Showing results for "The TellTale Heart" in Anthologies

Actor David Ian Davies' telling of Poe's Gothic horror tale "The Tell-Tale Heart" captures this classic narrative of the unnamed murderer in all its exquisite vileness, its self-effacing insanity that poses rationality where none exists.

A collection featuring three classic horror stories, read by actor Earl Hammond: "The Tell-Tale Heart", "The Cask of Amontillado", and "The Black Cat".

This is a story from the "Great Ghost Stories" collection.

First published in an 1843 edition of The Pioneer, "The Tell-Tale Heart" is one of Poe's best-known stories. In it, an unreliable narrator is increasingly troubled by the clouded eye of the old man he lives with. Similar to "The Black Cat", "The Tell-Tale Heart" focuses on the effects of mental instability, crime, and guilt.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

It was the eye. The dull, sightless, vulture's eye that shredded his final nerve. But the murder was done so carefully, so perfectly, that only one thing could reveal the whereabouts of the body. B. J. Harrison gives a masterful reading of the famous murder that wouldn't keep quiet. This audiobook was the #3 best-selling audiobook in 2008 at the iTunes Music Store!

The Tell-Tale Heart is a short story by Edgar Allan Poe first published in 1843. It follows an unnamed narrator who insists on his sanity after murdering an old man with a "vulture eye". The murder is carefully calculated, and the murderer hides the body by cutting it into pieces and hiding it under the floorboards. Ultimately the narrator's guilt manifests itself in the hallucination that the man's heart is still beating under the floorboards. The story was first published in James Russell Lowell's The Pioneer in January 1843.

Read by a woman, this rendition of the Poe classic stands out among the others. Nothing in the text suggests that the narrator is a man. How does the meaning shift when the narrator is a woman? What was the relationship between the narrator and the old man? Have a listen.

Narrator and actor Glenn Hascall does a masterful job creating Edgar Allen Poe's madman endeavoring to convince the listener of his sanity while describing the murder he committed.

An anthology of chilling, classic horror stories, including "The Tale-Tell Heart", "The Pit and the Pendulum", and "The Fall of the House of Usher" by Edgar Allan Poe; "The Legend of Sleepy Hollow" by Washington Irving; "The Hand", "Was it a Dream?", and "The Horla" by Guy de Maupassant; "The Red Room" by H.G. Wells; "Moon-Face" by Jack London; "The Yellow Wallpaper" by Charlotte Perkins Gilman.

When a man is killed because of his deformed eye, his heart seeks revenge.

In this unnerving Edgar Allen Poe tale, our narrator insists on his sanity after carefully calculating and committing the brutal murder of an old man because of his monstrous eye. He argues that it is quite sane to cut the body into pieces and hide it under the floorboards. Will our narrator's guilt be his undoing? To what extent will he go to defend his sanity?

Edgar Allan Poe (1809-1849) is celebrated for his tales of the macabre and the supernatural. “The Tell-Tale Heart” is one of his most famous. In it, the narrator tells how, without any motive, but merely because he is obsessed with his eye (“The eye of a vulture”), he murders an old man, and of the consequences when the murdered man's heart seeks revenge.

The anonymous narrator is suffering from a strange hypersensitivity to everything around him. He lives with an old man who has a clouded bluish eye, an abnormality that fascinates and disturbs him. Resolving to kill the man and dispose of his body, he soon realizes in horror, however, his innocent victim may never let him forget what he has done.

In this audio version of a graphic novel adapted from Edgar Allan Poe's "The Tell-Tale Heart", an unnamed narrator tries to convince the listener of the narrator’s sanity while simultaneously describing a murder he committed. The narrator's guilt feelings result in hearing a rhythmic thumping sound, which the narrator interprets as the victim's beating heart.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

"THE TELL-TALE HEART:" The unceasing pulse of a mysterious heart drives a man to both madness and murder. "MAN OF THE CROWD:" Through the dark streets of London, a man is compelled into relentless pursuit of a mysterious figure. Also included: "THE SPHINX" Total runtime: 67 minutes.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.