Showing results for "The Victim" in Modern

The era of the coronavirus has tested America, and our leaders and institutions have conspicuously failed. That failure shouldn’t be surprising: Beneath social-media frenzy and reality-television politics, our era’s deep truths are elite incompetence, cultural exhaustion, and the flight from reality into fantasy. The Decadent Society explains what happens when a powerful society ceases advancing - how the combination of wealth and technological proficiency with economic stagnation, political stalemate, and demographic decline creates a unique civilizational crisis.

What do we owe the past? How to make peace with a dark family history? Burkhard Bilger hardly knew his grandfather growing up. His parents immigrated to Oklahoma from Germany after World War II, and though his mother was an historian, she rarely talked about her father or what he did during the war. Then one day a packet of letters arrived from Germany, yellowing with age, and a secret history began to unfold.

Just days after September 11, 2001, Kenneth Feinberg was appointed to administer the federal 9/11 Victim Compensation Fund, a unique, unprecedented fund established by Congress to compensate families who lost a loved one on 9/11 and survivors who were physically injured in the attacks. Over the course of the next three years, Feinberg spent almost all of his time meeting with the families and learned about the enduring power of grief, love, fear, faith, frustration, and courage. Most importantly, he learned that no check could make the families and victims of 9/11 whole again.

A charged biography of a notorious Nazi art plunderer and his career in the postwar art world. Bruno Lohse (1911-2007) was one of the most notorious art plunderers in history. Appointed by Hermann Göring to Hitler's special art-looting agency, he went on to supervise the systematic theft and distribution of more than 22,000 artworks, largely from French Jews; helped Göring develop an enormous private art collection; and staged 20 private exhibitions of stolen art in Paris's Jeu de Paume museum during the war.

Los ejecutores: oficiales, médicos, antropólogos, abogados, funcionarios alemanes, nuevos alemanes pero también voluntarios de otras naciones. Las víctimas, identificables y contables en todo momento, experimentaron el impacto del genocidio de distinta manera, en el tiempo o en el espacio. Los testigos: los salvadores, individuales o colectivos, los aliados, los poderes neutrales, las organizaciones sionistas, las iglesias. En Ejecutores, víctimas y testigos Raul Hilberg nos sumerge en el factor humano del genocidio.