Showing results for "The Others" in Essays

In The Position of Spoons, Deborah Levy invites the listener into the interiors of her world, sharing her most intimate thoughts and experiences, as she traces and measures her life against the backdrop of the literary and artistic muses that have shaped her. From Marguerite Duras to Colette and Ballard, and from Lee Miller to Francesca Woodman and Paula Rego, we can relish here the richness of their work and, in turn the richness of the author’s own.

What does it take to escape the plotlines mapped onto us? Searching for clues in the work of her literary foremothers, Lipson untangles what it means to be a girl, a woman, a lover, a partner, a daughter, and a mother in a world all too ready to reduce us to stock characters. Risky and revealing, nourishing and affirming, rigorous and sexy, Mothers and Other Fictional Characters is a shimmering love letter to our forgotten selves—and the ones we’re still becoming.

If you love David Sedaris, you'll have to listen to Marion Winik's anything-but-traditional tales of traveling with her cranky family in tow. From lost teenagers and missed connections to overpriced drinks and gambling mishaps, Winik - author of seven memoirs and a Morning Edition commentator on NPR - illuminates the unexpected pleasures of journeying out of your comfort zone.

A sensational celebration of Annie Ernaux's work—Writing, the Other Life features collected writing by critics, journalists, and 24 previously unpublished pieces by the Nobel Prize winner herself—offering a full view of the author's life, writing style, reception by readers, and her thoughts and influence.

From organising the school summer fete - 'Because of our inability to recognise our climatic shortcomings from the outset, arrangements for outdoor jollities get completely out of hand' - to the sometimes rather odd passions of childhood - 'I collect stones with holes in them' - Miss Read captures the essence of rural life, and in particular of village schools, as only she can.

As a young intern at Pride magazine, Diana Evans was catapulted into the role of culture editor, and so began her career as a journalist, writing about musicians, dancers and artists, interviewing the likes of Viola Davis, Alice Walker and Edward Enninful. Crafted over twenty-five years, with the intelligence and sensitivity that Diana Evans is known for, I Want to Talk to You invites you into a conversation about literature, art, identity, and everything in between.

Biographer Michael Shelden called Orwell’s Politics and the English Language “his most important essay on style”. First published in 1946, the essay exploded the language trends of the time and served as an inflection point in the debate about communication in the 20th century. This collection of essays published 1946-48 provides a comprehensive critique of the status of politics and speech in the mid-century.

Originally published in 1966, Susan Sontag's first collection of essays is a modern classic and includes the famous essays "Notes on Camp" and "Against Interpretation", as well as, her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought.

Emerson's enduring reputation, however, is as a philosopher, an aphoristic writer (like Friedrich Nietzsche) and a quintessentially American thinker whose championing of the American Transcendental movement and influence on Walt Whitman, Henry David Thoreau, William James, and others would alone secure him a prominent place in American cultural history. Emerson is often characterized as an idealist philosopher and indeed used the term himself of his philosophy, explaining it simply as a recognition that plan always precedes action. Contents:. History. Self-Reliance. Compensation.

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ This collection of 20 reviews, essays and pieces of memoir from the next three decades tells the story of what happened next.

Se reúnen por primera vez en su solo volumen los textos Inquisiciones y Otras inquisiciones, que abren algunos de los temas que serán recurrentes en la estética del autor. Este feliz volumen, inédito como tal hasta hoy, se compone de dos libros dados a imprenta con más de un cuarto de siglo de diferencia, la que separa 1925 de 1952. No obstante, sus ensayos pertenecen a un mismo diálogo, el de Borges con la historia literaria, el del lector con el escritor.

This is Virginia Woolf’s first collection of essays, published in 1925. In them, she attempts to see literature from the point of view of the ‘common reader’ - someone whom she, with Dr Johnson, distinguished from the critic and the scholar. She read, and wrote, as an outsider: a woman set to school in her father’s library, denied the educational privileges of her male siblings - and with no fixed view of what constitutes ‘English literature’. What she produced is an eccentric and unofficial literary and social history from the 14th to the 20th centuries.

An irresistible collection of favorite writings from an author celebrated for his bravura style and sheer unpredictability. Francis Spufford’s welcome first volume of collected essays gathers an array of his compelling writings from the 1990s to the present. He makes use of a variety of encounters with particular places, writers, or books to address deeper questions relating to the complicated relationship between storytelling and truth-telling.

Ralph Waldo Emerson was an American essayist, lecturer, philosopher, abolitionist, and poet who led the transcendentalist movement of the mid-19th century. He was a prescient critic of the countervailing pressures of society, and his ideology was disseminated through dozens of published essays and more than 1,500 public lectures. Emerson gradually moved away from the religious and social beliefs of his contemporaries, formulating and expressing the philosophy of transcendentalism in his 1836 essay Nature.

Wendy Cope has long been one of the nation's best-loved poets, with her sharp eye for human foibles and wry sense of humour. For the first time, Life, Love, and the Archers brings together the best of her prose - recollections, reviews, and essays from the light-hearted to the serious, taken from a lifetime of published and unpublished work, and all with Cope's lightness of touch.

These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens - as depicted by one of the great writers of this or any other time.

How did George Eliot's love life affect her prose? Why did Kafka write at three in the morning? In what ways is Barack Obama like Eliza Doolittle? Can you be over-dressed for the Oscars? What is Italian Feminism? If Roland Barthes killed the Author, can Nabokov revive him? What does 'soulful' mean? Is Date Movie the worst film ever made? A collection of essays that brims over with personality and warmth, Changing My Mind is journalism at its most expansive.

Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant—and utterly hilarious—works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations. In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage “You can never go back.”

Other Colours is a collection of immediate relevance and timeless value, ranging from lyrical autobiography to criticism of literature and culture, from humour to political analysis, from delicate evocations of his friendship with his daughter Ruya to provocative discussions of Eastern and Western art. It also covers Pamuk's recent, high profile, court case.

You Don’t Know Us Negroes is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could.