Showing results for "The Women" in Medieval

Katherine Woodville's sister never gave her a choice. A happy girl of modest means, Kate hardly expected to become a maker of kings. But when her sister impulsively marries King Edward IV in secret, Katherine's life is no longer hers to control....

The Red Queen tells the story of the child-bride of Edmund Tudor, who, although widowed in her early teens, uses her determination of character and wily plotting to infiltrate the house of York under the guise of loyal friend and servant, undermine the support for Richard III and ultimately ensure that her only son, Henry Tudor, triumphs as King of England.

1431 is a dangerous time for a woman to be defiant. England has been fighting France for 100 years. At home, power-hungry men within a corrupt government manipulate a weak king - and name Cecily's husband, York's loyal duke, an enemy. As the king's grasp on sanity weakens, plots to destroy York take root. It will take all of Cecily's courage and cunning to save her family. But when the will to survive becomes ambition for a crown, will she risk treason to secure it?

Lux has lost everything when Else finds her, alone in the woods. Her family, her lover, her home—all burned. The world is suspicious of women like her, neither maiden nor mother. But Lux is cunning; she knows how to exploit people's expectations, how to blend into the background. And she knows a lot about poisons. Else has not found Lux by accident. She needs her help to seek revenge against the man who wronged her, and together they pursue him north. But on their hunt they will uncover dark secrets that entangle them with dangerous adversaries.

An elderly nun is accused of witchcraft after a priest dies under mysterious circumstances. When the nun tells Ela something that could turn the king against her nemesis, justiciar Hubert de Burgh, she knows she must whisper it in the king’s ear. Ela finds herself in a race to save the nun’s life as de Burgh tumbles from his lofty pedestal and chaos rattles the halls of power.

England, 1364: When married off at aged twelve to an elderly farmer, brazen redheaded Eleanor quickly realizes it won’t matter what she says or does, God is not on her side—or any poor woman’s for that matter. But then again, Eleanor was born under the joint signs of Venus and Mars, making her both a lover and a fighter.

This series features a real historical figure—the formidable Ela Longespée. The young Countess of Salisbury was chosen to marry King Henry II’s illegitimate son William. After her husband’s untimely death, Ela served as high sheriff of Wiltshire, castellan of Salisbury Castle, and ultimately founder and abbess of Lacock Abbey.

In the year of 1413, two women meet for the first time in the city of Norwich. Margery has left her fourteen children and husband behind to make her journey. Her visions of Christ – which have long alienated her from her family and neighbours, and incurred her husband’s abuse – have placed her in danger with the men of the Church, who have begun to hound her as a heretic. Julian, an anchoress, has not left Norwich, nor the cell to which she has been confined, for twenty-­three years. She has told no one of her own visions – and knows that time is running out for her to do so.

1135, England: Matilda, daughter of Henry I, knows that there are those who will not accept her as England's queen when her father dies. But the men who support her rival, and cousin, Stephen do not know the iron will that drives her. She will win her inheritance against all odds, and despite all men. Adeliza, Henry's widowed queen and Matilda's stepmother, is now married to a warrior who is fighting to keep Matilda off the throne. But Adeliza knows that Britain's crown belongs to a woman this time. Both women will stand and fight for what they know is right for England's royalty.

Wife and mother to a dynasty of kings, crusader, prisoner and formidable political operator, Eleanor of Aquitaine is a thoroughly modern woman, despite living almost 900 years ago. Intelligent, witty and independent, she is tough enough to forge her own destiny—and subtle enough to shape the world to her will.

Sylvia Townsend Warner’s The Corner That Held Them is a historical novel like no other, one that immerses the listener in the dailiness of history, rather than history as the given sequence of events that, in time, it comes to seem. Time ebbs and flows and characters come and go in this novel, set in the era of the Black Death, about a Benedictine convent of no great note. The nuns do their chores, seek to maintain and improve the fabric of their house and chapel, and struggle with each other and with themselves.

A thousand years ago in an ancient Scottish landscape, a woman is on the run with her three companions–a healer, a weaver, and a seer. The men hunting her will kill her–because she is the only one who stands between them and their violent ambition. She is no lady: she is the first queen of Scotland, married to a king called Macbeth. As the net closes in, what unfurls is a tale of passion, forced marriage, bloody massacre, and the harsh realities of medieval Scotland. At the heart of it is one strong, charismatic woman.

Ireland AD 672. The abbey of Muman at Imleach Iubhair is being renovated when its guests' hostel burns to the ground. There is one fatality: Bishop Brodulf of Luxovium, a distinguished visitor and cousin to the king of Franks. Sister Fidelma is asked by Abbot Cuán to investigate the unfortunate incident and soon finds that the bishop had been stabbed to death before the fire had even started. Thrown into a world of treachery and jealousy, where religious beliefs are vehemently disputed, Fidelma and her companions, Eadulf and Enda, face a barrier of deceit.

Durante el reinado de Felipe II, dos mujeres —Ana de Mendoza, princesa de Éboli, y santa Teresa de Jesús— sostienen una batalla sin cuartel y se abren paso, cada una a su manera, en un mundo que pretende aplastarlas. La primera, en busca del triunfo mundano, trata de alcanzar la supremacía entre los grandes de España; la segunda, en busca de la unión plena con Dios, planta cara al fariseísmo religioso y burla las asechanzas del poder político.

In 1351, many in England begin thinking that their mighty overlords - Church and Crown - have no control over their fates and a new horizon beckons. It’s a time when labor is in high demand, and nature offers immense bounty to those who have survived death and disease.

My name is Lady Margaret Pole, and I am the last of the Plantagenets. I am the daughter of the duke of Clarence and the niece of King Edward IV. No one could have been better born than I was, but I have led an unfortunate life.

Kidnapped in seventh-century England and sold as a slave to a powerful mayor in France, Bathilde needs to adapt to survive. When the mayor’s beloved wife passes away, he looks to Bathilde for comfort. Fleeing his attentions, she is forced to live on the streets until she catches the king’s eye and everything changes. Now a queen, Bathilde must provide the king with heirs and continue the charitable and social work that has become her life, all while fighting her detractors. By the end of her days, Bathilde had changed the face of medieval France forever.

In the twenty-first century, we meet Verity Frazier, a disillusioned history professor who sets out to prove that the artist responsible for the illuminated artwork in Christine de Pizan’s medieval manuscripts was a remarkable woman named Anastasia. As Anastasia’s story unfolds against the exquisitely-rendered medieval backdrop of moral disaster, political intrigue, and extraordinary creativity, Verity finds her career on the brink of collapse by her efforts to uncover evidence of the lost artist’s existence.

Bishop’s Lynn, England, 1413. At the age of forty, Margery Kempe has nearly died giving birth to her fourteenth child. Fearing that another pregnancy might kill her, she makes a vow of celibacy, but she can’t trust her husband to keep his end of the bargain. Desperate for counsel, she visits the famous anchoress Dame Julian of Norwich. Pouring out her heart, Margery confesses that she has been haunted by visceral religious visions. Julian then offers up a confession of her own: she has written a secret, radical book about her own visions, Revelations of Divine Love.

Set in France and England at the end of the twelfth century, the moving story of a spirited, questing young woman, Isabelle, who defies convention to forge a remarkable life, one profoundly influenced by the fabled queen she idolizes and comes to know – Eleanor of Aquitaine