Showing results for "The Game" in Media Studies

This Is Not a Game is the extraordinary untold story of the internet’s first conspiracy theory, the legend of Ong’s Hat. Marc Fennell will dive deep into a previously unexplored world of tech hippies, eccentric web subcultures and simmering paranoia, uncovering how this tongue-in-cheek artistic experiment backfired on its creator and went on to influence much of what’s wrong with the internet today.

Why would the first family of oil so ardently support environmental climate research and activism? Join author and researcher Jacob Nordangård as he uncovers the whole sordid truth.

The best single work available on the evil conspiracy that has been responsible for the devastating wars and continuing conflicts of the past century. They are now close to its ultimate goal of total world domination through a dictatorial one world government.

Steven L. Kent has been playing video games since Pong and writing about the industry since the Nintendo Entertainment System. In volume 1 of The Ultimate History of Video Games, he chronicled the industry’s first thirty years. In volume 2, he narrates gaming’s entrance into the twenty-first century, as Nintendo, Sega, Sony, and Microsoft battle to capture the global market.

With all the whiz, bang, pop, and shimmer of a glowing arcade, volume 1 of The Ultimate History of Video Games reveals everything you ever wanted to know and more about the unforgettable games that changed the world, the visionaries who made them, and the fanatics who played them. Starting in arcades then moving to televisions and handheld devices, the video game invasion has entranced kids and the young at heart for nearly fifty years. And gaming historian Steven L. Kent has been there to record the craze from the very beginning.

In Game On David Bockino, a former marketing and advertising manager at ESPN turned professor of communications and sport management, provides the first overview of the evolution of the sports media industry.

Gary Webb had an inborn journalistic tendency to track down corruption and expose it. For over thirty-four years, he wrote stories about corruption from county, state, and federal levels. He had an almost magnetic effect to these kinds of stories, and it was almost as if the stories found him. It was his gift, and, ultimately, it was his downfall.

The sea shanties, YOLO's, and red bandanas aren't even half of the GameStop story. Did you know Robinhood didn't initiate their infamous trading halt? Did you know why Redditors refer to 2021 as the "sneeze" rather than the squeeze? Did you know that shares in your brokerage account might be counterfeits? If not, buckle up.

An examination of the terrifying ideas of the Dark State’s internationalist-elite oligarchs and the disquieting technological trends that, combined, threaten the fabric of our reality and the very future of mankind.

In Hunting Girls, Kelly Oliver examines popular culture's fixation on representing young women as predators and prey and the implication that violence - especially sexual violence - is an inevitable, perhaps even celebrated, part of a woman's maturity. In such films as Kick-Ass (2010), The Girl with the Dragon Tattoo (2011), and Maleficent (2014), power, control, and danger drive the story, but traditional relationships of care constrict the narrative. Even the protagonist's love interest adds to her suffering.

A brief synopsis on the convergence of new age theories, technological advancement, and political entanglement yields a case for informational transparency as the foundation of government reformation and social evolution. Smile (While You Stick the Knife In) was originally published in 2011; however the topics discussed are more prevalent in today's socio-political climate than in the time it was written.

Seeking ways to understand video games beyond their imperial logics, Patterson turns to erotics to re-invigorate the potential passions and pleasures of play. Video games vastly outpace all other mediums of entertainment in revenue and in global reach. On the surface, games do not appear ideological, nor are they categorized as national products. Instead, they seem to reflect the open and uncontaminated reputation of information technology. Like literature and film before it, video games have become the main artistic expression of empire today.

Alles über Game of Thrones: seltsames Getier - Drachen und Schattenwölfe. Der Winter naht - aber wann ist er endlich da? Die Physik hinter der Mauer. 10 Dinge, die man über Game of Thrones wissen sollte.