Showing results for "The Essays" in Film & TV

To celebrate the 20th anniversary of the show's debut, Sepinwall and Seitz have reunited to produce The Sopranos Sessions, a collection of recaps, conversations, and critical essays covering every episode. Featuring a series of new long-form interviews with series creator David Chase, as well as selections from the authors' archival writing on the series, The Sopranos Sessions explores the show's artistry, themes, and legacy, examining its portrayal of Italian Americans, its graphic depictions of violence, and its deep connections to cinematic and television classics.

The one and only Zadie Smith, prize-winning, best-selling author of White Teeth, is back with a second unmissable collection of essays. No subject is too fringe or too mainstream for the unstoppable Zadie Smith. From social media to the environment, from Jay-Z to Karl Ove Knausgaard, she has boundless curiosity and the boundless wit to match. In Feel Free, pop culture, high culture, social change and political debate all get the Zadie Smith treatment, dissected with razor-sharp intellect.

Karan Johar is synonymous with success, panache, quick wit, and outspokenness, which sometimes inadvertently creates controversy and makes headlines. KJo, as he is popularly called, has been a much-loved Bollywood film director, producer, actor, and discoverer of new talent. But who is the man behind the icon we all know? Honest, heart-warming and insightful, An Unsuitable Boy is both the story of the life of an exceptional filmmaker at the peak of his powers and of an equally extraordinary human being who shows you how to survive and succeed in life.

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

Everyone’s a critic, especially in the digital age—but no one takes on the movies like multiple award-winning author Harlan Ellison. Renowned both for fiction (A Boy and His Dog) and pop-culture commentary (The Glass Teat), Ellison offers in this collection twenty-five years’ worth of essays and film criticism.

When Dave Hickey was 12, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out - he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America's foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture.

Critical Mass is a treasure trove of sparkling, spiky prose and a fascinating portrait of our lives and cultural times over the past decades. In an age where a great deal of back scratching and softball pitching pass for criticism, James Wolcott’s fearless essays and reviews offer a bracing taste of the real critical thing.

Bestselling true-crime master Harold Schechter explores the real-life headline-making psychos, serial murderers, thrill-hungry couples, and lady-killers who inspired a century of classic films.

In 1993, Fox debuted a strange new television show called The X-Files. Little did anyone suspect that the series would become one of the network's biggest hits - and change the landscape of television in the process. Now, on the occasion of the show's 25th anniversary, TV critics Zack Handlen and Todd VanDerWerff unpack exactly what made this haunting show so groundbreaking. Witty and insightful reviews of every episode of the series, revised and updated from the authors' popular A.V. Club recaps, leave no mystery unsolved and no monster unexplained.

From her creation of the “Approval Matrix” in New York magazine in 2004 to her Pulitzer Prize–winning columns for The New Yorker, Emily Nussbaum has argued for a new way of looking at TV. In this collection, including two never-before-published essays, Nussbaum writes about her passion for television, beginning with Buffy the Vampire Slayer, the show that set her on a fresh intellectual path. She explores the rise of the female screw-up, how fans warp the shows they love, the messy power of sexual violence on TV, and the year that jokes helped elect a reality-television president.

A welcome surprise: more than 50 prose pieces, gathered together for the first time, by one of America's most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary - appearing in the New York Review of Books, the New York Times Book Review, The New Yorker, The Atlantic, The Guardian, Harper's Magazine, and elsewhere - have been parsing the political, artistic, and media idiom for the last three decades.

Serenity Found takes the contents of Finding Serenity even further, exploring not just the show but the events of the film as well, to create an anthology that's even more thought-provoking, fascinating, and far-thinking than its predecessor.

This striking new collection exemplifies the way in which Mendelsohn - a classicist by training - uses the classics as a lens to think about urgent contemporary debates. There is much to surprise here. Mendelsohn invokes the automatons featured in Homer’s epics to help explain the AI films Ex Machina and Her and perceives how Ted Hughes sought redemption by translating a play of Euripides (the ‘bad boy of Athens’) about a wayward husband whose wife returns from the dead.

Hollywood vs. The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand - some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen.

How do you become a television writer? What does it take to create your own show? Did the writers of Lost really have a plan, or were they making it all up as they went? In a career spanning far longer than he cares to admit, Javier Grillo-Marxuach has not only written for some of your favorite (and not-so-favorite) shows.

Turner Classic Movies offers an endlessly fascinating look at 52 beloved screen adaptations and the great reads that inspired them. Some films, like Clueless—Amy Heckerling’s interpretation of Jane Austen’s Emma—diverge wildly from the original source material, while others, like One Flew Over the Cuckoo's Nest, shift the point of view to craft a different experience within the same story. Author Kristen Lopez explores just what makes these works classics of both the page and screen, and why each made for an exceptional adaptation.

This eBook contains two essays on film: "On Viewing Hans Richter's Rhythmus 21": the search for cinematic meaning in one of the most famous early German avant-garde films. "The Perfect Filmic Appositiveness of Jack Smith": impressions of the films of one of cinema's most eccentric auteurs.

In his debut essay collection, Nicholas Belardes uses today’s pop culture and self-deprecating humor as a filter for discussing personal stories of family, writing, gender, art, and race. He dives into the Harry Potter play and discusses his cursed childhood home. He tells coming-of-age tales of Dungeons & Dragons and blames Stranger Things for jogging those hilarious memories.

#31Days features 65 essays and reviews covering everything from Don Coscarelli's Phantasm series to the anthology horror show Masters of Horror. This nonfiction collection follows the spirit of Sketching Details, Robert's long-running entertainment media criticism website. Horror deserves the same level of respect and analysis as any other genre.

Ya desde el comienzo del siglo XX, Walter Benjamin reflexionaba sobre lo que supondría la masificación del arte que las nuevas técnicas de reproducción hicieron posible, y proponía que en un futuro -sin duda, el que vivimos hoy- las nuevas técnicas tenderían a la politización y ganarían un poder creciente sobre el destino de los pueblos.