Showing results for "The Women" in Coming of Age

'I have meditated repeatedly on what it was about Finn that had me so dismantled.' A young woman moves from the countryside to the city. Inexplicably, inexorably and immediately, she falls in love with another woman for the first time in her life. Finn is 19 years older than her, wears men's clothes, has a cocky smirk of a smile - and a long-term girlfriend. With precision, wit and tenderness, Women charts the frenzy and the fall out of love.

You know what's best for your child. Don't you? Riley Pieterson is an adventurous girl with lots of questions. There's plenty she doesn't know yet: What a human brain looks like. All the constellations in the night sky. Why others can't see her the way she sees herself. When Riley confides in her parents - Sally and Theo - that she feels uncomfortable in her own skin, a chain of events begins that changes their lives forever. Sally wants to support her daughter by helping her be who she dreams of being. Theo resists; he thinks Riley is a seven-year-old child pushing boundaries.

The almost daughter is almost normal, because she knows how to know and also not know. She knows and does not know, for instance, about the barracks by the athletics field, and about the lonely woman she visits each week. She knows—almost—about ghosts, and their ghosts, and she knows not to have questions about them. She knows to focus on being a woman: on training her body and dreaming only of escape. Then, the almost daughter meets Oksana. Oksana is not even almost normal, and the questions she has are not normal at all.

Cassandra Edwards is a graduate student at Berkeley: gay, brilliant, nerve-racked, miserable. At the beginning of this novel, she drives back to her family ranch in the foothills of the Sierras to attend the wedding of her identical twin, Judith, to a nice young doctor from Connecticut. Cassandra, however, is hell-bent on sabotaging the wedding.

Inspired by Nigeria's folktales and war, Under the Udala Trees is a deeply searching, powerful debut about the dangers of living and loving openly. Ijeoma comes of age as her nation does; born before independence, she is 11 when civil war breaks out in the young republic of Nigeria. Sent away to safety, she meets another displaced child, and the star-crossed pair fall in love. They are from different ethnic communities. They are also both girls.

Welcome to Heaven, a 30-year-old slum hidden between brand-new high-rise apartment buildings and technology incubators in contemporary Bangalore. In Heaven, you will come to know a community made up almost entirely of women. They live hand to mouth, constantly struggling against the city government's plans to bulldoze their homes and build yet more glass high-rises.

Uprooted from her comfortable life in Bogotá, Colombia, into an ant-infested Miami townhouse, 15-year-old Francisca is miserable and friendless in her strange new city. Her alienation grows when her mother is swept up into an evangelical church, replete with Christian salsa, abstinent young dancers, and baptisms for the dead. But there, Francisca also meets the magnetic Carmen: opinionated and charismatic, head of the youth group, and the pastor’s daughter. As her mother’s mental health deteriorates and her grandmother descends into alcoholism, Francisca falls in love with Carmen.

Lisa and Elliot have been best friends ever since the day they met as children. Popular, bright and sporty, Lisa was Elliot's biggest supporter when the school bullies made his life a misery, and for that, he will always be grateful. Twenty years later, life has pulled the pair apart, and Lisa is struggling. Her marriage is floundering, her teenage kids are being secretive and she's so tired she can't think straight. So when Elliot knocks on the door, looking much better than she remembers, she can't help but be delighted to see her old friend again.

Serena and Beth are best friends who couldn’t be more different—Beth is an avowed demisexual, who lacks confidence in her career and in her chances at a happy relationship due to her sexual orientation. Serena is a free spirit who oozes with confidence, both in her job and her sexual proclivities. And yet, since the moment they met, they knew they were platonic soulmates. So, when Beth decides that she officially wants to take charge of her sex life and explore the things that scare her the most, Serena is more than happy to help.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Kentucky was only ever going to be a summer job. Come fall, Blue Riley would be back in North Carolina, in college. But one job led to another, one town led to another, and one woman led to another. Now, after twenty years Blue faces the hardest question of all - is it time to go home?

After a string of sexual conquests, she is determined to figure out why the intense romantic connections she's spent her life chasing have left her emotionally high and dry. As Natalie sifts through her past and her present, she confronts her complicated feelings about her plus-sized figure, her bisexuality, and her thwarted career in fashion design.

At 37, Stevie Green has had it with binge drinking and sleeping with strange men. She’s confused about her sexuality and her purpose in life. When her mother asks her to return to her hometown of La Jolla to help her move into a new house, she’s desperate enough to say yes. The move goes so well that Stevie decides to start her own decluttering business. She stops drinking. She hires her formerly estranged sister, Bonnie, to be her business partner. Things are better than ever - except for the complicated past that Stevie can’t seem to outrun.

Desperate to quell her addiction to drugs, disastrous romance, and '90s San Francisco, Michelle heads south for LA. But soon it's officially announced that the world will end in one year, and life in the sprawling metropolis becomes increasingly weird. While living in an abandoned bookstore, dating Matt Dillon, and keeping an eye on the encroaching apocalypse, Michelle begins a new novel, a sprawling and metatextual exploration to complement her promises of maturity and responsibility.

It’s the summer of ’96 and best friends (and secret girlfriends), Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people. Even if the move means leaving behind Hannah’s beloved Bubbe.

The heat is oppressive and storms are brewing in Brighton in the summer of 1982. Little Gold, a boyish girl on the brink of adolescence, is struggling with the reality of her broken family and a home descending into chaos. Her only refuge is the tree at the end of her garden. Into her fractured life steps elderly neighbour, Peggy Baxter. The connection between the two is instant, but just when it seems that Little Gold has found solace, outsiders appear who seek to take advantage of her frail family in the worst way possible.

Laurie Norber, the protagonist of The Flash of Midnight, is a survivor of rape and child abuse who has managed to retain both her sense of humor and a positive outlook toward the future. Taking its inspiration from Voltaire’s Candide, The Flash of Midnight recounts the bisexual escapades of a young woman who steadfastly believes that real love is just around the corner, never imagining that in June of 1969, she will become the spark that ignites a sexual revolution at a small Greenwich Village bar called the Stonewall Inn.

Jessica Ann Stark, known as Jess, has lost the love of their life. A non-binary 20-something with a soft spot for girly girls, Jess has finally found the one: Emma Lee. The only problem is that she is dating their best bud, Rick. Watching Rick take Emma Lee from 19-year-old innocent high school dropout to a girl who needs to work "the program" takes its toll on Jess, who, when all is said and done, is left grieving and questioning everything.

Every summer, Jessie and Emma leave their suburban home in the Central Valley of California and fly north to Baymont. Nestled among Mendocino's golden hills, with ponies to love and endless acres to explore, Baymont should be a child's paradise. But Baymont belongs to Laurel, the girls' birth mother, whose heedless parenting and tainted judgement cast a long shadow over the sisters' summers - and their lives. Caught in a web of allegiances, the girls learn again and again that every loyalty has its price, and that even forgiveness can take unexpected turns.

Ray Shepard is a wealthy architect who has mystified his friends by marrying Evelyn, a woman who works at a nail salon. Evelyn, in turn, hides a secret past about her former life in the circus, her ex-husband's mysterious death, and the colorful tattoos she carefully conceals under her clothes. When Evelyn starts to cave under the pressure of living in Ray's rarified world, she suggests they take in Ingrid, a 16-year-old girl with blue hair, a pet iguana, and no place to stay for the summer.