Showing results for "Thomas Campbell" in Fantasy

How do you kill a god, a Greek god, one of the Ancients? The professor had never been asked that before. Jim Burges and his wife, Sally, eagerly awaited the answer. Jim claimed to have a murderous god stalking him, and he needed to know. The professor swallowed hard before proceeding. He knew they weren’t going to like his response.

This anthology, with an introduction by Robert Silverberg, offers a sweeping survey of robots as depicted throughout literature. Since the Iliad—in which we are shown golden statues built by Hephaestus “with minds and wisdoms”—humans have been fascinated by the idea of artificial life. From the Argonautica to the medieval Jewish legend of the Golem and Ambrose Bierce’s tale of a chess-playing robot, the idea of what robots are—and who creates them—can be drastically different.

Darkness, both literal and psychological, holds its own unique fascination. Despite our fears, or perhaps because of them, listeners have always been drawn to tales of death, terror, madness, and the supernatural, and no more so than today when a wildly imaginative new generation of dark dreamers is carrying on in the tradition of Poe and Lovecraft and King, crafting exquisitely disturbing literary nightmares that gaze without flinching into the abyss - and linger in the mind long after.

Admiral Geary und die Crew der Dauntless haben gerade eine Eskortmission zur Erde abgeschlossen, da verschwinden plötzlich zwei von Gearys Offizieren. Die Suche nach den vermissten Männern führt ihn an den schlimmstmöglichen Ort: einen Mond, der wegen eines tödlichen Virus unter strengster Quarantäne steht. Jedes Schiff, das trotzdem dort landet, muss für immer bleiben oder wird zerstört. Wie soll Geary seine Männer retten? Und darf er es überhaupt?

Alternating between nineteenth-century Europe and present-day New England, this tale follows the great British painter J. M. W. Turner - and his scene of artists, intellectuals, and lovers - and Henry, a middle-aged family man whose otherwise mundane existence is disrupted by the discovery of The Center of the World, Turner’s controversial painting of Helen of Troy that had been thought lost forever.

When Police Chief Alton Gravely and Officer Carothers escalate the feud between “Torreya’s finest” and conjure woman Eulalie Jenkins by running her off the road into a North Florida swamp, the borrowed pickup truck is salvaged, but Eulalie is missing and presumed dead. Her cat, Lena, survives. Lena could provide an accurate account of the crime, but the county sheriff is unlikely to interview a pet. Lena doesn’t think Eulalie is dead, but the conjure woman’s family and friends don’t believe her.

Torreya, a small 1950s Florida Panhandle town, is losing its men. They disappear on nights with no moon and no witnesses. Foreclosure signs appear in their yards the following day while thugs associated with the Klan take everything of value from inside treasured homes that will soon be torn down. The police won't investigate, and the church keeps its distance from all social and political discord.