. Now, eight jurors must retire to the deliberation room and decide whether David committed premeditated murder—or whether he was a battered spouse who killed his wife in self-defense.

Six years after four family members died of arsenic poisoning, the three remaining Blackwoods—elder, agoraphobic sister Constance; wheelchair-bound Uncle Julian; and 18-year-old Mary Katherine, or, Merricat—live together in pleasant isolation. Merricat has developed an idiosyncratic system of rules and protective magic to guard the estate against intrusions from hostile villagers. But one day a stranger arrives—cousin Charles, with his eye on the Blackwood fortune.

Oliver Marks has just served 10 years in jail - for a murder he may or may not have committed. On the day he's released, he's greeted by the man who put him in prison. Detective Colborne is retiring, but before he does, he wants to know what really happened a decade ago.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.

Maya and Rebecca Ward are both accomplished physicians, but that's where the sisters' similarities end. As teenagers, they witnessed their parents' murder, but it was Rebecca who saved Maya from becoming another of the gunman's victims. The tragedy left Maya cautious and timid, settling for a sedate medical practice with her husband, Adam, while Rebecca became the risk taker.

Kevin Khatchadourian killed several of his fellow high school students, a cafeteria worker, and a teacher, shortly before his 16th birthday. He is visited in prison by his mother, Eva, who narrates in a series of letters to her estranged husband, Franklin, the story of Kevin's upbringing. A successsful career woman, Eva is reluctant to forgo her independence and the life she shares with Franklin to become a mother.

Written in a Yorkshire dialect that brings a place and its people magnificently to life, We Pretty Pieces of Flesh takes you by the hand and drags you through Doncaster’s schoolyards, alleyways and nightclubs, bringing back the intimate treachery of adolescence and how we betray ourselves when we don’t trust our friends. Like The Glorious Heresies and Shuggie Bain, it tracks hard-edged lives and makes them sing, turning one overlooked and forgotten place into the very centre of the world.

England, 1930s. Christopher Banks has become the country's most celebrated detective, his cases the talk of London society. Yet one unsolved crime has always haunted him: the mysterious disappearance of his parents, in old Shanghai, when he was a small boy. Moving between London and Shanghai of the interwar years, When We Were Orphans is a remarkable story of memory, intrigue and the need to return.

Set in the pre-Christian world of Glome on the outskirts of Greek civilization, it is a tale of two princesses: the beautiful Psyche, who is loved by the god of love himself, and Orual, Psyche's unattractive and embittered older sister, who loves Psyche with a destructive possessiveness. Her frustration and jealousy over Psyche's fate sets Orual on the troubled path of self-discovery. Lewis's last work of fiction, this is often considered his best by critics.

Edi and Ash have been best friends for over forty years, a bond formed by a lifetime of memories. Since childhood they have seen each other through life's milestones: stealing vodka from their parents, REM concerts, unexpected Scottish wakes, marriages, infertility, children. As Ash notes, 'Edi's memory is like the back-up hard drive for mine.' When Edi is diagnosed with the final stages of terminal ovarian cancer, she makes the painstaking decision to leave behind her husband and son to move to a hospice down the road from Ash.

Ego, Zina and Eriife were always destined to be best friends, ever since their grandmothers sat next to each other on a dusty bus to Lagos in the late 1940s, forging a bond that would last generations. But over half a century later, Nigeria is a new and modern country. As the three young women navigate the incessant strikes and political turmoil that surrounds them, their connection is shattered by a terrible assault. In the aftermath, nothing will remain the same as life takes them down separate paths.

Detective Chief Inspector Roberta Steel got caught fitting up Jack Wallace - that's why they demoted her and quashed his sentence. Now he's back on the streets, and women are being attacked again. Wallace has to be responsible, but if Detective Sergeant Steel goes anywhere near him, his lawyers will get her thrown off the force for good. The Powers That Be won't listen to her, not after what happened last time. According to them, she's got more than enough ongoing cases to keep her busy.

It's the turn of the millennium and, landing in London with nothing but her CD collection and demo tape, Orla Quinn moves into a squalid Kilburn house with her best mate and a band called Shiva. Orla wants to make music, but juggling two jobs and partying every night isn't helping. Back in Ireland her parents' marriage has crumbled, she's not speaking to her father, and her mother and sister are drinking too much.