Showing results for "We" in Essays

Echoing Socrates' statement that the unexamined life not worth living, psychoanalyst Stephen Grosz draws on his twenty-five years of work and more than 50,000 hours of conversations to form a collection of beautifully rendered tales that illuminate the human experience. These are stories about everyday lives, and the resulting journey will spark new ideas about who we are and why we do what we do.

Following the 2014 Gaza War and decades of oppression and resistance, storytelling platform We Are Not Numbers (WANN) was founded to give a voice to the youth of Gaza. Since then, young Palestinians, mostly living in the besieged Gaza Strip, have used the platform to chronicle the human impact of occupation and blockade. In doing so, they have passionately fought to be recognised not as numbers but as human beings with lives, hopes, and dreams. Ten years on, this collection brings together the most impactful essay contributions of the last decade from emerging Palestinian writers.

Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant—and utterly hilarious—works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations. In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage “You can never go back.”

Incisive, wide-ranging and witty, it explores the questions, anxieties and agendas that consume our lives. Pandora Sykes interrogates the stories we’ve been sold and the ones we tell ourselves - from happiness to wellness, womanhood to consumerism - in ways that are both surprising and reassuring.

In We Learn Nothing, satirical cartoonist Tim Kreider turns his funny, brutally honest eye to the dark truths of the human condition, asking big questions about human-sized problems: What if you survive a brush with death and it doesn't change you? Why do we fall in love with people we don't even like? How do you react when someone you've known for years unexpectedly changes genders?

We talk about achieving 'LGBTQ+ equality', but around the world, LGBTQ+ people are still suffering discrimination and extreme violence. How do we solve this urgent problem, allowing queer people everywhere the opportunity to thrive? In We Can Do Better Than This, 35 voices explore this question. Through deeply moving stories and provocative new arguments on safety and visibility, dating and gender, care and community, they map new global frontiers in the fight for LGBTQ+ rights.

If you haven't already heard of Samantha Irby...where have you been? Samantha Irby is your sharp-tongued best friend who can't help but tell it like it is. In We Are Never Meeting in Real Life, Irby laughs her way through her ridiculous life of failed relationships, taco feasts, bouts with Crohn's disease and more. Written with scathing wit and poignant bluntness, these essays have earned Irby a dedicated fan base, have sold over 100,000 copies in the US and are the perfect introduction to this fresh, bold voice.

A life is made up of many shocks - the shock of birth, of death; the shock of love, of happiness; the shock of car crashes and finding yourself in a teenage body; the shock of surviving each of these shocks, and of what might bloom in their wake. In this incredibly beautiful book, Anna Beecher tells the story of her life through the shocks she has experienced.

‘If you care about the planet, and about the people and animals who live on it, there are two ways to think about this. You can keep on hoping that catastrophe is preventable, and feel ever more frustrated or enraged by the world’s inaction. Or you can accept that disaster is coming, and begin to rethink what it means to have hope.’ The honesty and realism of Jonathan Franzen’s writings on climate have been widely denounced and just as widely celebrated.

Winner of Child magazine's Book of the Year award for her hilarious and candid book on single motherhood, The Lunch-Box Chronicles, Marion Winik returns to the topic of parenting in these nine essays. Beginning with the story of her second wedding and her move to rural Pennsylvania, she covers everything from blending families and having a child in one's 40s to dealing with the legal problems of teenage boys to the evolution of the values of a family over generations.

Staring down the barrel of her 40th year, Samantha Irby is confronting the ways her life has changed since the days she could work a full 11 hour shift on 4 hours of sleep, change her shoes and put mascara on in the back of a moving cab and go from drinks to dinner to the club without a second thought. Recently, things are more 'Girls Gone Mild.'

Funny, thought provoking, and always entertaining, personal essayist Marion Winik is known for decades of storytelling on NPR and the stunning memoir First Comes Love. Memory and identity are the focus of this new collection, Guesswork, drawn from a column that has won "Best of Baltimore" from Baltimore magazine several years running.

Tacky is about the power of pop culture - like any art - to imprint itself on our lives and shape our experiences, no matter one's commitment to "good" taste. These 14 essays are a nostalgia-soaked antidote to the millennial generation's obsession with irony, putting the aesthetics we hate to love - snakeskin pants, Sex and the City, Cheesecake Factory's gargantuan menu - into kinder and sharper perspective.

We're Doomed, Now What? addresses the crisis that is our time through a series of brilliant, moving, and original essays on climate change, war, literature, and loss from one of the most provocative and iconoclastic minds of his generation.

"The intersectional feminist anthology we all need to read" (Bustle), edited by a remarkable and inspiring 19-year-old activist whom the BBC named one of 100 "inspirational and influential women" of 2016. Why is it difficult for so many women to fully identify with the word feminist? How do our personal histories and identities affect our relationship to feminism? Why is intersectionality so important? Can a feminist movement that doesn't take other identities like race, religion, or socioeconomic class into account even be considered feminism?

New York Times essayist and author of We Learn Nothing, Tim Kreider trains his virtuoso writing and singular power of observation on his (often befuddling) relationships with women - romantic, platonic, and the murky in-between. He talks about his difficulty finding lasting love, and seeks to understand his commitment issues by tracking down the John Hopkins psychologist who tested him for a groundbreaking study on attachment when he was a toddler. He talks about his valued female friendships, one of which landed him on a circus train bound for Mexico.

Meet the married Dads, the divorced Dads, the widowed Dads and the gay Dads; the gamblers, the firemen, the bankers, the nurses, the soldiers and the milkmen. They’re trying to guide their sons through the foothills of childhood into the bewildering uplands of adulthood. But it’s hard to know if they’re doing it right. Or what their sons’ mothers think... Wise and funny, touching and true, What We’re Teaching Our Sons is for anyone who has ever wondered how to be a grown-up.

In a series of penetrating and alarming essays, whose centerpiece is a commentary on the events of September 11, 2001 (deemed then too controversial to publish), Gore Vidal challenges the comforting consensus following September 11th and goes back and draws connections to Timothy McVeigh’s bombing of the federal building in Oklahoma City. He asks were these simply the acts of “evil-doers?”

كتاب "لا نأسف على الإزعاج" لمؤلفه د. أحمد خيري العُمري، يحارب السلبية ويبتر مفاهيم اجتماعية وحياتية بالية، كما يسجل أهم محطات برنامجه التلفزيوني الذي أحيط بتفاعل كبير من المشاهدين، بفضل حلقاته الشيقة التي تعزز بداخل القارئ الرغبة بالوقوف مع الذات لإعادة الحسابات والانطلاق مرة أخرى بفاعلية أكبر في المجتمع، ومن بينها تلك الحلقات: "عقلي وقلبي" و"الصورة الكبيرة" و"أقزام وعمالقة" و"الخروج من بطن الحوت" و"العالم من ثقب الباب" و"الوجه الآخر من الحكاية" و"ليلة القبض على الحقيقة" و"أن تؤمن بنفسك" و"قصة حب" و"لن أعيش في جلباب أبي" و"المعادلة المتوازنة" و"التدلي صعوداً" وغيرها من العنوانين الشيقة.

In these impassioned, powerful essays, an award-winning journalist deals forthrightly with what it means to be Black in Trump’s America. South Carolina-based journalist Issac J. Bailey reflects on a wide range of complex, divisive topics which have taken on a fresh urgency with the protest movement sparked by George Floyd’s killing. Bailey has been honing his views on these issues for the past quarter of a century in his professional and private life, which included an 18-year stint as a member of a mostly white Evangelical Christian church.